Commentaires client les plus utiles
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5.0étoiles sur 5
Not just Highsmith's best, it's the best novel period., Déc 1 2003
This book tricks you into thinking it's the story of a grouchy old man who cruely kidnaps and murders a grieving Manhattan couple's poodle and the couple's efforts to get help from an apathetic police department following the loss of their dog. Early on but completely out of nowhere the book shifts it's focus to a dedicated and heroic young cop, Clarence, who decides to help the couple out of pure kindness, a kindness that leads to Clarence's destruction. I loved the portrayal of Clarence as an obsessive do gooder who's fear of doing the wrong thing causes him to commit evil acts in the name of justice. The villain, Rowajinski, is one of her most hateful since the lawyer in A Suspension Of Mercy or David Pritchard in Ripley Under Water. I reccomend this book highly to anyone who loves a good read and a story where the characters don't always act rational but the story stays true to life. This book shows there truly is no such thing as good or evil, it's just a matter of perception.
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4.0étoiles sur 5
all this over a poodle ?, Mai 23 2001
Familiar to most readers via her Ripley books and Strangers on a Train, Patricia Highsmith specialized in creepy portraits of sociopaths as their paths crossed and destroyed the lives of ordinary folk. This less well known little gem starts out innocently enough with a wealthy Manhattan couple and their missing dog, but gets ugly fast as the dognapper proves to be obsessed with teaching them a lesson and the young cop investigating the case turns out to be equally obsessed with protecting the couple and imposing justice.With the kooks on both sides of the law this time there's an even more claustrophobic effect, as she shows just how frightening the people around us may be and how dangerous every day life is, but it's all offset by a dark sense of humor. It's not as good as her best, but it's worth seeking out. GRADE : B
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4.0étoiles sur 5
Clear your schedule!, Janv. 20 2001
The Sunday Times said of Highsmith, "She makes books that you really can't put down." This is one of them. After 25 or 30 pages, I defy any crime & suspense fan to stop reading. All the usual Highsmith elements are here -- smooth, accomplished writing, an absorbing plot, eerily believable characters, and an authentic feeling for locale (in this case, 1970s Manhattan); on the whole, however, the book isn't nearly as successful as many other Highsmith works. The ending is something of a shock, and leaves one wondering just what she was trying to say and accomplish; the thematic material also -- though never overt in Highsmith -- is especially hard to assemble, and creates a suspicion that, in this book, there wasn't any. Though it's well worth reading for the page-turning suspense, I wouldn't pay too much for some rare copy -- esp. as there are plenty of other Highsmiths that are very exciting and work quite well on other levels too ("Cry of the Owl," which is still in print; "This Sweet Sickness," which isn't; and "Strangers on a Train," which has been out of print for years but will be re-issued by Norton in August 2001). Not bad, but if you're not a Highsmith fan, trying something else first.
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