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Corker's Freedom
  

Corker's Freedom (Hardcover)

by John Berger (Author)
3.0 out of 5 stars  See all reviews (2 customer reviews)
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From Publishers Weekly

Reprinted in the wake of his success with the Into Their Labours trilogy, Berger's 1964 novel (written eight years before the Booker Prize-winning G , and being issued in the U.S. for the first time) describes a day in the life of a man bent on breaking with his past. Sixty-three-year-old London employment agency owner Corker is Berger's Leopold Bloom--a man plagued by the conviction that he hasn't done enough with his life and who is now determined to free himself from a narrow existence. Blind to all but his need to make some sort of heroic gesture, he begins a fractured odyssey, abandoning his crippled sister and inadvertently bringing tragedy on both of them. The novel chronicles Corker's first heady days at large and their tragicomic aftermath, giving Berger a chance to meditate on the naivete with which we view "freedom," on the ways a restrictive social order defines character and on how our unfulfilled yearnings often run riot in the prisons we build for them. Berger's insights about the dangers of a romantic European ideal, here symbolized by the role Vienna plays in Corker's intellectual life, remain pertinent today. The end--rendered in a postscript--is sad and funny; Corker's Pyrrhic victory is both painful and uplifting. Berger, who cares deeply about his characters, has created an unforgettable one in Corker.
Copyright 1993 Reed Business Information, Inc. --This text refers to an alternate Hardcover edition.


From Library Journal

By interspersing interior monologs with elaborate accounts of office routine, Berger ( Keeping a Rendezvous , Random, 1992) reveals a day in the life of William Corker, the aging proprietor of a small employment agency in Clapham. Having just fled the house where he had been living with his invalid sister, Corker seeks freedom by moving into rooms above his office and abandoning himself to romantic dreams much like those of J. Alfred Prufrock. In a lecture on the glories of Vienna, Corker gradually speaks what he feels rather than what is expected of him. Soon after this illusory moment of liberation, however, he finds himself penniless and implicated in a criminal conspiracy. Action in Berger's novel is limited, but scrutiny of character is as intense as that found in Proust or Henry James. Minute details are telling and may require patient attention from some readers.
- Albert E. Wilhelm, Tennessee Technological Univ., Cookeville
Copyright 1993 Reed Business Information, Inc. --This text refers to an alternate Hardcover edition.

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4.0 out of 5 stars Very funny, very ironic., Jul 11 2000
By Mary Whipple (New England) - See all my reviews
(TOP 500 REVIEWER)   
This review is from: Corker's Freedom (Paperback)
In the Kirkus Review, the reviewer takes an intellectual approach to this novel, pondering the universal questions the author raises. While I don't disagree with anything s/he writes here (though I wish the reviewer had not spoiled the ending by revealing it in the review!), such a serious appraisal suggests the ponderousness of a Heart of Darkness. This is a very funny book! The inner thoughts of the ever-so-proper, and presumably celibate, Corker as he approaches old age, and the decidedly uncelibate thoughts of 17-year-old Alec reflect every possible intergenerational contrast and conflict for the reader, who cannot help but smile and sympathize while regarding both of them as naïve!

The book is not just a lark, however. One also feels the poignancy in the life of a man whose one wish is "I do not want to die as I am, when I die I want to be different, I want to be less ignorant of the consequences of not being good."

As Corker makes his break from his domineering sister into his own life, seen most dramatically in his somewhat tipsy travelogue of Vienna, the reader apprehends what Corker actually says, what he knows, and what he would like to say to and about the other characters in the audience, all of whom have affected his life. We can observe him taking chances for the first time and experiencing "the general triumph of having spoken out and been listened to." Simultaneously, however, we are privy to the ironic events that are taking place outside the lecture hall, events over which Corker has no control and which we know will prevent him from ever returning to his previous "life." The epilogue which shows us Corker two years later, reveals Berger's consummate irony: Corker is still speaking out and still living free, though not in the way that either he or we would have predicted.

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2.0 out of 5 stars Sorry but it's very boring, Feb 13 1999
By A Customer
This review is from: Corker's Freedom (Paperback)
This is not one of Berger's best: in fact it's not far short of the worst thing he's ever written. Almost entirely without humour, this is a dull dog of a book. Only the seriously committed need bother: others perhaps should look to his '60s masterpiece 'A Fortunate Man' or the later 'Into Their Labours' trilogy. But please steer clear of this one.
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