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4.0étoiles sur 5
The Young Always Believe They're Immortal, Mai 7 2002
Nevil Shute seems to be a very underrated author. After his On the Beach and A Town Called Alice, the rest of his works are almost totally ignored by both the critics and the public, which is a pity as almost all of his works are finely written and have something worthwhile to say.Pastoral was written during WWII, and from a purely British viewpoint, unlike so many of the war books that were written long after the conflict by so many Americans. As such there is a totally different atmosphere to this book, a quietness, an acceptance of the conditions and requirements of the war as just something that is there, part of the daily routine. And it is within this atmosphere that Neville constructs a fine love story between the very experienced bomber pilot Peter Marshal (at age 22!) and a W.A.A.F signals officer, Gervase Robertson. As perhaps is typical for war-time love stories, the war itself provides the conflict, the friction between the lovers, as Peter is duty-bound to continue flying bombing missions, and Gervase believes her own duties are important to the course of the war, and should not be given up merely to get married. Her decline of Peter's offer of marriage sends Peter into a mental tail-spin, seriously impacting his efficiency as a flyer. How this conflict is resolved and the events that happen because of this conflict form the main portion of this book. Before reaching that point, however, we are treated to a view of English morality and customs of the day, a code that says one mustn't go off alone with a member of the opposite sex, that married woman are expected to keep house, not have jobs, where the woman must defer to the man. A view that might seem dreadfully stifling and old-fashioned to a reader of today's world, but it shown in such a non-obtrusive way that the reader can accept it without question. Until, that is, the reader finishes the book, and realizes that Neville has been quietly showing (and mildly satirizing) both the good and bad qualities of such a code. This is typical of Nevil's writing - his points are made far more by showing, rather than telling, always a mark of a fine writer. Also noteworthy is the attitude towards the war that is displayed by all the characters here - that death is an everyday happening, but it won't happen to me, it only happens to someone else. An attitude that seems to belong to every young person. Nevil's prose style tends towards the descriptive, especially of the countryside and everyday actions. His dialogue in this book is loaded with English slang, very typical of actual speech patterns of the day, but this does at times make it somewhat hard for the poor modern American reader to decode what is being said. And some of Nevil's expertise as an avionics engineer shows in his descriptions of the aircraft and the functioning of various parts of these machines, at times obviously assuming that reader knows more about aircraft than is normally the case. These, however, are very minor negatives, almost totally subsumed by the engagement of the reader in the story of these two very well realized characters. One decided negative that has nothing to do with Nevil's writing ability is the production quality of the hardbound reprint edition. The typeface used is very close to an old typewriter font, with thin serifs and a fairly small point size, and the printing press seemed to have severe difficulty with maintaining an even ink flow - at places the print fades to near illegibility. This all makes for a very rough impact on your eyes. A pity that this fine work has such a botched job of production. Regardless of the quality of the printing, however, this book deserves a look, if nothing else just to see how a romance really should be written, as opposed to the [junk] that passes for 'romance' on the book racks of today.
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