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Interpretation and Overinterpretation
 
 

Interpretation and Overinterpretation (Hardcover)

by Umberto Eco (Author), Jonathan Culler (Contributor), Richard Rorty (Contributor), Christine Brooke-Rose (Contributor), Stefan Collini (Editor) "In 1957 J.M. Castillet wrote a book entitled La hora del lector ('The hour of the reader') ..." (more)
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From Library Journal

Semioticist Eco and three scholars debate whether there are limits to the interpretations of a text and whether the author's intentions are relevant. Eco seeks to limit the degree to which texts can be interpreted, explains how overinterpretations can be recognized based on the intention of the work, and argues that the author of the text can rule out some interpretations. Rorty, a pragmatist, feels that texts should be able to be used for the readers' own purposes. Jonathan Culler, a literary theorist, defends "overinterpretation," and critic Christine Brook-Rose digresses slightly by discussing what she calls "palimpsest history." In the final lecture, Eco responds to Rorty's assertions. This is high-level literary theory, expressed brilliantly, appropriate primarily for academic and large public libraries.
- Ann Irvine, Kensington Park Lib., Md.
Copyright 1992 Reed Business Information, Inc.


Review

"Interpretation and Overinterpretation is an excellent book, one of the most valuable contributions to literary theory of recent years." Philosophy and Literature "Like Eco himself, Interpretation and Overinterpretation is bracingly down-to-earth, accessible though complex, profound but not pompous...Before you know it the book is history. Yet its first-rate ironies and trenchant writing linger." The Philadelphia Inquirer "In Interpretation and Overinterpretation the many lives of Eco come together in a vibrant text full of wisdom and wit...interspersed with...theoretical considerations are fascinating anecdotal details about the writing of his two novels making the book must reading for Eco aficianados." The San Francisco Chronicle "...offers a unique opportunity not only to read Eco at his finest, but also to observe him interacting with some renowned contemporary scholars...Reading the essays collected in this volume gives one a sense of being present at a rare meeting of the minds: a semiotician and best-selling novelist meets three of today's most powerful minds in philosophy, literary theory, and postmodern fiction...the careful arguments of this powerful theorist should provoke us into reevaluating the role of interpretation in literary criticism and theory." James M. Lang, Studies in the Humanities "This book is densely charged and action packed." Antioch

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In 1957 J.M. Castillet wrote a book entitled La hora del lector ('The hour of the reader'). Read the first page
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4.0 out of 5 stars Dense material in a very compact, readable form, Feb 9 2003
When reading a text, how much does what the author intended count for, if anything? Is there any way to tell what a text "really" means, or can it be read however you like for whatever purpose you like? Simple as they seem, these are the fundamental questions this book is concerned with, and it is Eco's task to explain why he thinks there should be limits to interpretation - against the prevailing opinions of many modern critics and thinkers.

The book is laid out in eight sections. The first is the Introduction, which is substantial. If you're in the habit of skipping the introduction I would advise against it here, unless you consider yourself thoroughly familiar with the subject - it's helpful.

The next three sections consist of a series of lectures Eco gave on this subject, where he establishes his main points. It's quite accessible to the layman, and in the few places where the terms get a bit obscure you can usually figure out what he's talking about from the context. He uses several historical examples which keep things interesting, and his arguments are interesting whether you find them convincing or not.

Essays by Rorty, Culler and Brooke-Rose in response to these lectures make up the next part. Rorty, a self-described "pragmatist", makes the argument that we shouldn't concern ourselves with what makes a "valid" interpretation, and instead just use texts as they come before us for whatever purpose suits us best. Culler, coming from the side of the deconstructionists, argues that what Eco calls "overinterpretation" has a value of its own and reacts strongly to the implication that there should be any limits whatsoever imposed upon the critic. Brooke-Rose's piece on "palimpsest history" is not uninteresting but somewhat tangential, and you really have to stretch things to relate it to the argument going on between Eco, Rorty and Culler.

The wrap-up section is a response from Eco, mostly addressing Rorty's points though dealing somewhat with Culler's objections. There is no clear "winner", and you may not be swayed to Eco's point of view if you found one of the others more compelling, but there is ample food for thought.

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