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5.0 out of 5 stars
Gimmick is form pretending to be substance...., Nov 12 2001
"The Wrestler's Cruel Study" was a staff recommendation at a local bookstore here in San Francisco several years ago; and, that brief review, placed on the shelf near copies of the book, was written with such enthusiasm and humor that it charmed me the rest of the day. However, I did not purchase the book as I assumed that the reviewer was the talent and that the review was meant as a kind of comic hyperbole. That was a mistake. After running across the book again at another store, I finally bought it. Now, some years later and after a second reading, I think I can say that it ranks among my very favorites. As the book jacket suggests, we begin by observing an apartment complex where we witness two gorillas scale the outside wall to gain entry. Once inside, they kidnap a young woman wearing only her nightgown and steal her away. Her fiancé, a professional wrestler, is warned against soliciting the help of the police in her recovery; and he is given no motive for the kidnapping or asked for a ransom of any kind. In an effort to discover her whereabouts and gain her safe return, the wrestler embarks on a search that, he discovers, will do more to unravel the mystery of who he is than it will to find the one he loves. Here is a book that manages to be, among other things: a study in identity and the perception of the self; a nightmare; a story of redemption; absurdist theater designed to illustrate philosophical argument; and a big-dicked perversion of Nietzschean philosophy, albeit a charming and gravely humorous one. In the book Mr. Dobyns makes much of "gimmick." Put another way, he makes much of the masks that we wear, focusing on how they serve us, but more importantly, how they do us disservice. In illustrating the many ways that it is possible for one to bandage his or her wounds, and wear layer upon layer of these dressings or masks, he has created fully-realized characters with all manner of human strength and frailty. To have done so without judgment is, to my mind, a huge achievement. Each of the characters that populate this wild and enormously entertaining novel is developed with the skill of one who really seems to understand what it means to be human. Each of them has much to learn about life, their connections with others and, perhaps most importantly, with themselves. As lucky readers, this all serves to do the same for us. It asks rather big questions and gives no simple answers. Again, this is quite a feat for a fiction. We are asked, "When we look in a mirror, do we see ourselves or a committee?" I submit that if we look closely enough, this book, like any good looking glass, might just give us a glimpse of who we are.
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