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11 of 13 people found the following review helpful:
4.0 out of 5 stars
enjoyable, Oct 10 2008
I understand the other reviewer's complaints about the story. And I would have to agree with the point that christopher has seemed to have forgotten some of his details and has perhaps paid less attention to them than in prior books. However, i myself found the book fun to read and have no complaints about a choppy writing style. Also there are not near as many "dwarf politics" as you might expect from some other reviews. I didn't think that the book was dragging on or that there were holes in the plot. However, as soon as you start reading you know there is no way he will finish the story in three books. I suppose he could have tightened the plot some but personally i don't mind the low points between minor climax. I have not experianced "buyers regret" with this book and if you liked the other two books this one should not disappoint.
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12 of 16 people found the following review helpful:
2.0 out of 5 stars
disappointed, Sep 24 2008
I had great expectations form this part, in part because of the delay. However, I did not find the narrative enjoyable. The author spent too much time, words and pages on needless details that do not move the story along. There are long periods in the book when nothing happens, and then a few pages with crammed up action and then back to ho-hum.
The second thing I did not like about this book is that killing and fighting seems to be described in a little too much detail. I understand part of it needs to be present to make aware the dilemmas faced by Roran and Eragorn. However, there are pages where all that is described is how people were killing people. Ok, the story is about war and people are killing people. However, it seemed repetitive.
Third thing that I did not like is how Eragorn's behavior is described. I felt that there were many holes in Eragorn's treatment. I felt that there is a lot of things that as a person with that kind of responsibility he should be doing, but instead not doing like keeping the stones in his belt charged with energy, or asking Oromis about advanced magic to counter spells, or ask him about what the Ra'zac had said before dying (about Galbatorix's quest). Roran gets gored by a bull but forgets to tell Eragorn that his wards have a hole in them.
Of course I like the books and pay attention while reading them! :-) But I feel the narrative could have been much tighter while leading to the same result.
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23 of 33 people found the following review helpful:
1.0 out of 5 stars
Promises, promises, Sep 25 2008
Somebody needs to tell Christopher Paolini that no matter many elves and dwarves you include, moral debates and politics do not an epic fantasy make.
Unfortunately that's only one of the problems with Paolini's third long-winded, short-plotted fantasy novel about the adventures of the More-Special-Than-Thou Eragon. "Brisingr" reads less like a coherent novel than like a string of unevenly-written side plots -- and the last one improves somewhat, it cannot save the third Inheritance Cycle book from being as lifeless as the dead trees it's printed on.
After a gratuitously gory cult scene, Roran and Eragon make the journey to a mountain citadel to rescue Katrina, and find themselves facing the very last Ra'zacs.
But after sending his cousin and future in-law on their way, Eragon finds himself facing a moral dilemma -- he's found Katrina's treacherous father, and isn't sure how to punish him. Be assured that whatever choice he makes is the right one, because he's a Dragon Rider and therefore Utterly Awesome. Meanwhile, the Varden are threatened when a chief of Nasuada's native people challenge her to a bloody duel, and she has no choice but to accept.
Oh yeah, and Murtagh and his newborn dragon arrive with a bunch of nerveless warriors for a surgical strike on the Varden citadel. But even after that, there are many other problems -- a forthcoming wedding, Roran's assignments on dangerous missions, and the upcoming nomination of a new dwarf king. And when Eragon finally returns to Ellesmera, he learns the truth of his own past, and is given a possible key to his future...
Though originally the finale of the series, "Brisingr" is a classic example of "middle book syndrome" -- it fails to advance anything except the myriad subplots that the Inheritance series is littered with. Every time one sidestory ends, Paolini slaps in another one, and another one, and another. The battle, the whole Sloan-sentencing, the Trial of the Long Knives, creepy psycho-kid Elva, the sexy furry elf, the dwarf politicking -- all of these are strung on one after the other, with little to connect them.
Beyond that, "Brisingr" is boring. The entire book sags painfully under pretentious moral pondering and endless political bickering, to the point where characters will even stop during a battle (Murtagh and Islanzadi especially) to yap for what seems like hours. Even Paolini seems to be aware that this is bloody dull, because then he'll throw in a brief battle. But the biggest source of tension is everybody worrying that Eragon might get hurt, because they Just Can't Win The War without his awesomeness.
The plot does take a slight upturn near the end when Eragon returns to Ellesmera, only to face a talking tree, a grumpy blacksmith and a couple plot twists straight out of "Star Wars." But it's not nearly enough. Neither are Paolini's leaden attempts at humor -- while there are a few cute moments such as Saphira sneezing fire, most of the humor is jaw-droppingly unfunny. Examples: Nasuada's nonexistant wit, and Angela's talk about Monty Python bunnies. I wish I were making that up.
And in his efforts to out-Tolkien Tolkien, Paolini's purple prose has become almost a parody of itself -- he's so intent on details that Eragon stops during a battle to note the color of a Lethrblaka's blood. His choppy, awkward dialogue doesn't sound like anything a person would actually say or think ("Even we, who were boys but a short while ago, cannot escape the inexorable progress of time. So the generations pass...").
And Paolini does his superstrong, supertalented, all-around awesome self-insert no favors. There are feeble attempts at character development by making Eragon whine and angst about killing people, but it doesn't stop him from coldly killing anybody he fights, including a young man begging for his life. The open worship of Eragon becomes downright nauseating: children frolic before him, leaders don't dare punish him, and injured soldiers announce "We fought for you, Shadeslayer!"
The other characters basically are there to infodump Eragon every few pages, on everything from sharpening swords to dragons' internal organs. The only halfway interesting characters are the angry Murtagh and his dragon, and Oromis for what few scenes he has. Everyone else is either a 2-D bad guy who hates Eragon, or a 2-D good guy who just loves him.
"Brisingr" may be the "ancient language's" word for fire, but Christopher Paolini's third novel doesn't really have any. Awkward, plodding and lacking a real plot, this flame was out before it even started.
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