Beowulf (Library Binding)

GROAN!

When I gave this joke to an English professor, he used it in class, and promptly returned it to me.

Okay. I'll accept that. But, Beowulf deserves the kind of serious attention that would prompt people to want to make bad jokes about it (unimportant things are ignored; only important things are held up in jest).

Beowulf is an old poem--often considered the first in English. This is technically not true, for linguistic and other reasons (where the demarcations of English beginnings fall are debatable; also there is the fact that there are older poems, just not epic poems). An epic is a long, narrative poem, a literary form undervalued today, but which was probably the equivalent of a Cecil B. DeMille production in more ancient times. The Illiad, the Odyssey, the Aeneid, Gilgamesh--all these are epic poems. Generally, they recount heroic deeds, and most often were composed and intended as oral history. Beowulf consists of 3182 existing lines.

Scholars also disagree on the 'British heritage' of the poem, many believing it more likely to be an import from Anglo-Saxon European homelands than a composition original to the Britain. The tale does portray two leaders, Hrothgar, leader of the Danes, and Beowulf, leader of the Geats, a Swedish tribe. These are interconnected through generations of family intermarriages, and Beowulf because of this loyalty takes his men to help defend Hrothgar's home against the monster Grendel.

The tale of Beowulf involves heroism, sacrifice, loyalty, warfare, conflict and resolution--all the elements that go into a good action feature. It also has moral overtones (so it was meant to educate and inspire as well as entertain). It carries the strong message that a fighting man's allegiance to the overlord and to God should be absolute (something that is often instilled in soldiers of today). It is almost decidedly Klingon in the glorification of battle (in fact, I've often wondered if the Star Trek universe took a leaf out of this epic to create the Klingon idea)--Beowulf fights three battles (a holy trinity of battles, almost), dying gloriously in the final battle with a great dragon, after having lived an honourable and courageous life.

This story contains elements of both early Christianity and late paganism, however in some cases the Christian aspects may be later additions by monks who transcribed the manuscripts (monks were noted for doing that in many circumstances, including Biblical texts). The oldest existing manuscript dates from about the tenth century and is preserved in the British Museum.

This particular translation by Rosemary Sutcliff is geared toward the youth, who would look to Beowulf as an epic, old poem (read - boring!), but can come to find fantastic elements that might hearken to fantasy tales popular in today's literature and cinema.

A great poem, and good translation in prose form, bridging the past and the present together in a good way. Heaney's translation is a better translation for academic purposes, and perhaps also for adult reading, but this text is a useful one also for those who want to get yet more out of the tale of Beowulf, particularly for younger readers.

GROAN!

When I gave this joke to an English professor, he used it in class, and promptly returned it to me.

Okay. I'll accept that. But, Beowulf deserves the kind of serious attention that would prompt people to want to make bad jokes about it (unimportant things are ignored; only important things are held up in jest).

Beowulf is an old poem--often considered the first in English. This is technically not true, for linguistic and other reasons (where the demarcations of English beginnings fall are debatable; also there is the fact that there are older poems, just not epic poems). An epic is a long, narrative poem, a literary form undervalued today, but which was probably the equivalent of a Cecil B. DeMille production in more ancient times. The Illiad, the Odyssey, the Aeneid, Gilgamesh--all these are epic poems. Generally, they recount heroic deeds, and most often were composed and intended as oral history. Beowulf consists of 3182 existing lines.

Scholars also disagree on the 'British heritage' of the poem, many believing it more likely to be an import from Anglo-Saxon European homelands than a composition original to the Britain. The tale does portray two leaders, Hrothgar, leader of the Danes, and Beowulf, leader of the Geats, a Swedish tribe. These are interconnected through generations of family intermarriages, and Beowulf because of this loyalty takes his men to help defend Hrothgar's home against the monster Grendel.

The tale of Beowulf involves heroism, sacrifice, loyalty, warfare, conflict and resolution--all the elements that go into a good action feature. It also has moral overtones (so it was meant to educate and inspire as well as entertain). It carries the strong message that a fighting man's allegiance to the overlord and to God should be absolute (something that is often instilled in soldiers of today). It is almost decidedly Klingon in the glorification of battle (in fact, I've often wondered if the Star Trek universe took a leaf out of this epic to create the Klingon idea)--Beowulf fights three battles (a holy trinity of battles, almost), dying gloriously in the final battle with a great dragon, after having lived an honourable and courageous life.

This story contains elements of both early Christianity and late paganism, however in some cases the Christian aspects may be later additions by monks who transcribed the manuscripts (monks were noted for doing that in many circumstances, including Biblical texts). The oldest existing manuscript dates from about the tenth century and is preserved in the British Museum.

This particular translation by Rosemary Sutcliff is geared toward the youth, who would look to Beowulf as an epic, old poem (read - boring!), but can come to find fantastic elements that might hearken to fantasy tales popular in today's literature and cinema.

A great poem, and good translation in prose form, bridging the past and the present together in a good way. Heaney's translation is a better translation for academic purposes, and perhaps also for adult reading, but this text is a useful one also for those who want to get yet more out of the tale of Beowulf, particularly for younger readers.

Beowulf is a hero in the eyes of his fellow men through his amazing physical strength. He fought in numerous battles and returned victorious from all but his last. In his argument with Unferth, Beowulf explains the reason he "lost" a simple swimming match with his youthful opponent Brecca. Not only had Beowulf been swimming for seven nights, he had also stopped to kill nine sea creatures in the depths of the ocean. Beowulf is also strong enough to kill the monster Grendel, who has been terrorizing the Danes for twelve years, with his bare hands by ripping off his arm. When Beowulf is fighting Grendel's mother, who is seeking revenge on her son's death, he is able to slay her by slashing the monster's neck with a Giant's sword that can only be lifted by a person as strong as Beowulf. When he chops off her head, he carries it from the ocean with ease, but it takes four men to

lift and carry it back to Herot mead-hall. This strength is a key trait of Beowulf's heroism.

Another heroic trait of Beowulf is his ability to put his peoples welfare before his own. Beowulf's uncle is king of the Geats so he is sent as an emissary to help rid the Danes of the evil Grendel. Beowulf risks his own life for the Danes, asking help from no one. He realizes the dangers but fears nothing for his own life. After Beowulf had served his people as King of the Geats for fifty years, he goes to battle one last time to fight a horrible dragon who is frightening all of his people. Beowulf is old and tired but he defeats the dragon in order to protect his people. Even in death he wished so secure safety for the Geats so a tall lighthouse is built in order to help the people find there way back from sea. The most heroic of traits within Beowulf is that he is not afraid to die. He always explains his death wishes before going into battle and requests to have any assets delivered to his people. "And if death does take me, send the hammered mail of my armor to Higlac, return the inheritance I had from Hrehtel, and from Wayland. Fate will unwind as it must! (18)" He is aware of the heroic paradox; he will be glorified in life or death for his actions. He knows that when he fights an enemy like Grendel or Grendel's mother he will achieve immortality as the victor or the loser. "When we crossed the sea, my comrades and I, I already knew that all my purpose was this: to win the good will of your people or die in battle, pressed in Grendel's fierce grip. Let me live in greatness and courage, or here in this hall welcome my death! (22)" Even with the enormous amount of confidence Beowulf possesses, he understands that Fate or Wyrd will work its magic no matter what and he could be killed at any point in his life. He faces that reality by showing no fear and preparing for a positive or a fatal outcome.

Beowulf is the prime example of an epic hero. His bravery and strength surpass all mortal men; loyalty and the ability to think of himself last makes him reveared by all. Beowulf came openly and wholeheartedly to help the Danes which was an unusual occurrence in a time of war and wide-spread fear. He set a noble example for all human beings relaying the necessity of brotherhood and friendship. Beowulf is most definitely an epic hero of epic proportions.