From Publishers Weekly
Starred Review. Historian Barbas's thoroughly researched and footnoted biography of the powerful gossip columnist who virtually invented celebrity journalism asks to be taken seriously as a chronicle of American history at a pivotal time—but it is also a fast and fascinating read. A smalltown girl from Dixon, Ill., Parsons married and separated early; at 29, she set off for Chicago as a single mother where she found a job as "scenario editor" to a small movie company in 1911, sorting through the hundreds of fan-written "screenplays" that arrived daily; the lucky few were turned into 15- or 20— minute silents at $25 a pop to the writer. She began to write about the movies for the
Chicago Tribune, and eventually parlayed her friendship with Marian Davies, the actress who was mistress to William Randolph Hearst, into a column for the Hearst papers. The rest is history—riveting history, covering the rise of the talkies; the invention of the studio system, the star system and "Hollywood"; and the blatant lies, coverups, favoritism and blackmail. Parsons's famous feud with rival Hedda Hopper is here, along with her role in damaging the Hollywood careers of Orson Welles, Mae West, Charlie Chaplin and Ingrid Bergman. Of its kind, this is a terrific book about an unusual life, and the author has done future Hollywood historians a great service by documenting it so carefully, incidentally exposing all the falsehoods Parsons related in her own 1945 autobiography,
The Gay Illiterate. Photos.
(Oct.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Product Description
Hollywood celebrities feared her. William Randolph Hearst adored her. Between 1915 and 1960, Louella Parsons was America's premier movie gossip columnist and in her heyday commanded a following of more than forty million readers. This first full-length biography of Parsons tells the story of her reign over Hollywood during the studio era, her lifelong alliance with her employer, William Randolph Hearst, and her complex and turbulent relationships with such noted stars, directors, and studio executives as Orson Welles, Joan Crawford, Louis B. Mayer, Ronald Reagan, and Frank Sinatra--as well as her rival columnists Hedda Hopper and Walter Winchell. Loved by fans for her "just folks," small-town image, Parsons became notorious within the film industry for her involvement in the suppression of the 1941 film
Citizen Kane and her use of blackmail in the service of Hearst's political and personal agendas. As she traces Parsons's life and career, Samantha Barbas situates Parsons's experiences in the broader trajectory of Hollywood history, charting the rise of the star system and the complex interactions of publicity, journalism, and movie-making. Engagingly written and thoroughly researched,
The First Lady of Hollywood is both an engrossing chronicle of one of the most powerful women in American journalism and film and a penetrating analysis of celebrity culture and Hollywood power politics.
