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When "Burning Chrome," the title story in William Gibson's first short story collection, appeared, it grabbed readers by the collar and shook them up a bit. Science fiction in the late '70s had grown a little bit stale and, worse, safe. "Burning Chrome" offered a fresh look at a future that was gritty, real, and more than a little dangerous. These stories brought high tech out of antiseptic university laboratories and corporate boardrooms and put it in the streets and alleyways where people found their own uses for it. Sometimes those uses were even legal.
The philosophy of cyberpunk, the movement that Gibson's early books kicked off, is most explicitly stated in "The Gernsbach Continuum," with its rejection of the '30s ideal of a future of flying cars and shining cities. But the real meat of this collection is found in those stories where Gibson involves us with the people who inhabit his world. The technical boy of "Johnny Mnemonic" and the thief-turned-game-player of "Dogfight" (cowritten with Michael Swanwick) would be right at home on the same streets. Most intense and more enigmatic is the recording engineer of "The Winter Market," who is overwhelmingly attracted to and repulsed by the greatest artist he ever worked with. Still, "Burning Chrome," with its tale of vengeance and high-stakes theft, remains the centerpiece of this collection. Read it and you will know why William Gibson became and remains one of the top writers in science fiction. --Greg L. Johnson
From Publishers Weekly
In his enthusiastic description of the '30s and '40s "moderne" style of industrial design (featured in one of these stories), Gibson might be writing about his own work: "The change was only skin-deep; under the streamlined chrome shell, you'd find the same Victorian mechanism . . . . It was all a stage set, a series of elaborate props for playing at living in the future." That dexterous, shallow artifice has won Gibson awards and fervent fans (especially for his first novel, Neuromancer but beneath it is something old, worn and tired. Thus "Johnny Mnemonic," whose body computer stores secret information, is just a variation of Mr. Memory from The 39 Steps. Gibson's gangsters, corrupt industrialists, young techies and lowlifes eager to belong to any in-group that will have them, are cliches without conviction. This weak collection of 10 short stories seems to have been rushed out to cash in on Gibson's current popularity. Paperback rights to Berkley.
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--This text refers to an out of print or unavailable edition of this title.