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4 of 4 people found the following review helpful:
5.0 out of 5 stars
Surprisingly Great, July 15 2004
By A Customer
I've read almost everything by DeMille. What usually happens is that I go into the book store, rummage around for a while, and then if I don't find anything, I go to the prominent DeMille display and get another DeMille novel I haven't read before. I enjoyed Plum Island and, before Gold Coast, thought The Charm School his best work. But generally, when I pluck a DeMille novel off the shelf, I sometimes feel a little like I'm settling, because I couldn't find anything that grabbed my attention more.Gold Coast is one that never particularly appealed to me; although I knew nothing about it other than what was on the back cover. It was the one I never bought and never read, because it seemed the least likely to interest me. But I ran out of everything else and finally bought it the other day. It was a modest revelation. I could not believe it was by the same author as the other stuff, other than maybe The Charm School. The point above about my usually "settling" for DeMille is to emphasize just how wonderful I thought this book was, and how much I think it transcends his other work and other novels out there. The characters are exceptionally well developed. After finishing the book, I felt as though I could tell you what they might do in situations not presented by the book, for example; in other words, I understood them. The story, the setting, and the sense of place and history were equally impressive. The writing was even above his usual standard. In short, this is an excellent book for anyone that simply enjoys good fiction, whether you are a DeMille fan or not. I suspect his strongest advocates love this book too, but the reason I took time out to write this review, which I rarely do, is to suggest that those of you, like me, who though his other stuff was merely good not great, might really be dramatically surprised by this one.
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by Nelson DeMille
by Nelson DeMille
by Nelson DeMille
by Nelson DeMille
by Nelson DeMille
