From Amazon.co.uk
Jeanette, the protagonist of
Oranges Are Not The Only Fruit and the author's namesake, has issues--"unnatural" ones: her adopted mam thinks she's the Chosen one from God; she's beginning to fancy girls; and an orange demon keeps popping into her psyche. Already Jeanette Winterson's semi-autobiographical first novel is not your typical coming-of-age tale.
Brought up in a working-class Pentecostal family, up North, Jeanette follows the path her Mam has set for her. This involves Bible quizzes, a stint as a tambourine-playing Sally Army officer and a future as a missionary in Africa, or some other "heathen state". When Jeanette starts going to school ("The Breeding Ground") and confides in her mother about her feelings for another girl ("Unnatural Passions"), she's swept up in a feverish frenzy for her tainted soul. Confused, angry and alone, Jeanette strikes out on her own path, that involves a funeral parlour and an ice-cream van. Mixed in with the so-called reality of Jeanette's existence growing up are unconventional fairy tales that transcend the everyday world, subverting the traditional preconceptions of the damsel in distress.
In Oranges Are Not the Only Fruit, Winterson knits a complicated picture of teenage angst through a series of layered narratives, incorporating and subverting fairytales and myths, to present a coherent whole, within which her stories can stand independently. Imaginative and mischievous, she is a born storyteller, teasing and taunting the reader to reconsider their worldview. --Nicola Perry
--This text refers to the
Paperback
edition.
From Library Journal
Raised by an oppressively evangelical mother, Jeanette grows up a good little Christian soldier, even going so far as to stitch samplers whose apocalyptic themes terrify her classmates. As she dryly notes, without self-pity or smugness, "This tendency towards the exotic has brought me many problems, just as it did for William Blake." Jeanette would have remained in the fold but for her unconventional desires; though she can reconcile her love of women with her love of God, the church cannot. It could have been a grim tale, but this first novelwinner of England's Whitbread Prizeis in fact a wry and tender telling of a young girl's triumphantly coming into her own. Highly recommended. Barbara Hoffert, "Library Journal"
Copyright 1987 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.