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5.0étoiles sur 5
What customs, Fév 22 2007
Few social climbers are as surreally despicable as Edith Wharton's Undine Spragg, who doesn't care what happens to anyone else as long as she can shop and party. And "The Custom of the Country" is the perfect example of what such people do to the people around them. It's nauseating and brilliant, all at once.
Undine Spragg is a mesmerizing beauty from a tiny town, whose parents made a small-scale fortune and have moved to the glitzy world of New York. Undine wants the best of everything, more than her family can afford, but she thinks it's all worth it -- so she marries a besotted son of "old New York," but it doesn't take long for him to realize how incompatible they are.
And he doesn't realize that Undine is hiding a (then) shameful secret -- she was once married and quickly divorced from a vulgar businessman. In the present, Undine continues her quest for a life of pleasure, moving on to a French nobleman and getting just as dissatisfied with him. The only way to succeed lies in the one man who sees her for what she is.
Undine Spragg may actually be one of the most despicable, selfish characters in all of classic literature -- she literally doesn't care about anyone but herself, or who she hurts. You'd think a book about someone like that would be dreary, but instead it's one long needle at the people like Undine, who care only for money, status and fun.
But it's also about the changing fortunes in late 19th-century America (and Europe). New money -- symbolized by Undine and her shrewd, megarich ex-hubby -- was squeezing out the old guard, who were never terribly rich to start with. Wharton's observations on their rise and decline have a sharp, biting edge. Although compared to the anti-heroine, the old traditions seem pretty innocent.
Lots of celebrity socialites could take a lesson from Undine's story: she's a snob of humble stock, thinks she's a great person, and utterly selfish -- if her husband shoots himself, that's great! She can marry again without the disgrace of a divorce! Yet in the end, you know that Undine will always be craving something more that she thinks will make her happy, but she will never find it.
The characters around Undine are usually nice, but blinded by her nymphlike beauty -- and even her parents, who know what she's like, are too beaten-down by her whining to resist. Only her ex-husband, Ralph Marvell, is really right for her -- not only is he obscenely rich and just as grasping as Undine, but he's smart enough to know what a monster she is.
"The Custom of the Country" is a wickedly barbed, brilliant piece of work, with one of the nastiest anti-heroines ever, and a great look at the rising tides of "new money." A must-read.
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5.0étoiles sur 5
"If only everyone would do as she wished...", Janv. 16 2004
In CUSTOM OF THE COUNTRY Edith Wharton created a most unlikable protagonist that is certainly easy to deplore. Undine Spragg is the epitome of a spoiled individual who doesn't bother to care how her financial demands negatively affect those around her. After moving to New York with her parents she has the full intentions of entering the ranks of high society. She studies the society columns in the local newspapers and dreams of residing in a splendid home on Fifth Avenue. Undine is both charming and beautiful and she doesn't hesitate to rely on various schemes and methods to get what she wants.During the course of this book the reader follows Undine as she strives to enter the fashionable social circles of New York at the beginning of the 20th century. She studies the prominent players in the upper classes and desires to join them during their dinner parties in New York and their annual spring trips to Paris. Unfortunately her father doesn't possess the type of financial resources to accommodate Undine's wishes so she seeks to marry a man who can provide. Undine's climb to the top of New York society is not without incident. At times her ascendancy is marked by setbacks and controversies that aim to keep Undine away from the social limelight. Edith Wharton provides insightful commentaries on how Undine Spragg is so self-centered and ignorant and the general superficiality of high society during this time period. Undine completely ignored the concerns of her husband(s) and her child as she strived to join the fashionably conscious social circles. The social and religious sentiments towards divorced woman are also explored during this era of general disapproval of broken marriages. CUSTOM OF THE COUNTRY provides a revealing glimpse into the workings of the upper society circles of New York before the Great War. Highly recommended.
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5.0étoiles sur 5
Brilliant, Mai 11 2003
A stunning, ruthless indictment of crass materialism and American disregard for the traditions and values of other countries. It's hard to believe this was written before WW1.
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