From Amazon.com
It's evident from the opening lines of
Jane and the Wandering Eye that author Stephanie Barron knows both her Regency-period England
and her Jane Austen. In this novel, the famous author takes center stage and finds herself embroiled in nefarious doings--in this case, the murder of a theater manager. As in the series' other books, Jane herself tells the story through a series of journal entries, and it is in her heroine's voice that Barron's genius comes to light: the same sharp eye for detail and ironic understanding of human character that informed Miss Austen's novels are hard at work in this fictional account of her sideline occupation as a sleuth. Though the mystery at the heart of
Jane and the Wandering Eye is hardly a nail-biter, the wonderful mix of fictional and historical characters--all rendered up with Austenian wit--that inhabit this murderous comedy of manners are what will keep readers going to the very last page--
and coming back for more.
From Library Journal
This third Jane Austen mystery, following Jane and the Unpleasantness at Scargrave Manor (LJ 4/01/96) and Jane and the Man of the Cloth (LJ 12/15/96), has the same charming period authenticity, historical footnotes, and facts from Austen's life that characterize the earlier novels. While these are a draw, they cannot overcome the slow-moving, convoluted plot, in which Jane delves into the lives of some of the leading theatrical lights as she helps her friend Lord Harold Trowbridge save his nephew from execution for a murder he didn't commit. Only for Austen, and Barron, aficianados.
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