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Echoes of an Autobiography
 
 

Echoes of an Autobiography (Paperback)

by Naguib Mahfouz (Author)
4.0 out of 5 stars  See all reviews (2 customer reviews)
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From Publishers Weekly

Mahfouz's first nonfiction book to be published in English, this mosaic of autobiographical vignettes, reflections, allegories, childhood memories, dream visions and Sufi-like spiritual maxims and paradoxes is a deep pool of wisdom that confirms his stature as a writer of universal appeal. These short forms seem to come naturally to the Nobel Prize-winning Egyptian novelist, a master of chiseled prose, pithy observations and devastating asides. As the title suggests, this compilation echoes his recurring themes: the common humanity of rich and poor, the redemptive power of love, the transitoriness of happiness, the yearning of salvation, and how our inevitable destiny, death, unconsciously molds our strivings and search for meaning. In her introductory essay, Gordimer defends Mahfouz against feminists who attack his depiction of women characters, arguing that he accurately portrays the oppression of women in his society. By contrast, the women in these parables and sketches, though often impersonally observed, are symbols of spiritual release, radiant joy, beauty and freedom. There are scattered, veiled political echoes, too, as in the first-person portrait of an elementary school pupil who secretly longs for anarchy and revolution.
Copyright 1996 Reed Business Information, Inc. --This text refers to the Hardcover edition.


From Library Journal

"Do you deny that you had your share of the warmth of the world and its fragrance?" one interloper asks the elderly, often weary narrator in one of the series of allegorical reflections that frame the life of the Egyptian Nobel laureate (e.g., Children of the Alley, LJ 12/95). Mahfouz transcends the traditional autobiography here, offering instead distillations of an impossibly full and eventful career. The brief anecdotes recall the narrator's youth, a time "pure and unsullied"; temptation and longing to return to the embrace of family; dreams; fears of lost esteem and fallen glory; and sensuous epiphanies. A particular light, aroma, or tune will recall for the narrator, now in old age and hounded by death, snatches of a time he despairs of repossessing. Mahfouz surrenders the last quarter of this slim volume to the pithy parables of the sheikhs?as if to signal the end ("What I endured from desire made my life a yearning concealed in nostalgia"). Mahfouz's language carries the gravity of religious truth and the lyrical clarity of poetry. An enigmatic work that will please his growing numbers of American readers.?Amy Boaz, "Library Journal"
Copyright 1997 Reed Business Information, Inc. --This text refers to the Hardcover edition.

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4.0 out of 5 stars Autobiography of the imagination, May 8 2001
By Pipistrel (Oxford United Kingdom) - See all my reviews
Despite its title, this is definitely not an autobiography of Mahfouz. Four things prove this: the narrator has three sons (Mahfouz had two daughters); he is sent to prison (Mahfouz never was); he works for a period outside Cairo (Mahfouz never did); he joins a Sufi order (Mahfouz assured me most emphatically that he never did). This was the last book that Mahfouz wrote. In fact he did not write it; it was put together out of pieces that he had dictated, and it is not clear how far it represents the complete work that he had in mind. I believe it should be regarded as a work of fiction, though it may be a fantasy of a life he would like to have lived. It is nevertheless a moving work, and it helps to enlarge our understanding of the author.
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4.0 out of 5 stars Most Innovative AutoBiography book, Sep 21 1999
The way he wrote the autobiography is very unique. There is no pretention or any clear chronological order. It is the same way we remember our old days.

The wordings required a deep thought and expanding imagination to really enjoy the books. Sometimes funny, sometimes it is sour.

The only thing that makes the book four stars is due to all echoes at the quarter of the last pages are based on his admired Sheik. Had he ever have his own opinions at the last days of his life?

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