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The Robber Bride
 
 

The Robber Bride (Hardcover)


3.8 out of 5 stars  See all reviews (60 customer reviews)

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Product Description

From Library Journal

Petite Tony teaches the agressively male subject of military history and has a talent for speaking backwards; actually, she's Ynot. Charis eats only vegetarian fare and consults crystals. Boisterous, stylish Roz runs her own company and drives a BMW. These three women would seem to have little in common, but they're held together by a single thread: Zenia, a lying, charismatic femme fatale who at one time or other stole the men in their lives. But Zenia is dead, blown to bits in Beirut, and can hurt them no more. Or so they think until the day a still-seductive Zenia walks into the restaurant where they are having lunch. As in Cat's Eye ( LJ 2/1/89), Atwood takes feminism one step further, showing women as victims not only of society but of themselves. Her book is daring, richly detailed, and compulsively readable. Indeed, some readers might find it too readable; at times it feels a bit trashier than something you would expect from Atwood. In addition, while Zenia is a fascinating absence at the novel's center, she seems too bad to be true. Nevertheless, Atwood is always good reading. For most collections. Previewed in Prepub Alert, LJ 7/93.
- Barbara Hoffert, "Library Journal"
Copyright 1993 Reed Business Information, Inc.


From Kirkus Reviews

Antonia (Tony), Karen (Charis), and Roz are three 50-ish Toronto friends, pals since college, all of whom have had to negotiate (and none too well) the treacheries of another friend, Zenia--someone who in the past has stolen a significant man from each of the others. But Zenia, they are led relievedly to understand, has been dead for some years--blown up in a Beirut bomb blast; they had carefully attended, together, her memorial service to make doubly sure. Yet why does the very selfsame Zenia now appear across the room one afternoon at a restaurant where the three women are lunching? It creates turmoil. Tony--a college military historian with a milquetoasty composer husband and an annoying tic of spelling words backwards; doggedly hippie Charis, New Age-y survivor of incest, and lover of a US draft-dodger; and Roz, power-businesswoman despite herself, wife of a sad-sack philanderer--all of the massed trio views Zenia not only as a communal threat, but as a chastening, changeable contrast to the courses of their own lives. Atwood (Wilderness Tips, 1991; Cat's Eye, 1989, etc.) does a professionally tidy job with the outline of this social comedy, but apart from some poetic turbocharging around Charis's memories of abuse, plus a nice capture of modern manners most of the time, the book lacks luster: it could be a more brittle, smarter Rona Jaffe novel. Atwood seems to want to make the three unlikely friends both representative of their age, place, and times--but also not: the flaky names and square-peg lifestyles argue for an individualism none of the women quite achieves. And Zenia, the fox among these chickens, is utterly cloudy, a trope instead of a character. Amusing sometimes, but flogged and padded--hardly one of Atwood's better efforts. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.

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Customer Reviews

60 Reviews
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3.8 out of 5 stars (60 customer reviews)
 
 
 
 
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2 of 2 people found the following review helpful:
4.0 out of 5 stars NEWS FLASH: man reads Atwood... and likes it., Mar 4 2001
By Cipriano "www.bookpuddle.blogspot.com" (Planet Claire) - See all my reviews
(TOP 500 REVIEWER)   
I just finished this book... in fact, Zenia's ashes are probably still hovering over the water... Roz and Tony are right now slipping some of Charis's well-intentioned hors d'oeuvres into their pockets under the table to throw out on their way home...

I am a guy, and I actually enjoyed reading about these gals. I'm sure the book probably has a 99% female readership... which is O.K. and understandable, but it's too bad more guys don't read Atwood stuff... it's very educational and entertaining. There's more grit, hilarity, and bouncing off the ropes here than in any afternoon of the WWF !!

For a while I was disappointed in the co-incidence that all of the female characters seem to come from overly similar dysfunctional (even suicidal) parental lineage... they have similar inner struggles and propensities toward dual personalities. Redundant? But then I considered that it is often this very type of thing that can cause people to gravitate towards one another... even without the awareness of each other's history. So it is not unduly "contrived" that the three main characters should come together over the decades that are represented here. At any rate, it is Zenia, (who leaves nothing of "co-incidence" in her wake) that is the common denominator... the robber "mistress" as it were, that causes the three to increasingly interact and support one another.

Word to the men here though... if you need to feel like a hero, stick with Tom Clancy or whatever. The only real criticism I have of The Robber Bride is that (with all due respect to the capricious properties of testosterone), I'm not sure that all men are as ready to abandon established relationships and chase after silicone as are the men that are portrayed here. But, all that aside, I really enjoyed the book and was interested throughout.

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1 of 1 people found the following review helpful:
5.0 out of 5 stars Atwood and her characters shine in this fabulous book, April 19 2001
By "eurotrashgirl" (s e a t t l e) - See all my reviews
The Robber Bride is one of those books that is thoroughly engrossing, one which creates characters and a world which we don't want to see end.

The book is about 3 different, good-hearted women and the way in which their lives intersect and twist and entwine around another, powerful, sexual, and almost witch-like woman, Zenia.

First there is Roz (a wealthy, robust woman who came from money, but works hard as an executive for a magazine, is married to "Mitch," and has three chidren, two young twin girls and an older boy), then Tony (a shy, bookish history professor with a lover named West, she prefers to live in the dusty struggles of the distant past, or at least she is most comfortable there), and finally Charis, or "Karen," (a very fragile, wispy woman who lives in a run-down house on an island near the city, and who has an American draft-dodger lover, Billy, and later, a daughter, August).

What brings these women together is one woman, Zenia. Zenia is a mysterious woman, who we learn quite a bit about, (for one thing, we learn that she is incredibly powerful, and kind of like a black hole with the power to suck in unassuming men into her sexual web, no matter who they are, or what relationships existed for the men previously), but who remains a sort of shadowy enigma. Atwood makes it clear that Zenia is no ordinary woman. Through Zenia's lips come all sorts of stories about her origins. She was a Russian emigre who was a child prostitute after her mother died. She is a busty, exotic waitress who men cannot keep their eyes (or hands) (or hearts) (or declarations of undying love) off of. She is a ghost, the ghost of a woman who was killed in a far-off land while working as a photographer covering the war. She is an Eastern European goddess, with eyes and lips and a body that could sink a thousand ships. Zenia is all of these things, and many, many more. She is a mysterious, mystical force, a dark velvet magnet for the imagination, the Id of woman personified, Eve in the garden. She is also, or she can be, very, very evil, and like a storm she leaves bodies, hearts, limbs, tears, strewn behind her in her wake. She pulls a man, a woman, a Person, into her life, and then spits them out and disappears, only to appear again, in a different guise, in a different story, carrying with her the seeds of a different past, to plant them into another victim. A sort of metaphorical vampire. And the women in the book, who encounter her time and again, with years in between sometimes, swear to themselves, (and later, to each other), that this time, *this time,* they will not let her in. They know that their loves, their families, their hopes and dreams, their very lives are at stake. But it's not so easy to turn their back on her as they would like. She's the kind of person, the kind of myth, that is impossible to ignore. She is so powerful, so strong a force, that three otherwise intelligent women can't help but answer the knocking door, can't help but let her in, "just for a minute," "just for a small favor." And like the hunter that she is, Zenia worms her way inside, and greedily feeds on the marrow of all that is sacred to them, all that is theirs. Atwood creates a character here who wears a human cloak to hide the wolf inside her. Fascinating.

It's true, the book is really about the three other women, their struggles, their loves, their attempts to make a full and satisfying life for themselves in the world. To be happy with themselves, to find lasting love, or try to, to bring children into the world and create families, homes.

But the character that stuck with me, I have to say, is Zenia. I found her a fascinating creation, and proof yet again of Atwood's measurable talent as a writer and of her boundless imagination in creating her characters. Atwood is known for mixing elements of fairy tales into her work (the title of this book is even based on the fairy tale, "The Robber Bridegroom.") I think she enjoys mixing things up, and making her villain a woman, instead of a man, like we are so used to in our culture. As a feminist, I think Atwood wants to present women that are multi-faceted and not just good and quiet and motherly and sweet, like we are so often expected to be. I think Atwood fans will be delighted with this novel, and I highly recommend it to fans of feminist fiction. To enjoy this book the most, I think you have to think of Atwood as a Storyteller first (as in around the campfire, shadows everywhere, strange crackling behind you in the forest), realist fiction writer second. Zenia is a *myth*, which is what I don't think some people who've read the novel completely understood.

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3.0 out of 5 stars Longer than I thought it should be, May 10 2002
By Kimberly A. Paternoster (San Francisco, CA) - See all my reviews
(REAL NAME)   
I read Handmaid's Tale, and enjoyed it, so I figured this would be along the same lines. Not EVEN the same kind of book!...there were only a few parts I found funny. I did think the book was long at times, especially the chapter describing Roz and her history. But, generally, it was a decent read.

Zenia (the thief) is a very complex character, and chapters are spent describing how Zenia helped to destroy the 3 main characters' relationships (Roz, Charis, Tony). But, Zenia is never given her own chapter on why she feels like being this way. I think this is on purpose though; I think the book is really about women and "rebirth" throughout their lives - women coming to terms with loss and learning to let go. I'm surprised Oprah didn't pick this book!

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Most recent customer reviews

3.0 out of 5 stars Entertaining and frustrating
Atwood is an enormously frustrating author. She is obviously very intelligent and imaginative; she picks fascinating subjects and explores different writing techniques for each... Read more
Published on Mar 30 2004

1.0 out of 5 stars The blindness comes from the jungle
The author, Margaret Atwood, cannot fascinate. Her style is too extensive; she does not come to the point. Read more
Published on Jun 9 2002 by Gerburg Frick

3.0 out of 5 stars A Male Feminist's perspective
The Robber Bride, the second book I have read by Margaret Atwood, explores the lives of three richly believable characters. Read more
Published on April 3 2002 by kuprof

4.0 out of 5 stars A good read
This is ostensibly the story of three women who lose both their men and piece of themselves to a shifting illusion called Zenia. Read more
Published on Jan 12 2002 by MommaLeeO

4.0 out of 5 stars A delicious, quick read
The Robber Bride by Margaret Atwood is a page-turner. It's the story of three very different 50-something women, Roz, Tony, and Charis, who have two things in common: they went... Read more
Published on Nov 9 2001 by Shantell Powell

4.0 out of 5 stars At times uneven but often fascinating.
I love Ms Atwood's writing period. I mean,in my opinion she could write about the phone book and keep me engrossed. Read more
Published on Oct 27 2001 by Robyn Lee Markow

2.0 out of 5 stars blah
Well, it was better than Cat's Eye.

I wish I could like Atwood. This could have been an enjoyable dramatic adventure for the women in the novel... Read more

Published on Sep 18 2001 by V

3.0 out of 5 stars a female bonding soap opera saved by brilliant writing..
Margaret Atwood is clearly amongst the most talented writers of modern fiction today. When her gift is matched with a wonderful story, as with her recent "The Blind... Read more
Published on May 4 2001 by lazza

3.0 out of 5 stars Great Writing by Atwood
I'm never disappointed by Atwood's writing. She is able to create a page-turner in every single work that I've read, and The Robber Bride was no exception. Read more
Published on April 24 2001 by K. Melissa Galyon

5.0 out of 5 stars great
One of Margaret Atwood's best. A compelling, suspenseful story of three friends who are thrown for a loop when an old friend they all thought was dead suddenly reappears in their... Read more
Published on April 1 2001

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