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5.0étoiles sur 5
the best view we can get of absolute truths, Mai 21 2004
I listened to what I wanted from a work called "Absolute Truths"-I who am desperately conservative in Christianity and most things. After Charles Ashworth's triumph in "Glittering Images," and his overall positive portrayal in the books between that and this, I didn't want to find out that the truth I thought he had found, and that Howatch suggested he had found, was a lie, another of the tragic misconceptions that Howatch regularly and regretfully demolishes in her characters ("Anti-Sex Ashworth" toppled by doubt and lust stronger than his convictions-what a depressing concept). It wasn't. But in the interim between "Glittering Images" and "Absolute Truths," Ashworth's grip on the truth had shifted until he had become a false man holding a true thing, or, to put it another way, Ashworth had grown as much as he could during "Glittering Images," but he still had far to grow, and "Absolute Truths" pushed him farther. Thus Howatch, as in the rest of this Starbridge series, follows a plot sequence of strength debilitating into weakness, then supernaturally resolved into strength (or truth to lies to truth, or any number of other ways may describe this spiritual falling and rising pattern). We cannot however assume that the characters will live happily ever after, that their lives are "solved," or even that the weakness resolved in the novel will never return in later years. Howatch's cruces do not involve perfect or perfectible people, but perfect moments of grace that make the rest of lives better or in some way bearable. In a sort of backhanded optimism, Ashworth writes in the midst of his revelations, "Dimly I realised that this state of companionable hell could be classified as a form of survival." At the end of "Absolute Truths," Howatch permits Ashworth an idyllically happy old age and a platform for reminiscence, a sort of sop to him and to her for six dramatically painful novels in the series, but we must not forget that after "Glittering Images" Ashworth needed "Absolute Truths" to correct him further. After receiving revelation that revolutionised his life, he needed more revelation. As such, these novels are some of the most true-to-life of any fiction I've read portraying the Christian way of living. They give hope, not for all things to turn out alright, but for all things to "intermingle," as Ashworth insists, for good-and for there to be moments, rising above the doubt and pain, in which we may see God and absolute truths as clearly as our eyes can function. We may live a long time, decades, in the strength vouchsafed by these moments. Then we may need another, as Ashworth did.
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