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Wormwood
 
 
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Wormwood (Paperback)

de G P Taylor (Author)
1.0étoiles sur 5  Voir tous les commentaires (1 évaluation de client)
Price: CDN$ 12.60 & se qualifie pour Livraison super-économique GRATUITE pour des commandes de plus de CDN$ 39. Détails
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  • Cet article : Wormwood de G P Taylor

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    Vendu et expédié par Amazon.ca.
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Descriptions du produit

From School Library Journal

Grade 7 Up–In this unremittingly dark fantasy set in 18th-century London, Dr. Sabian Blake, a scientist/Cabalist, receives a strange gift–a book of arcane knowledge that foretells the approach of a cataclysmic comet. As Wormwood draws near, bedlam breaks out and humanity's sinister side comes forward–all conveyed in exquisitely detailed scenes of violence and mayhem. When Dr. Blake's 14-year-old servant, Agetta, steals the book, she is pursued by demons, angels, and gargoyles come to life. Warring factions of an occult group seem to be vying with each other for possession of the volume, but in truth, it's all a plot to sacrifice Agetta so that the fallen angel Lillith can live on in her body. The horrors that evil begets are made palpable, but goodness has little purpose in this book. When the angel Rafael says, "It is not for power that the universe was created, but for love," it leaves less of an impression than the eye-popping murders he carries out by spraying his victims with his explosive blood. Indeed, the author seemed to be more concerned with special effects than with plot or character development. Agetta is nothing more than a pawn, the adults around her are unrelentingly self-interested, and the characters who do discover how their lust for power has made them blind persist in their blindness anyhow. Teens with a taste for the gruesome will be attracted to this supernatural thriller, but they'll find little sustenance here.–Carolyn Lehman, Humboldt State University, Arcata, CA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.


From Booklist

Gr. 6-9. In his follow-up to Shadowmancer [BKL Ap 15 04], Taylor again brings the epic struggle between good and evil earthward, but the only character who reappears is the archangel Raphael (known as Abram among humans). Wormwood, a comet, zooms toward seventeenth-century London; the collision will catalyze the fallen angel Hezrin's transition to a permanent mortal body. She selects 14-year-old housemaid Agetta as her host and sets a complicated trap for the girl that draws another disgraced angel and Agetta's employer, a follower of kabbalistic mysticism, into the fray. Abram/Raphael intervenes, and readers of many faiths will appreciate the spectacular ringside view of hand-to-hand combat between immortals. They'll also welcome the more substantial role the archangel plays; his gonzo charisma adds texture to the more ponderous worldview sketched in the first book (at one point he dispatches a demon by sticking an exploding crystal someplace unmentionable). Even so, the rather convoluted plot, the fact that adults propel most of the action, and the plodding theological dialogues will likely remain barriers to all but the most motivated readers. Jennifer Mattson
Copyright © American Library Association. All rights reserved --Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.
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1.0étoiles sur 5 Wormeaten, Mars 20 2007
Par E. A Solinas "ea_solinas" (MD USA) - Voir tous mes commentaires
(TOP 10 REVIEWER)    (REAL NAME)   
This review is from: Wormwood (Hardcover)
G.P. Taylor struck out with his much-hyped debut, the tepid religious fantasy "Shadowmancer." And the follow-up, "Wormwood," is even less engaging than "Shadowmancer" was -- while it's fairly well written, it's loosely strung together with dull characters and a plodding plot.

In the mid 1700s, London is gripped by panic -- somehow the earth is overspinning, and suddenly stops so that London is plunged into permanent night. A young servant girl, Agetta, is terrified of what is going to happen, especially because her master, Kabbalah master and scientist Dr Sabian Blake, is predicting that a comet called Wormwood will strike the earth.

This information comes from the mysterious book, Nemorensis, that Blake was given by a stranger. The Nemorensis supposedly contains all the secrets of the universe. Unfortunately, the book also exerts a sinister influence over Agetta. But in an attic is Tegatus, an angelic being who might just be the savior London needs...

Religious fantasy, or fantasy with religious undertones, is not a bad thing -- J.R.R. Tolkien, C.S. Lewis and others allowed their religions to influence their life's work. But G.P. Taylor not only has the subtlety of a battering ram -- he's also quite boring. The story plods along in a string of little plot-related scenes, without building up much momentum.

One of the biggest problems is the way Taylor handles the fantastical elements of his book. Okay, there are weird creatures. Most fantasy books have those. But his seem to just be thrown into the mix for no apparent reason. His handling of superstition and science in the 1700s is sketchy at best, no matter how brilliant a scientist Blake is meant to be.

Taylor has a decent enough writing style, and he has a certain flair for description and atmosphere. But his style is also very repetitive and over-the-top -- where are the editors when you need them? What's worse, his idea of creating a fantasy world seems to be to just toss in a few weird elements that have nothing to do with the plot. The actual fantasy plot is just more of Taylor's lukewarm, generic Christian sentiments.

The characters are as thin as the pages. There are a lot of characters for a relatively slim fantasy book, and many of them are left underdeveloped. Blake and Agetta are the only ones who receive any character development, and that isn't saying much. Agetta in particular seems almost manic, considering how fast her moods swing. Tegatus is just freakin' boring.

G.P. Taylor strikes out again with "Wormwood," another dull religious fantasy that leaves a sour taste in the mouth. Boring, messy, and not worth the effort it takes to wade through.
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