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EMERALD CITY-P352904/3 (next reprint)
  

EMERALD CITY-P352904/3 (next reprint) (Hardcover)

by Jennifer Egan (Author)
3.4 out of 5 stars  See all reviews (11 customer reviews)

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From Publishers Weekly

Ranging in setting from provincial China to downtown Manhattan, the 11 short stories in Egan's first collection trace characters grappling with a wide variety of backgrounds and situations. But whether portraying the ennervated atmosphere of an exotic fashion shoot in Africa ("The Stylist") or a teen's discovery of her father's secret life ("Puerto Vallarta"), Egan's writing is even more assured and convincing than it was in her debut novel, The Invisible Circus. In the chilling "Sacred Heart," about a young girl's obsessive infatuation with her school's premier self-destructive rebel, Egan manages to sustain an atmosphere charged with menace without resorting to predictable shock effects. Many of the tales concern Americans abroad, characters who are disconnected from both their present environments and from the lives they've left behind. This theme finds its most persuasive expression in the dazzling "Why China?" in which a troubled San Francisco financial trader encounters the con man who once cheated him out of $25,000. With remarkable economy, Egan develops an uneasy cat-and-mouse game between the two men, as well as a rare depth of characterization for such a short work. While a smattering of the tales here seem like apprentice work by comparison-the title story, for instance, which concerns a hyper-trendy photographer's assistant in Manhattan-the collection as a whole showcases Egan as a writer of admirable ambition and accomplishment.
Copyright 1995 Reed Business Information, Inc.

From Library Journal

Appearing just after the publication of her first novel, The Invisible Circus (LJ 11/15/94), Egan's stories will satisfy many readers. Her protagonists-adult men and women, and adolescents who fight fear, loneliness, boredom, and discontent-could be anyone anywhere. A troubled trader ("Why China?") takes his family to a remote province; a parochial school student ("Sacred Heart") copes with adolescent angst; estranged marital partners ("Passing the Hat") find happiness elusive; models and their photographers ("Emerald City") seek reality in an artificial world. Longing for what they lack in their own lives, Egan's characters witness life evolving around them. Readers will enjoy the author's crisp writing style and the realism of "plain folks" trying to cope with common problems in global settings. Recommended for fiction collections of public libraries.
Ellen R. Cohen, Rockville, Md.
Copyright 1996 Reed Business Information, Inc.

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Customer Reviews

11 Reviews
5 star:
 (5)
4 star:
 (1)
3 star:
 (1)
2 star:
 (1)
1 star:
 (3)
 
 
 
 
 
Average Customer Review
3.4 out of 5 stars (11 customer reviews)
 
 
 
 
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Most helpful customer reviews

 
5.0 out of 5 stars Beautifully crafted, a joy to read, Nov 10 2003
By Jon A. Pastor (Wynnewood, PA USA) - See all my reviews
(REAL NAME)   
This review is from: Emerald City (Paperback)
I'm a writer. I've heard Jennifer Egan speak, and I know her background and history. You guys are as far off-base as you could possibly be.

Pay no attention to the negative reviews. How seriously can you take, for example, someone who can't distinguish between an author's own politics and those of the characters about whom she writes? And yes, she has academic training -- but her fiction was shaped by her experience as a struggling young writer in New York. And finally, the dozen-and-a-half reviews excerpted in the edition I have include raves from the NYTBR, Time, The Phila Inquirer, The SF Chrnoicle, etc -- who are you going to believe? NYTBR or some anonymous bozo on Amazon?

Buy it -- you will absolutely not regret it.

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2.0 out of 5 stars Good writing by an author stuck in gender myths, May 10 2002
By Traveler (New England) - See all my reviews
(TOP 1000 REVIEWER)   
This review is from: Emerald City (Paperback)
It's true, Jennifer Egan is a good writer. She's descriptive and eloquent. The problem is, her characters are all the same and her view on the world is, quite bluntly, annoying and misleading.

The majority of the female characters in this book are whimps who have things done to them. They're victims. Sure, a lot of them are scruffy "survivors," I'll admit as much. But none of these women are really proactive or, for that matter, perpetrators, at least not on par with the men in these stories.

One example where Egan has the "victim" thing really messed up: Reliable studies have shown that the "First Wives Club" mentality is a myth. The majority of men do not leave their wives for prettier, younger trophy wives. About 2 thirds of all divorces are actually instigated by the wives. The men don't come out smelling like tulips here, however. A large percentage of wives ask for those divorces because they're tired of being super moms or having to take care of their husbands like they're children. The point is, a lot of women take charge of their lives and are not victims! As for most men, the idea of a young pretty second wife is typically, in reality, the thing of fantasies.

Egan needs to wake up to the world and understand that people are just people. Men get cheated on, women get cheated on, sometimes you're victim, sometimes you're the perpetrator. This book might be eloquent, but it's also a victim's propaganda -- one that perpetuates myths and adds fuel to the "gender war" instead of adding to our understanding. Please, Ms. Egan, get some objectivity.

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5.0 out of 5 stars Just Right, July 19 2000
By Karon Luddy (Charlotte, North Carolina United States) - See all my reviews
(REAL NAME)   
This review is from: Emerald City (Paperback)
I read this slim volume of stories with a sense of awe. Each story is like a jewel set in an elegant bracelet. Egan's prose is crystal clear yet subtle. Her characters are so alive, so fatally human. Each story veered away from what I expected, but surprised me with how "right" they ended. Although these tales are conventional short stories, each of them had the clarity of a fine poem yet the depth of a novel.
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Most recent customer reviews

3.0 out of 5 stars A Mixed Bag
It would not surprise me to learn that Jennifer Egan attended a graduate school for a degree in creative writing; her stories have the studied, reductive, by-the-numbers sincerity... Read more
Published on Mar 17 2000

5.0 out of 5 stars Stories that scintillate.
I am crazy about this book and have kept coming back to it in the two years since I first read it. The range of the storytelling is grand. Read more
Published on Sep 7 1999

1.0 out of 5 stars Cool as last night's dishwater
If this were a drink, that's what it would be. With a sprig of iceberg lettuce, and a film of palm oil. Read more
Published on Jun 30 1999

5.0 out of 5 stars Alluring; Hauntingly beautiful tales
Jennifer Egan has a rare gift of communication -- I felt as if she were sharing a wonderful secret with me. Read more
Published on Oct 25 1998

4.0 out of 5 stars Cool, elegant, equisitely desolate stories
The characters in all of these stories are caught up in running around the world looking for something better, or at least, a distraction from the realities of the human... Read more
Published on Oct 6 1998

1.0 out of 5 stars Cool as a cucumber
I felt like I should like these stories, but the writer never engaged, nor involved me enough. The writing was "correct" but lacked heart and any real artistic... Read more
Published on Aug 19 1998

1.0 out of 5 stars A disappointment.
Perhaps my expectations were too high, but I found these stories irritatingly tedious and trite. The author never quite manages to find a pulse in any of her subjects.
Published on July 30 1998

5.0 out of 5 stars Brilliant
I just loved this book. Sensitive, mysterious, graceful.
Published on May 22 1998

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