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La Cazzaria: The Book of the Prick
 
 

La Cazzaria: The Book of the Prick (Paperback)

de Antonio Vignali (Author) "Catholic society was undergoing massive social change and political disruption ..." En savoir plus
5.0étoiles sur 5  Voir tous les commentaires (1 évaluation de client)
Prix éditeur: CDN$ 35.95
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Review

The sexiest and most enjoyable book of the year. -- Dean Kuipers, LA Times
Because it is such unabashed fun, it makes a sharp commentary on current writing about sex. -- Dean Kuipers, LA Times
Controversy--political, sexual, and otherwise--always sells books... . Political intrigue and scandal are also the main topics in La Cazzaria: The Book of the Prick, by Antonio Vignali, edited and translated by Ian Frederick Moulton (Routledge; April). A cross between Machiavellis The Prince and the most scandalous pornography of its time, this 16th-century erotic dialogue -- translated for the first time -- redefines the possibilities of sexual politics. -- Michael Bronski, Boston Phoenix
Recommended for collections dealing with the history of sexuality or erotica. -- Mary Morgan Smith, Library Journal
His [Moutons] exemplary introduction is nearly as long as the text itself and twice as worthwhile. It provides the historical perspective and intellectual sobriety missing from what Moulton tactfully describes as learned, but childish, fable that is, even by most liberal modern standards, a complete gross-out-though probably not to anyone who has tuned into Howard Stern. A radically obscene satire on politics and sex
. -- The New Yorkern
His [Moutons] exemplary introduction is nearly as long as the text itself and twice as worthwhile. It provides the historical perspective and intellectual sobriety missing from what Moulton tactfully describes as learned, but childish, fable that is, even by most liberal modern standards, a complete gross-out-though probably not to anyone who has tuned into Howard Stern. A radically obscene satire on politics and sex
. -- The New Yorker
Moultons translation and edition of Vignalis La cazzaria constitutes a useful instrument to understand further the strong links among knowledge, power, and sexuality in the early modern period. Moultons remarkable introduction to Vignalis dialogue places the text in its historical context, thus making this edition a useful instrument for scholars in gender studies, queer studies, and early modern political and intellectual history. -- Monica Calabritto, City University of New York, Hunter College, Renaissance Quarterly
Moultons translation and edition of Vignalis La cazzaria constitutes a useful intstrument to understand further the strong links among knowledge, power, and sexuality in the early modern period... a useful instrument for scholars in gender studies, queer studies, and early modern political and intellectual history. -- Monica Calabritto, the City University of New York, Hunter College, Renaissance Quarterly


Product Description

La Cazzaria is the most outspoken erotic text of the Italian Renaissance-a ribald dialogue about politics, sex, and desire written in 1525 by Antonio Vignali, a young Italian nobleman from Siena. Here, in the Rabelaisian depictions of personified genitalia and other bodily organs, a page of our sexual past is restored.
La Cazzaria is at once a comic fable about bodies and desire, and an outrageous political allegory. Composed as a dialogue between two actual members of one of the most prestigious literary societies of 16th-century Italy, it is organized as a series of fifty-two questions on subjects ranging from anatomy, to psychology, linguistics, and psychology. The text is remarkable for its frank discussions of sexuality and explicit homoeroticism-especially when compared to other texts of the period-and for its sophisticated treatment of sexual and political power. Written for circulation among a group of educated young men, the dialogue's elitism and misogyny also offers a powerful and often disturbing picture of early modern gender relations.
Outrageous and iconoclastic, La Cazzaria was a risqué and provocative text in its day, and remains so today. This first English translation is extensively annotated, and the volume includes a detailed and accessible introduction by Ian Frederick Moulton, author of Before Pornography, which provides a historical and intellectual context for this unfamiliar by fascinating text.
La Cazzaria is at once a stunning literary achievement, and essential reading for anyone interested in the history of sexuality.

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5.0étoiles sur 5 Erudition and Ribaldry, Avril 17 2003
Par R. Hardy "Rob Hardy" (Columbus, Mississippi USA) - Voir tous mes commentaires
(TOP 500 REVIEWER)    (REAL NAME)   
If you ever wondered what 16th century Italians thought of sex, anal sex, and homosexuality, you can get at least partial satisfaction with the publication of _La Cazzaria: The Book of the Prick_ (Routledge), written in 1525 by Antonio Vignali, edited and translated by Ian Frederick Moulton. It is the first time you will be able to find the book in English. Moulton has heard claims that the book was published under the titles _The Love Academy_ and _Dialogue on Diddling_ (the latter credited to "Sir Hotspur Dunderpate"), but he has found no copies, and says that the mere titles indicate the translations were faulty. Here is his explanation of the title, an interesting view of the translator's problems, and although the book is full of earthy language, this is as raw as it will get in this review: "The dialogue's title is deliberately rude and provocative: it comes from the Italian word _cazzo_, a slang term for 'penis.'" He goes on: "The closest English rendering is probably 'cockery' - but that is too close to 'cookery' to be useful in translation."

Moulton's introduction and notes are an enormous help, as _La Cazzaria_ is a peculiar production. As in the fashion of so many academic writings of the time, from Galileo to Aretino, it is in the form of a dialogue. The elder participant, the instructor, and probably the alter ego of the author, is Arsiccio, who takes the youth Sodo under instruction, as Arsiccio has been embarrassed by a public display of Sodo's lack of sexual knowledge. The problem is that Sodo is not going to gain a great deal of factual knowledge from the words here. Vignali presents a mock-scholarly book, whose humorous lessons will remind many of Erasmus's words in praise of folly. (The other writer who comes to mind is Rabelais, although this flamboyant book has him beat for consistent crudity and fascination for sexual themes.) The dialogue has marginal headings, like any good scholastic work, to introduce major questions, only here they are ribald; among the less profane are, "Why It Is Dishonorable to Attack from Behind," "Why Women Are Disproportioned and Fat Below the Waist," and "Why Women Take Little Steps." Arsiccio is, to put it mildly, a misogynist. He also doesn't think much of the church, or the practice of confession.

Vignali was obviously a highly educated man; his references to classical texts are frequent, even if sometimes they are jovial or deliberately fraudulent. The latter half of the dialogue is devoted to a classical (if facetious) form of argument in which the body is seen as the analogue to a political state. We speak of the "body politic" and the "head of state" because these analogies have been present for a couple of thousand years, but it is significant that in Vignali's parable, there is no head; the body parts involved are, as may be guessed, significantly lower. The meaning of the political allegory in reference to Siena in the 1520's is explained by Moulton in his introduction, but can be enjoyed for its pure silliness and ribald fun. _La Cazzaria_ is a unique text, full of oddities and erudition, and we are lucky to have it available after all these centuries.

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