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The Inner Game of Music
 
 

The Inner Game of Music (Hardcover)

de Barry Green (Author), W. Timothy Gallwey (Author) "Wolfgang Amadeus Mozart, of course, was a prodigy ..." En savoir plus
4.5étoiles sur 5  Voir tous les commentaires (18 évaluations de client)
Prix éditeur: CDN$ 27.95
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The Inner Game of Music + The Mastery of Music: Ten Pathways to True Artistry + The Art of Practicing: A Guide to Making Music from the Heart
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  • Cet article : The Inner Game of Music de Barry Green

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By the best-selling co-author of Inner Tennis, here's a book designed to help  musicians overcome obstacles, help improve  concentration, and reduce nervousness, allowing them to  reach new levels of performing excellence and  musical artistry.


From the Publisher

By the best-selling co-author of Inner Tennis, here's a book designed to help musicians overcome obstacles, help improve concentration, and reduce nervousness, allowing them to reach new levels of performing excellence and musical artistry.

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Wolfgang Amadeus Mozart, of course, was a prodigy. Lire la première page
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4.5étoiles sur 5 (18 évaluations de client)
 
 
 
 
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5.0étoiles sur 5 Vital Read for Aspiring Performers, Juil 10 2004
Par L. Ku "pgroups" (New York) - Voir tous mes commentaires
(REAL NAME)   
Former principal bassist of the Cincinnati Symphony, Barry Green has created what has to be one of the most important books on musical psychology ever written. As a young clarinetist myself, I've found this read to help me change from one who frets over my auditions and solos to becoming a confident musician in front of others.

Green begins by discussing what makes up a good performance. He invented the formula P = p - i, where P is the level of the performance, p is the potential of the performer, and i is the level of mental interference during the performance. He explains how to decrease the amount of i in order to bring the level of P as close as possible to p.

Green then digs further into his ideas by introducing to two "selves". Quoted, "Self 1 is our interference. It contains our concepts about how things should be, our judgments and associations. It is particularly fond of the words 'should' and 'should not' and often sees things in terms of what 'could have been. Self 2 is the vast reservoir of potential within each one of us. It contains our natural talents and abilities, and is a virtually unlimited resource that we can tap and develope. Left to its own devices it performs with gracefulness and ease." Green goes own to give advice and excercises on how to ignore the interference of self 1 during performance and how to let self 2 work uninterupted.

Over the next chapters, Green goes into more technical and complicated details, while teaching us the powers of awareness, will, and trust. These three chapters are loaded with useful excercises, and most of them have the least do with music, at least directly. But they all tie in somewhere. Green also writes of 'Letting Go', a chapter all about how to 'become' the music while playing, rather than looking at it from a technical aspect.

Later, there's a particularly good chapter on how to, not perform but, listen to music. It explains why sometimes we don't feel moved by the music, and then gives relevant solutions to enjoying the performance.

Green chooses to end the book by not recapping all the techniques he have taught, but instead by writting several chapters on realizing how big a gift music is, and how to appreciate it to the fullest extent.

Reading this book is a potentially life changing experience. I urge all of you to give it a try...even if you are already a capable performer.

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5.0étoiles sur 5 Unexpected benefits of this book!!!, Déc 5 2002
Par Kevin Schoening (Champaign, Illinois United States) - Voir tous mes commentaires
I bought this book on the recommendation of a friend. He thought it would improve my guitar playing. What I noticed almost immediately, within the excercizes is actually a methodolgy for dealing with attention deficit disorder! I have had ADD since before there was a diagnosis for it and the methods in this book are not only helping me with music but are also having a profound affect on other areas of my life. I don't think it was the author's intent to help in this regard, but this "inner game" method has far reaching implications....Thank you!!!...
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5.0étoiles sur 5 Well developed techniques for musicians, Aoû 3 2002
Par Un client
Using Timothy Gallwey's "Inner Game" techniques, Barry Green has provided here an excellent resource for musicians who feel that they practice adequately, but still lack a "certain something" in their music. Mr. Green leads the reader through a series of examples and techniques that combat nervousness, a lack of emotion, and many other problems that most musicians face. Although I am a rather well versed saxophonist, I tended to get nervous before many of my performances and auditions, and the techniques of the "Inner Game" have helped me to combat that. My practice time is now more effective, and my performances are better because of this book. Some may feel that the only shorcoming in this book is that Green discusses too many varying techniques, but in actuality they are all similar in philosophy and practice, and they all lead the performer to greater chances of success.
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Commentaires client les plus récents

1.0étoiles sur 5 A load of corny rubbish
Not really sure why this book is so highly regarded, it is nothing but wishy washy new age trash. It reads like a bad infomercial, about half the book is shameless self promotion... Read more
Publié il y a 11 mois par Andrew J. Henderson

5.0étoiles sur 5 Could be the coach you've been looking for.
This book is a miracle for me. You might have heard of a book called the Inner Game of Tennis. In this book, the author reveals how he vastly improved his tennis skills through... Read more
Publié le Jui 20 2002 par Sam Barthy

3.0étoiles sur 5 A bit full of itself.
This book seems intent on promoting the Inner Game as some cure-all life philosophy (no doubt with seminars and an entire line of books and other products on the way, if not... Read more
Publié le Fév 22 2002 par Kreig L. Kitts

4.0étoiles sur 5 A book for all musicians
There's a lot to like about this book, including the specific techniques used to get past mental obstacles, so musicians can play better and enjoy their playing more. Read more
Publié le Fév 13 2002 par Darrin Koltow

4.0étoiles sur 5 Build your confidence with everything and everyone
As the other reviewers have mentioned, this book will not only help you with your musical performance and how to practice, but also how to deal with other situations in your... Read more
Publié le Aoû 4 2001 par T. Yoshino

5.0étoiles sur 5 Fantastic! Every musician needs to read this book
As a beginning cellist, I heard about this book working wonders with other musicians, so I purchased it for myself. Read more
Publié le Juil 16 2001 par Jennifer A. Johnson

5.0étoiles sur 5 The Must Read Far All Musicians
This is the most incredible book ever written on all aspects of music. This is a must read for any musician, regardless of your level. Read more
Publié le Mai 25 2001 par the_big_z

5.0étoiles sur 5 Heightened levels of confidence, creativity and enjoyment
The book's themes are universal and can be applied to anyone at any stage of musical development. The book helps you to focus more on making music and connecting emotionally with... Read more
Publié le Avril 4 2000 par CharIes Mingus@aol.com

5.0étoiles sur 5 very helpful
This book, "The Inner Game of Music" helped me put more of myself into my music. It explains how music is only 50% physical, but also 50% mental. Read more
Publié le Janv. 17 2000 par clsscaltrpt

4.0étoiles sur 5 only for open minded people
it works for me, my guitarist and my drummer, but it didnt't work for my vocalist and my keyboardist. If you already have an open mind, this book is for you. Read more
Publié le Mai 15 1999

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