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2.0 out of 5 stars
A failure, May 19 2004
Like so many others, I thought Neuromancer was a great book. I also enjoyed Mona-Lisa Overdrive, Burning Chrome, and Count Zero, to varying degrees. Virtual Light ... well, not much of a story there, was there? Idoru was slightly better, but all the trinkets and prose could only barely hide the lack of story; there's not even any real antagonist. In All Tomorrow's Parties the trinkets and prose fail completely. We have seen the bridge before, and it seems the only person who is in love with it is William Gibson himself."Something big is going to happen" chapter after chapter tells us, but you start to suspect more and more that the author will fail to show us anything. Trust your instincts. Nothing is shown. The "nodal point" is never to be seen, and you get no hint whatsoever about what kind of change has been made in the world, if any, or where it would lead, if anywhere. Gibson fails to provide a conclusion, leaving the end just as hollow as the rest of the book. All we get is some surrealism with the antagonist physically disappearing into the "flow of information" sort of. So we have the Walled City, the Bridge, cameras hanging from balloons, a drug called dancer, a chain of supermarkets with cameras by the entrance. Then we have a bunch of characters moving to and fro on the bridge, discussing it constantly to mirror Gibson's fascination with his own creation, and sometimes killing each other. This is what we are offered instead of a story. I'm glad I read this book at the library instead of buying it.
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