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Starmind
 
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Starmind (Mass Market Paperback)

by Spider (Author), Jeanne Robinson (Author)
4.0 out of 5 stars  See all reviews (2 customer reviews)

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From Publishers Weekly

This concluding novel in the Stardance trilogy, after Stardance (1977) and Starseed (1992), suffers from a problem common to later volumes in multibook sagas: competing demands between the plot and the series' backstory. The Starmind, a universal overmind engineered by benevolent aliens from telepathically linked human Stardancers, is the Robinsons' response to SF's usual presentation of human futures based on technological, rather than artistic, development. Here, though, the Starmind's final evolution seems too methodical and out of sync with the novel's human focus: the moving drama of 21st-century writer Rhea Paixao and the emotional rift that grows between her and composer husband Rand Porter when he moves the family from her beloved Earth to a luxury hotel in outer space. Subplots concerning an assassination attempt and a conspiracy to liberate humanity from the Starmind's control illustrate the parochial concerns the human race must overcome in order to achieve the apotheosis planned for it. Not surprisingly, the novel features the authors' usual well-drawn characters, but the euphoric optimism of its climax seems unearned and less believable than the concluding pathos of Arthur C. Clarke's Childhood's End, to which this trilogy is clearly indebted.
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.


Ingram

With the aid of the benevolent Starmind, planet Earth has finally achieved peace and prosperity, but a terrorist sect, threatened by the Starmind, plots to destroy it before the human race approaches its final evolution. Reprint. LJ. --This text refers to the Paperback edition.

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4.0 out of 5 stars (2 customer reviews)
 
 
 
 
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4.0 out of 5 stars Essential Reading for Robinson Fans, Sep 21 2001
By A. Bowdoin Vanriper (Marietta, GA USA) - See all my reviews
(REAL NAME)   
First things first: If you're just discovering Spider Robinson, or this particular trio of books... this ain't the place to start. BUY it now (lest it go out of print, as Spider's books have an inexplicable and depressing tendancy to do), but put it away until you've read _Stardance_ and _Starseed_.

There, now that's out of the way. On with the review.

This book, especially in the context of the series, is a consistently entertaining, rewarding exploration of the themes that dominate the Robinsons' best work. Little stuff, like (in no particular order): love, sex, creativity, art, transcendence, home, commitment, and so forth. It says something about their abilities as a writing team that all this is unfolded through living, breathing characters that you quickly come to care deeply about . . . and want to find happiness (even if it's not at all clear that they will). Likable, intelligent characters have always been Spider's greatest strength, and this story is no exception. Whether or not the plot "works" for you is almost beside the point. Even if it doesn't, the characters and the ways in which they grow and change make the book worth reading.

This is *not* a trilogy in the conventional SF sense. The three books form distinct segments of a long arc, but they have independent casts (for the most part) with their own strengths and weaknesses. It's one of the delights of _Starmind_ that Rhea is clearly *not* a (literary) clone of Rain M'Cloud or Sharra Drummond, and that Rand is *not* just another Charlie Armstead.

One final note: The Robinsons may live in British Columbia, but in the scenes set in Provincetown, MA this Bay State expatriate could hear the surf, smell the salt, and taste the Portuguese sweet bread again. Craftsmanship even in places where most people won't notice it is a glorious thing.

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4.0 out of 5 stars A worthy conclusion to an epic and insightful series., April 17 1997
By A Customer
This review is from: Starmind (Hardcover)
The conclusion of the Stardance tril-- uh, series of three self-contained stories. The Zen material Spider and Jeanne explored in the first novel is so rich and mesmerizing that they can be forgiven for returning to it again and again. Starmind offers new insights about many different kinds of freedom -- intellectual, spiritual, physical and artistic. Spider and Jeanne also make a very good case against the world-is-going-to-hell pessimism of our ficton, arguing that real enlightenment, or at least a lightening-up, may be just around the corner. Still, as in Starseed, I was disappointed at how many of the previous plotlines seemed recycled from the original story without further exploration. Go buy it anyway -- reading anything Spider produces is like a NordicTrak for the imagination
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