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From Publishers Weekly
Starred Review. The Renaissance, so often seen as a clean break with the medieval past, was really an age of creative ambivalence and paradox. In this marvelously fresh addition to the Enterprise series, Parks, author of the Booker-listed Europa and a literary observer of modern Italian life, turns to Florence and to a particularly compelling contradiction. The spirit of capitalist enterprise that fostered cultural originality and underpinned patronage was accompanied by a Christian conviction that money was a source of evil and that usury was a damnable spiritual offense. In the space where this cultural conflict plays out, sometimes as stylized as one of Lorenzo Il Magnifico's tournaments, sometimes as life-threateningly fiery as Savonarola's sermons against worldly vanities, we find a world both akin to our own and almost incomprehensibly distant. Parks is a clear-eyed guide to the ambiguities of Florentine culture, equally attentive to the intricacies of international exchange rates, the spiritual neurosis about unearned income, the shocking bawdiness of Lorenzo's carnival songs and the realpolitik of 15th-century power. His prose is swift and economical, cutting to the chase. Like the Medici-commissioned funerary monument for the anti-Pope John XXIII, the effect is startlingly vibrant, resembling "those moments in Dante's Inferno when one of the damned ceases merely to represent this or that sin and becomes a man or woman with a complex story, someone we are interested in, sympathetic towards." (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.
From Booklist
Parks displays a keen observance of people's complexities and malleable motives in this account of the fabled Medici dynasty of Renaissance Florence spanning 1397-1494. The Medicis rise in banking and dissipate as succeeding generations neglect the ledger book and devote themselves to art and politics; indeed, one of the last Medicis, Lorenzo, dubbed the Magnificent, should have been called the Bankrupt. Parks effects a worldly, shoulder-shrugging tone to his descriptions of passing subterfuges as the Medicis maneuver through the snake-pit of fifteenth-century Italy. Their prime problem was the church's prohibition of usury, but the Medicis' acumen in circumventing sin created a second dilemma--warding off political poaching of their fortune, which they surmounted by taking over the Florentine republic through chicanery. As rulers, they inherit a third difficulty: Florence's survival in international politics. But the Medicis come to grief in a French invasion. Is there anything new under the sun when money mixes with politics and religion? Parks' marvelously entertaining history suggests there might be. Gilbert Taylor
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.
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First Sentence
"With usura," wrote Ezra Pound, ". . . hath no man a house of good stone each block cut smooth and well fitting that design might cover their face." Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
"With usura," wrote Ezra Pound, ". . . hath no man a house of good stone each block cut smooth and well fitting that design might cover their face." Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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