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4.0étoiles sur 5
Compromising Positions make strange bedfellows, Juil 19 2003
The quality of Stevenson's scholarship is immediately evident, the substantial historical research key to the author's success. A love story set in 17th C. Holland, the widowed Elizabeth Stuart, Queen of Bohemia, begins a friendship with African prince and former slave, Pelagius van Overmeer, now a Calvinist theologian. As the sister of Charles I and daughter of James I, Elizabeth's primary obligation is the protection of her children's positions, maintaining good relations with the Crown, in the person of Charles I, currently engaged in the Thirty Years War that is tearing the country apart.For his part, Pelagius is a unique man in this country riddled by war, but also undergoing a cultural renaissance, a resurgence of art and culture. Brought to Europe as a slave, Pelagius achieves his freedom, then dedicates himself to the scholarship of the exotic plants of East Asia and their potential use in the healing arts. An erudite man, Pelagius becomes a seer as well, able to sustain his meager subsistence in this manner. Receiving some notoriety in his capacity as seer, in which he uses ancient African methods to give godly advice to his patrons, Pelagius first awakens the Queen's interest. Engaging in casual conversation, they discover an affinity for one another, having complementary sympathetic natures. While both approach middle age, they are blindsided by their passion and marry in a clandestine ceremony. Once night falls, they are able to give reign to their mutual affection, free of artifice or pretension. As a precaution, Pelagius poses as Elizabeth's Latin tutor and physician, their secret known only by her ladies-in-waiting. Elizabeth's warmth and good humor act as a catalyst to Pelagius' reserved demeanor, deluging him with unexpected joy. Love truly is blind for this extraordinary couple. When Elizabeth becomes pregnant, she is able to conceal her condition, feigning illness during the dank winter months, a time when she regularly suffers from poor health. After their son, Balthasar, is born, Pelagius transports his child in the deep of night to a couple that has agreed to care for the infant. Although the baby must be safely hidden from gossip or unwarranted curiosity, Pelagius is uncomfortable after leaving the child with strangers. It is with considerable distress that Elizabeth and Pelagius consider the future parameters of their relationship, having already tempted fate with the birth of their son. Whether or not they can live as man and wife is the most difficult landmark in this fascinating romance, but the couple cannot ignore the danger to their son should his birth be discovered. Pelagius struggles with a deep affection for his wife and small son, offering solutions, but Elizabeth cannot forget her other children's futures. Both vow to make peace with their painful circumstances, yet each choice is fraught with pain, Elizabeth's options restricted by a royal bloodline, hostage to her royal fate. In prose that transcends the boundaries of race and position, Stevenson lifts her two central characters to a higher plane of existence, joined in marriage with the added bounty of mutual respect. This novel is the first of an intended trilogy. As such, The Winter Queen sets the tone for all, with a tale of clandestine romance between The Queen of Bohemia and her African prince. Their son, Balthasar, is the fruit of the union, their gift to the future and the subject of the second book of the trilogy, The Shadow Prince. Luan Gaines/2003.
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