From Publishers Weekly
Bioterrorist attacks on DisneyWorld, gun-toting Russians and flesh-eating worms aren't enough to stop spy-cum-biologist Marion "Doc" Ford in his 12th adventure. When Ford reluctantly agrees to check in on a friend's brother, Jobe Applebee, a reclusive hydrobiologist, the simple favor escalates to horrific proportions. Ford stumbles onto a brutal interrogation scene, scares off Applebee's attackers, returns to find Applebee has hung himself and later learns that Applebee was "host to a feeding, breathing, sub-community of parasites." White barrels on full throttle: pretty soon Ford's uncovered a madman's plot to unleash ravenous guinea worms into local waterways and piranhas into Texas lakes, which will send property values plummeting—and thus make them ready for a quick snapup once the threats have been taken care of. With the help of his sidekick Tomlinson and a slew of other returning characters, Ford must hunt down the bad guys and find the miracle cure before a statewide infestation begins. Meanwhile, he's fending off Stokes's security—the sexually deviant Russian Dasha, the slow-witted Alexis—and assuring his pregnant girlfriend he'll be home in time for Christmas. White's latest is deliciously addictive and nail-bitingly suspenseful.
(Mar.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
The raspy voice of Dick Hill is the perfect match for this tense adventure. Marine biologist Marian Ford battles greedy land developers who are employing an eco-terrorist agenda for their own gain. Audie Award winner Hill portrays multiple characters with just the right mix of central Florida accent and world-weary tone. The story's twists and turns both entertain and, at one juncture, amaze, with a death scene that incorporates Ford's epiphany. Randy Wayne White, the author of TAMPA BURN, makes the science fascinating and makes us care about the characters involved in it. All told, DEAD OF NIGHT is more unsettling than the usual thriller. R.O. © AudioFile 2005, Portland, Maine--
Copyright © AudioFile, Portland, Maine
--This text refers to the
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