Slow Empire: An Eighth Doctor Novel (Mass Market Paperback)

The basic concept behind the book is that the TARDIS has landed in a strange portion of space where traveling faster than the speed of light is impossible. In an Empire spanning multiple worlds and various star systems, this means that journeys between planets will literally take hundreds of years. It's an interesting twist to have the characters suddenly finding themselves stuck in an Einstein-ruled universe. All of Dave Stone's descriptions of this Empire at the beginning of the book are wonderful. Stone cleverly portrayed this section of space in the epic manner that it deserved, reminding me somewhat of the galaxy-spanning society that Isaac Asimov created in his Foundation series. Unfortunately, while the accounts at the start of the story paint a vast, sprawling and fairly out-of-touch galactic empire, they fade a bit as the protagonists start venturing out into the universe. The book is too short to give each planet a distinctive feeling, and the result is to end up with a handful of mostly faceless worlds that appear as though they're reusing the same sets with a slightly different colour of paint slapped on them. Still, the set up was very nice and depicted quite vividly.

I'm not quite sure what was going on with the Doctor in this one. The author goes out of his way to state that the Doctor is regressing into the lives of his previous selves, but I couldn't figure out what story reason this served. At first, I assumed that it was an excuse for poor characterization (although the Doctor is portrayed fairly well for most of the book). Upon reflection I wondered if there wasn't a comparison going on between the Seventh and Eighth Doctors. Certainly at the end of the book, the Doctor turns out to have been fairly manipulative throughout much of the story, but almost nothing is made of it. In fact, the ending of the story seems to mirror similar events at the climax of the previous story, THE YEAR OF INTELLIGENT TIGERS, but is done here with so much less subtlety that the point lacks focus.

Where the book succeeds are the points in which the plot is turned off and the story veers wildly from one setting to another. Some might say that all this stuff is merely padding and that it doesn't affect the plot one jot (Anji would be one of those people, as she even remarks upon it during the course of the adventure). These people would be absolutely correct. But far from being a criticism of the book, this actually provides us with the more entertaining sections. Bad padding may be a terrible and boring thing to read, but the padding on display here is of a far higher quality than that. It's enjoyable and amusing.

Of course, not every aside and irrelevancy ends up as a positive aspect. There are several cases where Stone's excesses cause inward groaning. The awful similes and metaphors of previous books are back and at times they are quite distracting. Some of the prose tiptoes into the wrong side of pretentiousness causing much annoyance and rolling of eyes. As mentioned earlier, the plot really isn't all that interesting when said and done; the voyage itself is what is appealing, not the details behind it.

All over, this is an enjoyable tale that skimps a bit on the plot, but is still a lot of fun. The digressions and tangents work more often than they don't, resulting in a pleasant read. It's only a pity that at the end the plot comes back into play, as that section is far less interesting than the diversions that came before. The book isn't the deepest or most taxing thing that you'll ever encounter, but it's certainly amusing and a fun way to spend several hours.