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Sibyl in Her Grave
 
 

Sibyl in Her Grave (School & Library Binding)

de Sarah L. Caudwell (Author)
4.6étoiles sur 5  Voir tous les commentaires (11 évaluations de client)

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From Amazon.com

For mystery lovers and literary connoisseurs alike, 2000 was a year of loss. Gone are two masters of language, one with over 30 works to his credit (George V. Higgins), the other with only four (Sarah Caudwell). It is some comfort that each gave readers one last glimpse of literary skill before passing on: Higgins (At End of Day) captured the way people really speak; Caudwell captured the way many people would dearly love to speak. Her first three novels (The Shortest Way to Hades, Thus Was Adonis Murdered, The Sirens Sang of Murder) brought readers into the elegant, urbane world of Hilary Tamar, Oxford fellow and mentor to London barristers Cantrip, Selena, Ragwort, and Julia. Caudwell's last work, The Sibyl in Her Grave, continues the intoxicating blend of dry humor and genteel manners that marked her as a successor to Dorothy Sayers.

The sibyl of the title is the psychic counselor Isabella del Comino, who descends in a flurry of bad taste to the Sussex village of Parsons Haver. With an aviary of ravens, a frumpy niece, and a penchant for combining divinations and blackmail, her sudden death comes as a relief to the village's disgruntled inhabitants, including Julia's redoubtable Aunt Regina. Regina has enough to worry about: she and two friends pooled their resources and invested in equities--and made a killing. But now the tax man is demanding his share, and the money has already been spent. When she asks Julia for legal advice, Julia and her colleagues discover that both Regina's fiscal success and Isabella's death are connected to an insider-trading scandal brewing with Julia's biggest clients. Unraveling that connection, of course, is a task that falls to Hilary.

Hilary, who "labors always in the service of Scholarship," is a triumph of authorial ambiguity. After four novels, readers will be left wondering, apparently unto eternity, whether Professor Tamar is a man or a woman. Take it as a political statement if you will--or simply as another little mystery, courtesy of an author who reveled in the power of words to clarify, outline, elucidate, and obscure. --Kelly Flynn --Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.



From Publishers Weekly

Published posthumously, Caudwell's final Hilary Tamar mystery finds the androgynous Oxford professor and his (or her) coterie of junior barristers untangling a complicated case of insider trading and murder. While barrister Julia Larwood is mulling over a panicky letter from her aunt, Regina Sheldon, about taxes owed on certain recent investments, her colleague, Selena Jardine, is coincidentally advising Sir Robert Renfrews, chairman of Renfrews' Bank, on the mysterious leaking of top-secret business gossip that has somehow reached Aunt Regina and her two investment cronies. The conduit of information proves to be Aunt Regina's new neighbor, Isabella del Comino, a self-styled "psychic counselor," who may be blackmailing one of two rising directors at the bank. Isabella's sudden death and the emergence of her pathetic but creepy niece, Daphne, raise concerns: did one of the bank directors murder Isabella, and will Daphne, or possibly even Aunt Regina, be next? Mining Barbara Pym country for tipsy vicars and high-strung spinsters, Caudwell has produced a droll, rather retro whodunit, updated only by the barest hint of same-sex dalliance. In addition, the young barristers have time to deconstruct wordy epistles from a suburban aunt and to natter on in stiff-upper-lip British diction about bookshelves and vacations as if they were back in the junior common room. It's all highly artificial, but Caudwell's crafty plotting and knowing wit will keep readers happily diverted. (July)
Copyright 2000 Reed Business Information, Inc. --Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.

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L'avis des consommateurs

11 évaluations
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4.6étoiles sur 5 (11 évaluations de client)
 
 
 
 
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5.0étoiles sur 5 Fabulous -- so sad it's the last one, Fév 13 2002
Par Kathleen Chappell (Burke, VA United States) - Voir tous mes commentaires
Sadly, this will be the last book featuring the adventures of Selena, Julia, Cantrip, Ragwort and their former Oxford tutor Hilary Tamar, as Sarah Caudwell died in 2000. Last is not least, though, as Caudwell again provides her readers with hilarious characters, suspicious situations, and just enough British tax law to keep things interesting.

This installment centers on Julia Larwood's aunt Regina, who lives in the innocent-sounding town of Parsons Haver, West Sussex. This being Caudwell and not Christie, however, the town is populated with the same kind of oddball, interesting characters the rest of her books are (for instance: the town's newest resident is a psychic who keeps a flock of ravens and a vulture in her drawing room). Regina needs advice from Julia on a tax question; she and some friends have made quite a bit of money investing in shares in different companies and they are now being asked to pay a large capital gains tax. Strangely, their investment plan was identical to that of someone apparently involved in insider dealing at the bank of one of Selena's clients. But what is the connection? That's what this band of amateur sleuths sets out to discover.

As in Caudwell's other books, much of the action is explained through correspondence, in this case mostly letters from Regina to Julia, although other characters do take up the pen. The device works well; it allows the reader to see the story from several first-person perspectives at the same time and to get a better understanding of each of the characters who write. The book isn't all letters and no action, of course; several trips are made to Parsons Haver, Regina comes to London, and action on the bank connections sends characters to locations ranging from Cannes to Scotland. Stones fly through windows, ..things are stolen, and Selena, in an attempt to remodel the law offices at 62 New Square, must deal with those nefarious creatures known as builders. And, although this book does not end in the kind of showdown some of Caudwell's other books do, the ending is satisfying just the same.

The best thing about Sarah Caudwell's novels is the tone, the style. The characters couldn't be anything but British, but they are decidedly modern. Ragwort's trip to Cannes, complete with a dominatrix neighbor and a cross-dressing companion who serenades diners at a local restaurant, would be out of place in many novels, but it fits into Caudwell's world perfectly. Her humor is understated but effective; Cantrip, describing his attempts to discover whether another character is involved with the Parsons Haver business, says that upon his mention of the town, the man became very agitated. When Hilary remarks that this seems significant, Cantrip replies, "Yes, that's what I thought. But it turned out he'd just been stung by a bee, so I suppose it's a bit inconclusive." Caudwell's sense of humor also shows in her decision not to reveal Hilary's sex; the reader may attempt to deduce it, but the clues, such as they are, lead nowhere. The Sibyl in Her Grave lives up to Caudwell's other books in style and in substance. Readers will enjoy this last trip to 62 New Square.

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5.0étoiles sur 5 Devilishly erudite., Janv. 2 2002
Par Un client
As a student of literature I spend most of my time reading literature from the British canon--learned, sometimes difficult, prose. When I'm on vacation, I want to read something fun--not that Jane Austen isn't delightful. I cannot, however, suspend my constant need for intelligent prose.

Sarah Caudwell is a kind of Austenian mystery writer (a comparison others have made, I think). She satisfies the need for good writing, while satisfying the desire for entertainment. Implausible plot? Of course, but no less plausible than the coincidences sprikled throughout Pride and Prejudice.

The novel starts slowly, but once the characters and events get moving (albeit, postally) the mind of any mystery lover will be astir with conjecture. So much fun! The last novel I read during my winter vacation and completely gratifying.

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5.0étoiles sur 5 Enjoy it for the language, the cleverness and the atmosphere, Oct. 12 2001
Par Marcy L. Thompson (Sammamish, WA USA) - Voir tous mes commentaires
(REAL NAME)   
The point of Sarah Caudwell's meysteries was never the plot, or the plausibility. The novels are full of majestic letters no one would ever really write, wonderful characters who would never have the careers they have, and intriguing conversations that could never really happen. The pleasure of reading one of these books is, however, all the things that could never really happen.

It's hard to know how to help someone decide whether they would like this book (or the other three the author wrote before she died last year). I'd say that if you like Wodehouse, you will probably like this (but I hate Wodehouse myself). People who like Benson's Lucia books will likely enjoy these. And, oddly, if you are one of the people who loves Pamela Dean's _Tam_Lin_, you will no doubt find these mysteries engaging.

The books are full of improbable plots, which at least don't fall apart until you reflect on them later. The plots are as tangled as a pile of extra-long spaghetti, which makes it all the more fun when the professor untangles them. If you want realism, look elsewhere. If you want beautiful lanugage, interesting characters and acerbic humor, and you are willing to take that wrapped up in a mystery, you'll love these books.

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Commentaires client les plus récents

2.0étoiles sur 5 Too Much Cough Syrup
This was the first Sarah Caudwell novel I've read. Perhaps I should have started the series from the beginning, but I found myself unable to overcome my sense of implausability in... Read more
Publié le Aoû 24 2001

5.0étoiles sur 5 Only Four Books? What a pity...
There are only four of these entertaining mysteries, published infrequently from 1981 until the author's death at the age of 60 in 2000 (her real last name was Cockburn, which is... Read more
Publié le Aoû 23 2001 par Wyatt James

4.0étoiles sur 5 A British who-done-it meets a dark comedy of manners
A witty ,darkly comical read. A verbal and literary treat that is ever so British in manner, affect and style. Full of interesting, quirky characters.
Publié le Déc 27 2000 par Nioucha Banna

5.0étoiles sur 5 For those who tolerate litotes
Caudwell fans have to be lovers of long convoluted sentences and elaborate figures of speech with scraps of Latin and French. Read more
Publié le Nov. 12 2000

5.0étoiles sur 5 The last Caudwell gem
Although British author Sarah Caudwell wrote only four Hilary Tamar comedy-of-manners mysteries before her death in January, the long wait between each of them only whetted her... Read more
Publié le Aoû 15 2000 par Lynn Harnett

5.0étoiles sur 5 Call it the new book or the last book?
I enjoyed this erudite book (as I had the other three)to the point that I wound up at an outside cafe balancing a tealight on the book so I could finish reading it after that... Read more
Publié le Aoû 11 2000 par Jeffrey L. Barbalics

5.0étoiles sur 5 Caudwell's Swansong
When I first stumbled upon Sarah Caudwell's mystery fiction it was as if I were encountering a sly witty persona with whom I wanted to become a good friend. Read more
Publié le Juil 17 2000 par JACK C. BROWN

5.0étoiles sur 5 Funny cerebral mystery
It begins as a favor between friends. Ricky Farnsham of Parson Haver, West Sussex, England, provides some stock tips to the town vicar, Maurice Dulcimar and his friends Griselda... Read more
Publié le Juil 12 2000 par Harriet Klausner

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