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Idlewild
 
 

Idlewild (Hardcover)

de Nick Sagan (Author) "Dropping like flies," drawls the first Gedaechtnis employee ..." En savoir plus
3.9étoiles sur 5  Voir tous les commentaires (24 évaluations de client)

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From Publishers Weekly

Billed as a near-future thriller, Sagan's first novel plods through terrain all too familiar to SF readers. The narrator awakens with amnesia in a mysterious realm easily identified as a computer-generated virtual reality, fraught with metaphors and symbols. He slowly grasps that his name is Halloween, and that he may have murdered someone called Lazarus. Eventually, he realizes he's one of a handful of high school students attending "Immersive Virtual Reality" classes at the Idlewild IVR Academy, sponsored by the Gedaechtnis Corporation, a multinational biotech company. Intimidated by the villainous teacher, Maestro, and wary of his fellow students, Halloween is determined to recover his memory, apparently damaged in a power surge that threatened to destroy the IVR, and learn what really happened to the missing Lazarus. Despite a compelling twist near the middle, the low tension and meandering plot will likely frustrate the primary target audience, mainstream fans of such futuristic action films as The Matrix and Minority Report. Sagan may not be the next Philip K. Dick or William Gibson, but he shows enough talent here to suggest he can improve on pacing in the promised sequel.
Copyright 2003 Reed Business Information, Inc.

From AudioFile

A teen named Halloween awakes from a nightmare convinced someone's out to kill him. Or was it only a virtual nightmare? For that matter, is HE real? In this dystopian future nothing is certain except that our hero is in mortal danger. He must save not only himself, but the entire human race. The lad himself tells the tale in this rousing sci-fi thriller, which is interrupted occasionally by virtual warnings from a cyborg voice (impersonated by Beth McDonald and aided by clever editing). As Halloween, Clayton Barclay Jones sounds appropriately young. Unfortunately, he also sounds inexperienced. After an energetic opening, he soon disengages from his text, which he merely recites with less technique than the material demands. Y.R. © AudioFile 2004, Portland, Maine-- Copyright © AudioFile, Portland, Maine --Ce texte provient de la Audio CD édition.

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Idlewild
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Idlewild 3.9étoiles sur 5 (24)
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L'avis des consommateurs

24 évaluations
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3.9étoiles sur 5 (24 évaluations de client)
 
 
 
 
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4.0étoiles sur 5 An impressive science fiction debut by Carl Sagan's son, Juil 12 2006
Par Daniel Jolley "darkgenius" (Shelby, North Carolina USA) - Voir tous mes commentaires
(TOP 50 REVIEWER)    (REAL NAME)   
This review is from: Idlewild (Paperback)
When I was growing up, Carl Sagan was my hero. Thus, I was pretty much duty-bound to read the work of his son Nick (whose recorded greeting "Hello from the children of planet Earth" accompanies the Voyager spacecraft that is already traveling beyond our solar system). Idlewild made quite a splash in the science fiction genre when it was published in 2003, and I certainly consider it an impressive debut novel. It's only natural that some will mention The Matrix when speaking about Idlewild, as it is centered upon a virtual reality existence, but Sagan clearly has a voice of his own which he expresses quite effectively over the course of the novel.

As the book opens, out protagonist wakes up knowing nothing about himself or his location; all he knows is that someone is trying to kill him. His exploration of the world around him makes for a surreal experience: a disembodied voice tries to speak to him, he casts no reflection in mirrors, and Lovecraft-inspired nightgaunts seem to do his bidding. As a reader, it's hard to get your bearings in the beginning, but the protagonist's story soon begins emerging from the chaos. His name is Halloween, and he is one of eight students at an extraordinary school run by an enigmatic fellow named Maestro. His consciousness is in fact embodies in virtual reality, and that is why he and his friends are able to do some rather extraordinary things. He begins to remember things, both positive and negative, about his classmates, but he is unable to trust anyone at all. His misgivings about his own safety are exacerbated by a growing belief that he is responsible for the death of a fellow student named Lazarus.

As Halloween attempts to get information out of his classmates, he and his friends make increasing use of self-designed loopholes in the virtual reality construct, sowing digital confusion that allows them to find a bit of privacy and even step out of the virtual reality world momentarily. Such actions antagonize their instructor Maestro, and something of a battle of wills erupts between Halloween's little gang and the virtual reality instructor. Eventually, this leads to a crisis as Maestro goes outside of his original programming in an attempt to keep the students in line.

As we learn from a parallel side story, the education of these eight youngsters is of the utmost importance. A devastating plague has engulfed the world, and these kids may hold the key's to humanity's very survival.

To Halloween, it soon becomes clear that the virtual reality software has gone awry. He still fears for his life, even before Maestro introduces new forms of severe discipline. Halloween wants out, and his only hope of escape seems to lie in a mysterious avatar designed to keep the virtual reality world intact and secure. He wants to find out who is trying to kill him, what really happened to his friend Lazarus, and basically just what the heck is going on in this school.

Sagan creates a great air of mystery and suspense, and the answers that eventually emerge set the stage for additional novels. Some may term the story of Idlewild somewhat derivative, but I found Sagan to offer a profound new voice in science fiction. He has a quick and action-based writing style, rarely resorting to blown-up descriptions of strange places and events. For the most part, the characters tell the story - and some memorable characters there are. Despite the virtual reality setting, the humanity of these characters is expressed rather powerfully as tragedies strike and reluctant heroes look upon their true destiny for the first time. Sagan may not be ready for Hugo or Nebula consideration just yet, but his imagination, voice, and vision portend great things to come in the years ahead.
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5.0étoiles sur 5 Thrilling & Poignant, Juil 13 2004
This review is from: Idlewild (Paperback)
Idlewild starts off as a quirky story about a teenage amnesiac but swiftly heads into unfamiliar waters, ratcheting up the tension and the stakes until it builds into a monster of a good story. The plot is too much fun for me to give away, and instead of reading reviews that do, you're much better off just picking it up and giving it a try. You'll either tap into it or you won't, but if you do, look out.
Sagan is a rare find, a skillful writer who has something meaningful to say. I look forward to many more novels from him.
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5.0étoiles sur 5 truly excellent, Jui 22 2004
This hypnotic and absorbing novel begins mysteriously and ends with tremendous force. It has many things going for it.

+ clever plotting
+ a nuanced, emotionally complex protagonist
+ breakneck pacing
+ imaginative imagery
+ absorbing themes

But what I love most about Idlewild are its subtleties. Each time I read it I discover something new.

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Commentaires client les plus récents

4.0étoiles sur 5 Exciting new writer
You either go with this kind of book or you don't, and I went with it. Fast trip, wild ride, sudden stop at the end (but that's what sequels are for). Read more
Publié le Jui 12 2004 par John Morse

5.0étoiles sur 5 Idlewild, an amazing read!
Ten kids, growing up in a school. A virtual school, in a virtual world. Lied to by every program and every programmer about who they are, their purpose, and their future. Read more
Publié le Mai 11 2004 par Flint McColgan

5.0étoiles sur 5 Better than the Matrix
OK, maybe you're like me and you loved the first Matrix movie but found the sequels disappointing, and then the more you thought about it the less sense the whole series made. Read more
Publié le Avril 23 2004 par jshannon114

5.0étoiles sur 5 What a debut!
Well, everyone's mileage may vary, but for me this is the best audiobook I've heard in a very long time. Read more
Publié le Avril 1 2004 par longlivetheclash

4.0étoiles sur 5 The best book I've read in the past few months
Sagan's first novel surprised me in that I rather expected it to be fantasy, based on the cover. The first part of the book carried me along in that notion, but then I discovered... Read more
Publié le Mars 13 2004 par Anne K. G. Murphy

1.0étoiles sur 5 Reads like bad sci-fi channel drivel
This book tries really hard to be intelligent and probably manages to fool most, but the story is too far-fetched to take itself so seriously. Read more
Publié le Fév 19 2004 par allisan

4.0étoiles sur 5 Intelligent and Thought-Provoking
Nick Sagan's Idlewild is best described as a cross between Bret Easton Ellis, Chuck Palahniuk and Neil Gaiman. Read more
Publié le Janv. 10 2004 par Sebastien Pharand

5.0étoiles sur 5 Powerful Fiction
A friend of mine is a big science fiction fan and she gave me Idlewild for Christmas. We don't usually share the same tastes (I'm a huge mystery/thriller fan), so I acted happier... Read more
Publié le Janv. 9 2004

1.0étoiles sur 5 Approach with Skepticism
This has everything going for it except the story itself. The jacket blurbs, cover art and author bio (I'll ignore his lineage, that really is unfair for a freshman effort) all... Read more
Publié le Janv. 8 2004 par Shawn Oster

5.0étoiles sur 5 AN INTRIGUING PUZZLER
Both Clayton Barclay Jones and Beth McDonald give riveting voice performances of this gripping, imaginative debut by Nick Sagan, son of the noted Carl Sagan. Read more
Publié le Janv. 2 2004 par Gail Cooke

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