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4.0étoiles sur 5
When life doesn't live up to expectations. . ., Jui 18 2004
Thirty years have passed since Duane Moore and Sonny Crawford graduated from high school in Thalia, Texas. The events of "The Last Picture Show" are a distant memory to everyone except Sonny, who continues to live in the past and occasionally gets lost there. Duane has married, gotten rich in the oil boom, raised a bunch of kids, built a 12,000-square-foot house outside of town, and is now $12 million in debt. The boom is over, and disappointment, the dominant mood of the characters in McMurtry's earlier book, is settling in again. This time, however, disappointment and depression are mostly played for laughs. Sonny, the poignant central character in "Picture Show," has been sidelined in this story by Duane's domestic conflicts, his efforts to remain optimistic in the face of bankruptcy, and his affair with a married woman who is also carrying on with Duane's dope-dealing, womanizing son. McMurtry plays up the ironies and absurdities of life in Thalia where, as Duane observes, everyone seems to have gone crazy. The married and unmarried swap partners with the free-for-all abandon of romance as it's portrayed in country and western songs. And a kind of lunacy grips others, whose adventures push the narrative into wildly implausible episodes of farce, such as a mammoth egg-throwing fight on the closing night of Thalia's centennial celebration. The melancholy mood that dominates "The Last Picture Show" makes only a brief appearance in this much longer novel, as Duane remembers a young employee killed in Vietnam. And readers, like me, who are fans of McMurtry's earlier work, will be disappointed that McMurtry treats the sorrows of his characters this time so lightly. At worst, the behavior of the town's residents gives Duane headaches and he comes to a realization that his "success" as an oilman and a respected citizen is not an achievement that gives him much self-esteem. The liberated 1980s women in his life (wife Karla, mistress Suzy, and old high school sweetheart Jacy) constantly remind him that he's less than adequate as a man. And at 48, he understands that he no longer has the energy he once had. Meanwhile, there are pleasures to be had in the novel. In particular, I enjoyed the endless varieties of ironic and humorous disputes that characterize the verbal exchanges between the characters. Duane has a comic ruefulness that both protects him and reveals his vulnerability. And finally, that is the central theme of this novel as all the middle-aged characters (and there are a host of them) try in one way or another to come to terms with lives that haven't lived up to expectations.
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5.0étoiles sur 5
I love it anyway, Aoû 21 2002
The common theme among the other reviewers seems to be that "it ain't no Last Picture Show." While I can recognize that LPS is a more tightly constructed book in the English class, reading it for credit context, I think this book actually has more life. The action is absurd in many respects, and the characters do selfish things, but there's a buoyant feeling to the whole business. Sometimes, driving down the road, I think of how Duane's dog, Shorty, rode away from Duane "looking inscrutable," and I just crack up. This is McMurtry doing what he does best.
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4.0étoiles sur 5
A different book for a different era, Oct. 15 2001
I haven't read many of Larry McMurtry's early books so far, so I don't know if he's not living up to his earlier promise, as some people contend. I did, however, like Texasville quite a bit. The contrast that McMurtry is trying to show here is quite obvious: while life in 50s-era The Last Picture Show was miserably simple, modern life in Texasville is horribly complex. The book is "wacky", and it is long and rambling compared to TLPS, but it reflects the situation in mid-80s Thalia much like TLPS reflected its own time. The story is episodic, like TLPS, but there are many more episodes to cover this time around.What is interesting in this story is that the characters have had every chance to lead happy lives, yet they are not happy at all. Most of them were at once time rich and successful, but this seems to have made their lives more complicated without actually improving them. Duane and Karla, the two main characters in the story, have bought lots of stuff and have both had more than a few affairs, which distracted them from the fact that they were growing apart. The other characters in the story are in similar predicaments. When the money runs out, chaos erupts. So how could the story not be sort of wacky? It is interesting to see who becomes aware of their unhapppness, and how they deal with it. This book is also quite funny. The oil bust-era may also remind you of the current high-tech bust. Many of the charactres seem to be in similar situations as today's former dot-com millionaires. I think most readers of TLPS will not de disappointed if they keep an open mind.
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