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The Best American Short Stories 1999
 
 

The Best American Short Stories 1999 (Hardcover)

de Kenison (Author)
2.8étoiles sur 5  Voir tous les commentaires (18 évaluations de client)

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From Amazon.com

A great story gets its hooks into you right from the start; you know you're in the hands of a good writer when the very first sentence transports you wholly into another world. "Mother preferred Zulu servants." "It must be, Ruth thought, that she was going to die in the spring." "Who would have thought that a war of such proportions would bother to turn in its fury against the fools of Chelm?"

The 21 fictions featured in The Best American Short Stories 1999 have very little in common--but whether they're about ranchers or commuters, romantic seekers or New Age pilgrims, what they do share is a sense of urgency. In each of them, there's a kind of voice that announces its need to be heard. "I'm not a bad guy," pleads the narrator of "The Sun, the Moon, the Stars," and even though he cheats on his girlfriend, by the end of Junot Díaz's story you might be tempted to agree anyway. (Especially considering the charming way he turns Melville's Bartleby the Scrivener into a verb--as in, "A lot of the time she Bartlebys me, says, 'No, I'd rather not.'") "Real Estate," by that master of bittersweet comedy Lorrie Moore, starts by repeating "Ha! Ha! Ha!" for two solid pages but becomes a rueful take on marriage, house-hunting, and even death: "The body, hauling sadnesses, pursued the soul, hobbled after. The body was like a sweet dim dog trotting lamely toward the gate as you tried slowly to drive off, out the long driveway. Take me, take me too, barked the dog."

Other standouts in this collection include Alice Munro's "Save the Reaper," a kind of "A Good Man Is Hard to Find" where no one is killed or saved; Rick Bass's haunting evocation of winter in the north country, "The Hermit's Story"; and Tim Gautreax's "The Piano Tuner," about a manic-depressive Creole princess playing cocktail piano in a motel lounge. (This is one tale that truly does end with a bang, not a whimper.) Taken together, they are ample evidence that the American short story is alive, well, and eminently able to--in the words of guest editor Amy Tan--"help us live interesting lives." --Chloe Byrne --Ce texte provient de la Paperback édition.



From Publishers Weekly

Despite increasing competition, this annual collection remains the place to find the most compelling short fiction published in the U.S. and Canada. Guest editor Tan comments that many of her 21 choices carry "an exotic flavor.... Either the narrators were ethnic or the settings outside America." Especially noteworthy are several stories with South Asian locations or characters. In Jhumpa Lahiri's "Interpreter of Maladies" an Indian tour guide finds himself at first puzzled by an Indian-American family, and later drawn to its frustrated mother and wife. James Spencer's "The Robbers of Karnataka" follows Americans who visit South India seeking an enlightened swami, and encounter armed bandits instead. Other strong entries come from such stellar names as Alice Munro ("Save the Reaper"), Rick Bass ("The Hermit's Story") and Lorrie Moore ("Real Estate"). But much exciting work here emanates from young writers. The evocative "The Sun, the Moon, the Stars," by Junot D!az, follows a troubled New York City Latino couple to Santo Domingo, in the Dominican Republic, where "the entire history of late-20th-century automobiles swarm[s] across every flat stretch of ground, a cosmology of battered cars, battered motorcycles, battered trucks, and battered buses... " Nathan Englander combines Yiddish folktale and Nazi-era horror in "The Tumblers," as a group of Hasids performs a grotesque acrobatic act in the heart of Berlin. Hester Kaplan's "Live Life King-Sized" also merges comedy with mortality: the owner of a Caribbean resort must accommodate a guest who asks that he be allowed to die on the island. The selection draws on 17 journals, from the New Yorker to the Clackamas Literary Review; and many of the stories have published in such collections of the authors' work as For the Relief of Unbearable Urges, Birds of America and Welding with Children. Such a high caliber of literary excellence speaks well for the state of short fiction. (Oct.)
Copyright 1999 Reed Business Information, Inc.

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18 évaluations
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2.8étoiles sur 5 (18 évaluations de client)
 
 
 
 
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2.0étoiles sur 5 Black sheep of the family, Jui 19 2002
Par Un client
Every year I anxiously look forward to the arrival of the newest addition to my favorite book series, and every year my patience is rewarded and my appetite for a wonderful collection of short stories is entirely satisfied... that is until this 1999 edition of The Best American Short Stories. The compilation of short stories selected by Amy Tan this year has sadly disappointed me. Furthermore, my disappointment is escalated when one must consider the fact that Amy Tan is among my favorite authors. The combination of my favorite book series and one of my favorite author would presumingly produce a definite great edition yet sometimes the surest things are the most unforeseen.

The Best American Short Stories has always been a reliable and constant supplier of great contemporary work and uniquely distinctive tales. Stories that are far from typical but pleasantly uncanny and sometimes pleasingly bizarre. Stories that do not have a simple introduction, climax, and then resolution but stories that create their own course. Stories that you find yourself still thinking about days later in the shower, still trying to understand what exactly you comprehended. Yet instead what I found was a pretty traditional and conventional assortment of stories. I am not saying that these stories are particularly bad stories because they are not, it is just the straightforward fact that they are not as daring or come near to being as refreshing as their predecessors. I found many of her selections boringly light even when dealing with subject matters that are all but light. They tell their story and that is all. Everything felt so laid out and revealed that there was no room for analyzing or dissecting. Many of the stories were exactly as what appeared and nothing else, nothing left underneath to discover. They reminded me of the stories the entire class would read as one in the eighth grade and everyone would reach the same obvious conclusion of what the moral and purpose of the story was as the teacher nods her head to provide assurance.

There is still a couple of decent stories in this entire book (such as Pam Huston's The Best Girlfriend You Never Had) that renders the two stars given but in no way is that an endorsement to spend your money on two short stories. Instead, I recommend you simply visit you nearest bookstore, lean against a bookshelf and spend 15 minutes reading those two stories. Once you are done, place that book back on the self because that is where it belongs. I never thought I would be saying that about a book from this series but hopefully this is the first and last time I will have to. And hopefully this is just the black sheep in this family of over-achievers.

P.S.
In the end, I simply realized that perhaps a great novel writer should stick to novels and not picking short stories.

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2.0étoiles sur 5 Did I miss something?, Fév 18 2001
Par Un client
I am a big fan of the Best American Short Stories series, but this one was a huge diappointment. I like stories that have some meat; they should resonate with depth a long time after being read. This collection offers few such stories. Then again, I wasn't expecting much more from Amy Tan. Try '98 or '00 instead.
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5.0étoiles sur 5 A fine collection, Oct. 20 2000
Par Un client
I found this to be an excellent, thoughtfully assembled collection of stories. I must especially disagree with the reviewer who felt that having a b writer like Pam Houston in a collection with Rick Bass ammounts to a literary injustice. Quite to the contrary, Houston's story is the best in the book and bears re-reading. (And, if you've checked out John Updike's Best Short Stories of the Century, you'll note that her story was one of the few tales from the nineties to be included.) This is a slow, collection, certainly, which may turn off some readers. But I've thoroughly enjoyed it.
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Commentaires client les plus récents

3.0étoiles sur 5 A diverse collection of voices and stories
Amy Tan has done a good job selecting 1999's batch of stories for "Best American Short Stories"; I've read better volumes, but I've also read worse. Read more
Publié le Sep 8 2000

1.0étoiles sur 5 These are the best?
I'm almost half way through this book, but won't be finishing it anytime soon. A few of the stories so far have kept my interest, but the majority seem to be overly analitical,... Read more
Publié le Juil 20 2000 par Jennifer Reed

5.0étoiles sur 5 Amy's touch...
I am a big fan of the "Best American Short Stories" series, an annual collection compiled and published by the Houghton Mifflin Company because I can't get around to... Read more
Publié le Mai 6 2000 par Dianne Foster

1.0étoiles sur 5 Reviewed by Todd
Upon reading several short stories in this book I would have to declare that the title "The Best American Short Stories 1999" is either horribly misleading or Americans... Read more
Publié le Avril 13 2000 par Todd Keating

2.0étoiles sur 5 Best Short stories of 1999
I enjoyed Amy's explaination of why she picked the stories she did much more than the stories themselves. I found myself saying,"Huh?" after too many of them. Read more
Publié le Janv. 25 2000 par happyluau

4.0étoiles sur 5 Most of the stories were excellent
This was the first BASS edition that I have read and I really enjoyed it. Maybe the fact that I enjoy Amy Tan as a writer made me appreciate the types of stories that she... Read more
Publié le Janv. 14 2000 par Neil T. Anuskiewicz

4.0étoiles sur 5 An interesting lesson in writing styles.
This book was bought as something to read while traveling. For this it is excellent and worthwhile as I have read some of the stories several times. Read more
Publié le Janv. 5 2000

3.0étoiles sur 5 Some good
Personally, I think Amy Tan is a fantastic author and I loved her introduction. However, I am probably in the minority in that I did not enjoy the Rick Bass story at all. Read more
Publié le Janv. 2 2000

4.0étoiles sur 5 Not Bad, but Not the Greatest Either
This year's collection of "America's Best Short Stories" was a surprising mix. "The Piano Tuner" was remarkable, in my opinion, and almost all of the other... Read more
Publié le Déc 28 1999 par Greg

1.0étoiles sur 5 Most Boring BASS Ever
This is by far the dullest collection of the usually high-caliber Best American Short Story Collection. There are so many "bad" stories here, one wonders what Ms. Read more
Publié le Déc 27 1999

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