From Publishers Weekly
After James Davenall has been presumed dead for 11 years, a man claiming his identity appears, throwing the lives of his family and former fiancee into confusion."Goddard goes from strength to strength in terms of invention, and this exciting story, with its careful complexity and completeness--no loose ends--is a joy to read," PW praised.
Copyright 1990 Reed Business Information, Inc.
From Library Journal
These productions of Goddard's suspense-filled novels are equally well read by Paul Shelley (Take No Farewell) and Michael Kitchen (Painting the Darkness). Both readers skillfully portray ordinary middle-class British professional men who are caught in circumstances beyond their abilities to cope. Driven to take any risk to save their loved ones, they act out of impulse, not intelligence, often with unfortunate results. Take No Farewell centers around a cad, Geoffrey Staddon, who left Consuela, the love of his life, in an abusive marriage so that he could shine as an architect in proper Edwardian England. Years later when Consuela is charged with murder and her daughter appeals to him for help, he realizes that he can redeem himself at least in his own eyes and, in an unexpected twist, even in Consuela's. William Trenchard of Painting the Darkness is threatened when his wife's first love, believed dead, reappears to claim his inheritance and Mrs. Trenchard. Trenchard fights with all his heart, but, unfortunately, his skills are not equal to those of his enemy's. Goddard is known for his intricate plot twists and ability to keep the listener intensely involved to the last sentence. Shelley and Kitchen are fine readers, modulating their voices and accents to differentiate characters and adapting their pacing to reflect the mood of the scene. Both recordings are recommended for popular collections. Juleigh Muirhead Clark, John D. Rockefeller Jr. Lib., Colonial Williamsburg Fdn., VA
Copyright 2002 Reed Business Information, Inc.
--This text refers to the
Audio Cassette
edition.