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4.0étoiles sur 5
Back to the shores of Tripoli with Poyer and Lenson, Jui 24 2001
A US amphibious assualt fleet steams the menacing waters of the Eastern mediterranean, it's flag officer all but despised by his subordiantes. Meanwhile, the ships comprising the task force begin breaking down, while the men who run them seem pre-broken-down themselves. When a PLO splinter group uses ethnic unrest on Cyprus to seize a group of Americans as hostages, teh stage is set for disaster. As a further omen of disaster, one of the Task Force's officers is named Dan Lenson, a USN Lieutenant who seems to bring trouble wherever he goes both here and in other books by DC Poyer. While news of the hostage situatiuon, which shifts from Cyprus to an abandoned resort inside Syria, comes soon, that Lenson's wife is one of the hostages is Lenson's wife, remains deliberately suppressed. Though looking like a techno-thriller, "The Med" as Poyer fans have come to expect, is more of a charachter-driven novel set in a Navy unit. Here, the major players are Lenson, his wife (struggling, confornting, ala Stokholm, her feelings for her captors), Sundstrom, Lenson's unpopular commander (who thinks everybody is setting him up for disaster, and is paralyzed by indecision), Givens, and African-American marine terrorized by his more militant corporal, Wronowicz, the career engineer of a Navy destroyer, and Harisah, the so-called "Majd" who commands the terrorists. As in "The Gulf", these charachters don't always intersect (the UDT divers who remain apart from the focus of Lenson thruought much of that book), but that only clues one into how expansive the subject is. The non-charachter driven parts of the book are refreshingly anti-techno (mostly Wronowicz's epic efforts to change a propellor-shaft bearing while his destroyer is at sea). While a feel for nautical-mechanics of the nuts-and-bolts of amphibious warfare help for an understanding of what's going on, the effects of thsoe efforts in sheer exhaustion are easily visualized. The book climaxes in a seemingly doomed rescue-attempt (though the assault-force has the best chances of getting to the hostages, a rescue attempt seems a more apt job for some special forcers team). The action seems underwhelming, and it's hard to understand what's going on sometimes, though this is probably because Poyer is writing outside of his element. By the end of the book, we know it's not exactly a happy-ending, but things seem way-too pat. Still, the writing and the charachter formations are what drive Poyer books and help them surpass techno-thrillers.
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