de Ernest Hemingway
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de Ernest Hemingway
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de Ernest Hemingway
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de Ernest Hemingway
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de Ernest Hemingway
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For Whom the Bell Tolls begins and ends in a pine-scented forest, somewhere in Spain. The year is 1937 and the Spanish Civil War is in full swing. Robert Jordan, a demolitions expert attached to the International Brigades, lies "flat on the brown, pine-needled floor of the forest, his chin on his folded arms, and high overhead the wind blew in the tops of the pine trees." The sylvan setting, however, is at sharp odds with the reason Jordan is there: he has come to blow up a bridge on behalf of the antifascist guerrilla forces. He hopes he'll be able to rely on their local leader, Pablo, to help carry out the mission, but upon meeting him, Jordan has his doubts: "I don't like that sadness, he thought. That sadness is bad. That's the sadness they get before they quit or before they betray. That is the sadness that comes before the sell-out." For Pablo, it seems, has had enough of the war. He has amassed for himself a small herd of horses and wants only to stay quietly in the hills and attract as little attention as possible. Jordan's arrival--and his mission--have seriously alarmed him.
"I am tired of being hunted. Here we are all right. Now if you blow a bridge here, we will be hunted. If they know we are here and hunt for us with planes, they will find us. If they send Moors to hunt us out, they will find us and we must go. I am tired of all this. You hear?" He turned to Robert Jordan. "What right have you, a foreigner, to come to me and tell me what I must do?"In one short chapter Hemingway lays out the blueprint for what is to come: Jordan's sense of duty versus Pablo's dangerous self-interest and weariness with the war. Complicating matters even more are two members of the guerrilla leader's small band: his "woman" Pilar, and Maria, a young woman whom Pablo rescued from a Republican prison train. Unlike her man, Pilar is still fiercely devoted to the cause and as Pablo's loyalty wanes, she becomes the moral center of the group. Soon Jordan finds himself caught between the two, even as his own resolve is tested by his growing feelings for Maria.
For Whom the Bell Tolls combines two of the author's recurring obsessions: war and personal honor. The pivotal battle scene involving El Sordo's last stand is a showcase for Hemingway's narrative powers, but the quieter, ongoing conflict within Robert Jordan as he struggles to fulfill his mission perhaps at the cost of his own life is a testament to his creator's psychological acuity. By turns brutal and compassionate, it is arguably Hemingway's most mature work and one of the best war novels of the 20th century. --Alix Wilber --This text refers to the Paperback edition.
From AudioFile
Campbell Scott's reading of Hemingway's great novel of the Spanish Civil War, like Hemingway's text, is spare and dense, but layered with subtlety. Because Scott seems to withdraw from it emotionally, the reader's investment in it is all the greater. Scott knows that the real drama lies in the understated intensity of Hemingway's prose, the rich Spanish cadences of his lines, and in his simple yet powerful diction. Reading cleanly, without additional flourish, he mimics them perfectly, slipping flawlessly in and out of the Spanish itself, hovering only lightly in the background, like the faint, thin smoke of the campfire around which Robert Jordan sits with Pablo, Pilar, and Maria. With Hemingway, less is always more, and Scott's presentation succeeds like no other could. P.E.F. Winner of AudioFile Earphones Award © AudioFile 2006, Portland, Maine-- Copyright © AudioFile, Portland, Maine
--This text refers to the
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First Sentence
In his earlier years Hemingway relished the nickname "Champ," which exemplified his roistering, hard-fisted outdoor life of adventure. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
In his earlier years Hemingway relished the nickname "Champ," which exemplified his roistering, hard-fisted outdoor life of adventure. Read the first page
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