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3.0étoiles sur 5
Crossing castle, Mars 29 2007
Italo Calvino was a master of surreal storytelling -- he was, for example, one of only two authors I've seen who could manage a second-person narrative. But his gimmick falls flat in "The Castle of Crossed Destinies," a book that is intriguingly laid out, but never manages to be more than a curiosity.
In the first section, a traveler comes to a castle full of other guests, but for some reason no one there is able to speak. To tell each other about their histories, they use a pack of tarot cards to communicate their stories -- tales about love affairs, ancient cities, and Faustian pacts.
The second is pretty much the same, except that it takes place in a tavern, where mute people are still using tarot cards to describe their pasts. The stories -- evil queens, fallen warriors, even an Arthurian tale -- get darker and stranger, especially when the narrator himself began to describe his own past to the people who are watching him and the cards.
As an idea, tarot cards being used to tell a story is brilliant. Especially since the stories that Calvino spins out are not necessarily the only interpretation -- each card used to tell the story can be interpreted differently. The problem is, in the first half of the book, Calvino tries to apply this to some very boring, straightforward little stories. They tend to stop suddenly, without much of a finale.
The second half of the book uses this gimmick more skilfully, with Calvino writing in greater detail, and using more ornate, atmospheric writing. It feels less like stories wrapped around some cards, and more like stories with cards as illustrations of what might have been. He also adds a more eerie, macabre tale to this half, making it even more engaging.
The first half sags in a big way; it's almost tiring to read. But the second half of "Castle of Crossed Destinies" is where Calvino's tarot gimmick starts to pay off. Interesting, but not all that it could have been.
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5.0étoiles sur 5
cult novel that is a literary masterpiece, Mars 17 2004
Just as the tarot card reading unfolds in the story, this book has innumerable levels that beg for thought and interpretation: it is part historical novel, part fortune-telling, and part a history of the great classics of western civilization. It is also a fascinating experiment in expanding the literary vehicle, adding the dimension of the cards - functioning as kind of symbolic building blocks as well as a springboard for association - that creates a parallel narrative to the gorgeous descriptive power of the work. Calvino, I feel, has created a work as complex and rich as the best of Nabokov. As with all truly great novels, there is a great deal left unsaid, that the reader can mull over if she so chooses. While the vocabulary was very difficult for my primitive Italian, it was as beautifully written as Calvino's other work.Warmly recommended.
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3.0étoiles sur 5
I find the writing a bit dry..., Mars 23 2003
... but I'm such an avid Tarot fan that I still recommend this to others who want to see his treatment of the subject.
Naturally, the Tarot is interpretated differently by almost everyone who indulges. But, hey!... that's the point of studying it as far as I'm concerned. Definitely check this one out!
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