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Jacob's Room: The Shakespeare Head Press Editon of Virgina Woolf
 
 

Jacob's Room: The Shakespeare Head Press Editon of Virgina Woolf [Illustrated] (Hardcover)

by Virginia Woolf (Author), Edward Bishop (Editor) "Jacob's Room charts the life of a young man in the two decades leading up to the First World War, following him from childhood through..." (more)
4.6 out of 5 stars  See all reviews (8 customer reviews)
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Product Details


Product Description

From Library Journal

Woolf's 1922 experimental novel here joins Dover's "Thrift" line of bargain classics. This is still a popular item in lit classes, so have a few extra copies on hand; this is the cheapest way to fill the demand.
Copyright 1999 Reed Business Information, Inc.


From AudioFile

Jacob is so hard to manage. Ever since his father, Seabrook Flanders, passed away, he has been a somewhat aimless boy. As Jacob grows, we watch his aimless spirit wander like a butterfly from flower to flower, sipping nectar, but never lighting for long in one spot. Nadia May reads Virginia Woolf's stream of consciousness--her cataloging of voices and images--with such force and authority that gradually in the poetry of these images, a character, albeit somewhat lost and stillborn, breaks through into a hollow world, exactly as Woolf intended. It is the narrator's assurance, as it was the writer's belief before her, that this stream of consciousness cataloging would produce both world and character, and so it does. P.E.F. (c)AudioFile, Portland, Maine --This text refers to the Audio Cassette edition.

Inside This Book (Learn More)
First Sentence
Jacob's Room charts the life of a young man in the two decades leading up to the First World War, following him from childhood through adolescence into young manhood and then to his early death. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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Jacob's Room: The Shakespeare Head Press Editon of Virgina Woolf
67% buy the item featured on this page:
Jacob's Room: The Shakespeare Head Press Editon of Virgina Woolf 4.6 out of 5 stars (8)
CDN$ 155.12
The Waves
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The Waves 4.8 out of 5 stars (19)
CDN$ 12.56
To the Lighthouse
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To the Lighthouse 3.9 out of 5 stars (119)
CDN$ 12.37
Modern Classics Mrs Dalloway
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Modern Classics Mrs Dalloway 4.0 out of 5 stars (1)
CDN$ 10.95

 

Customer Reviews

8 Reviews
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 (5)
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 (3)
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Average Customer Review
4.6 out of 5 stars (8 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful:
5.0 out of 5 stars 9, Jan 29 2002
By A Customer
Virginia Woolf is one of my favorite authors and Jacob's Room is my second favortie Woolf book (The Waves being the first).

Jacob's Room is the highly impressionistic story of Jacob Flanders, a character based on Woolf's own brother. This is a coming-of-age story as we follow Jacob from the rocky coasts of Cornwall to the sun-drenched shores of Greece.

Anyone looking for a conventional story or plot won't find it here. Jacob's Room is Virginia Woolf during a highly experimental stage; a stage during which she was developing her pure stream-of-consciousness style.

Jacob's Room is for very "literary" readers. This is definitely not light and fluffy and it's definitely not going to be everyone's cup of tea. Those who love good literature, however, will find Jacob's Room a pure poetic masterpiece of the highest order.

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5.0 out of 5 stars Simply Beautiful, May 14 2001
By Toisha Tucker (Ithaca, NY) - See all my reviews
This IS literature at its best. There is nothing I can say that hasn't already been said rather eloquently by the first review of this book, 'Stitched Seams of Color, Subjectless, and Brilliant,' January 17, 1998 Reviewer: A reader from Deerfield, Massachusetts, so go read that one. The other reviews were too superficial; futile exercises in trying to describe a plot that is not there. Woolf is remarkable. This novel is a reflection of Woolf.
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4.0 out of 5 stars Woolf's first experimental novel, Oct 9 2000
By Joy Kim (New Haven, CT USA) - See all my reviews
This review is from: Jacob's Room (Paperback)
_Jacob's Room_ marks Virginia Woolf first truly experimental novel. It follows the elusive figure of Jacob Flanders, from his boyhood to college and finally off to the Great War.

It is a novel where plot and typical "defining" events are irrelevant. This is not a story about who dies, who lives, who loves, or who hates. This is a novel about interiority, about the effect Jacob has on those he meets. It is interesting to note that the character of Jacob Flanders was (in part) based upon Virginia Woolf's own brother, Thoby Stephen, who died quite young. While it is dangerous to overread the connection between Jacob and Thoby, it's highly probably that part of the novel's elegaic tone comes from it. Woolf's prose is typically lyrical, and she depends heavily upon interior monologue and stream-of-consciousness writing.

It's not an easy novel to read, especially Woolf novices, but I think fans of modern fiction will find the experience worthwhile. Better introductions to Woolf's works are _Mrs. Dalloway_ and _To the Lighthouse_.

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Most recent customer reviews

5.0 out of 5 stars Much Thanks
I would like to express my gratitude to "a reader from us" and "a reader from Soweto." You both succesfully ruined the book for my entire class. Read more
Published on Jan 20 2000

5.0 out of 5 stars Main focus on projection and repetition of colours
It is a truly marvellous novel and I really cried illustriously oh my heart out when Jacob died. The imagery use of Bennet can obviously be seen as put to use in this novel in... Read more
Published on Sep 30 1999

4.0 out of 5 stars Virginia Woolf's stylistic devices in Jacob's Room
Jacob's Room is an impressionistic novel in which there is no defined plot; rather, random circumstances in the central character's life, Jacob Flanders, are portrayed as... Read more
Published on Jan 10 1999

4.0 out of 5 stars Who Do You Really Know?
The reader is introduced to Jacob as a child and sees glimpses of his life as he grows into a young man. Read more
Published on Jul 4 1998

5.0 out of 5 stars Stitched Seams of Color, Subjectless, and Brilliant
From Woolf's innumerable unfinished sentences and unaccounted for colors, we begin to see that there are no traditional themes or plots, and she has not set down to cement a story... Read more
Published on Jan 17 1998

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