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I Have No Mouth and I Must Scream
 
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I Have No Mouth and I Must Scream (Paperback)

de Harlan Ellison (Author)
2.5étoiles sur 5  Voir tous les commentaires (2 évaluations de client)

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From AudioFile

Harlan Ellison is arguably the finest short story writer in science fiction today, and this collection includes some of his best (certainly his most popular) work. His writings are mature, intense, and deeply affecting. The first two stories are probably the ones he's most famous for --"I Have No Mouth and I Must Scream" (a horrifying story about people trapped inside a computer) and "'Repent, Harlequin!' Said the Ticktockman" (a parable of society's dependence on the clock). Ellison, an Audie winner for narration, skillfully reads all of the stories himself, providing the boundless energy that makes this collection a complete success. S.D. © AudioFile 2003, Portland, Maine-- Copyright © AudioFile, Portland, Maine --Ce texte provient de la Audio CD édition.

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2 évaluations
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2.5étoiles sur 5 (2 évaluations de client)
 
 
 
 
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2.0étoiles sur 5 Raw power, unfettered by technique., Mai 14 2004
Par "dean57pjg" (Fetcham, Surrey United Kingdom) - Voir tous mes commentaires
Some authors can interpret and perform their own work, take John Le Carre for instance, his pacing and phrasing let the story emerge on its own merits. Harlan Ellison writes challenging material and then allows no room for interpretation with his uncompromising oral style. Maybe the raw, breathy technique adds something for some people so I won't mark it down to 1 star. For me I like it best when the recording company puts in the effort to find the right voice for the story and with very few exceptions that job falls to professional performance artists.
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3.0étoiles sur 5 Great stories, manic narration, Juil 28 2003
Par Matt Cameron (Newark, NJ United States) - Voir tous mes commentaires
Like many people, I've had an ongoing hot and cold relationship with Ellison's works ever since I was introduced to them in middle school. He is a solid example of a strong personality that has inextricably embedded itself into an author's work--not always a good thing, considering the personality in question. While I've always found Ellison's arrogance and damn-the-critics bravado annoying, I found them occasionally unbearable while listening to this collection.

Ellison's gritty, dystopian fiction really speaks for itself. Or should, anyway. It's painful to hear the author Disney-fy old favorites like "I Have No Mouth...", "Laugh Track," and "A Boy And His Dog," making his characters into glorified cartoon characters. (I did like the audio effects, however -- a nice touch.) He pops around between his "manic," "ethnic," and "heartbroken" settings at will, with an irritating preference for the former. The introductory audioessay is a nice bonus, too -- it provides an appropriate orientation both to the works and to their author. (I really don't understand his deep love for "Grail," but maybe you'll disagree.)

This is a good selection, and Ellison is not a *bad* reader -- just a little too personally involved with the text. Which is understandable, but distracting. Be sure that you've read the stories before you hear them, or you run the risk of thinking less of some of the best short form science fiction in the English language.

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