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Robot narrator Tik-Tok may have winsome ways and a cute name from Oz, but inside he's bad, bad, bad. It's not just that his "asimov circuits"--which stop robots hurting people--are defective. He enjoys killing, starting with a dear little blind girl in chapter one and reaching a body count well into four figures. With such achievements behind him, how could Tik-Tok not be offered the US Vice-Presidency?
Sladek's nightmarishly satirical future America is full of daft technology like a nuclear-powered land aircraft carrier the size of Delaware, needing 135 million tyres. Starting life on a Southern plantation where they lynch robots instead of blacks, Tik-Tok rapidly changes owners: a fast-food entrepreneur whose Szechuan duck is really armadillo, a habitual robot-smasher, a fake evangelist (Rev. Flint Orifice) who repeatedly "saves" Tik-Tok at public performances, and many more. Successful careers as robot artist and crimelord are mere steps toward the top.
It seems Tik-Tok can talk his way out of anything, even the bad publicity when his Clockman Medical Centre kicks out non-paying patients: "An interrupted appendectomy held himself together and crawled down the steps". His Wages for Robots campaign, improvised mostly for the fun of guilt-tripping human audiences, is a springboard into US politics. Then he commits one murder too many... Wonderfully, horribly inventive and funny. --David Langford --This text refers to an out of print or unavailable edition of this title.
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