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Red Death
 
 

Red Death (Paperback)

de Walter Mosley (Author) "I ALWAYS STARTED SWEEPING ON THE TOP FLOOR OF THE Magnolia Street apartments ..." En savoir plus
4.0étoiles sur 5  Voir tous les commentaires (7 évaluations de client)

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From Publishers Weekly

This is the second novel in Mosley's superb series featuring Easy Rawlins, a black private investigator living in 1950s Los Angeles. (Aug.) In July Norton will publish White Butterfly , a third Mosley mystery starring Rawlins, which received a starred review in PW (Fiction Forecasts, May 4).
Copyright 1992 Reed Business Information, Inc.

Ingram

In order to avoid a prison sentence for a trumped-up tax evasion charge, Easy Rawlins agrees to infiltrate the First African Baptist Church and spy on alleged communist organizer Chaim Wenzler. Reprint.

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4.0étoiles sur 5 (7 évaluations de client)
 
 
 
 
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3.0étoiles sur 5 The Blaxploitation Movie's Daddy, Juil 6 2004
Even though Mosley's popular whodunnits started taking shape in the 90's, it's easy to see that the stories he writes stemmed from a certain influence:

Shaft, maybe even Black Ceasar, et al. for the action and "givin' it to da man!" undertones. Mixed in with a little bit of "Cotton Comes to Harlem" and "Mohagany" for the occasional romance and levity. In fact, his works don't seem much different than what you would see on the 1973 big screen in a theatre packed to the back with black faces. Note the similarities...

1. You've got your classic hard brother, be he a private dick or just a good guy out to get what's coming to him. Easy, in classic Easy fashion, is a guy trying not to do what's wrong because he's seen enough of that. A hard drinker because of the pain his past has caused him, this fellow with kill only if he has to.

2. There's always the white folks who turn out to be the bad guys. They're cops or ganglords or jerks with a ton of dough. Here we have Lawrence, a tax agent who comes down on Easy because of tax evasion. Second we have Craxton, the FBI guy who wants to use Easy for his own purposes, but makes a deal with him - do my bidding and I'll chill out that tax thing. Finally, there is Officer Fine, a bit player who lusts after the cries and screams of anything black.

3. Can't forget how nobody else "understands him but his woman." And she's black, no way around that. With Easy, he's messing around with a woman who can get him killed as sure as the day is long: Mouse's wife. Now if that's not a mistake, I don't know what is. Mouse is Easy's friend, for one thing. For another, he's a cold-blooded killer. But Easy's willing to risk it all for love.

4. Must mention the white woman he cheats on her with. This is thrown in soley to annoy the white man. In 1970, this act of spite was a given. And it's in this book too.

5. Jive talk. Nothing but jive talk. It simply must be indicative of the era and this novel plays out perfectly as a piece choc full of blacks who were taught how to talk by their 1930's parents, who were taught to talk by THEIR 1900 former slave parents, who, before that, were educated in grammer and English by Africans who weren't even born here and ignorant overssers. Mosley is obviously no stranger to this snowball effect that whites have come to call "ebonics." As the credo goes, "write what you know."

6. The hard brother has to be a vigilante type. No way is he an angel. Easy has taken lives and he regrets it. He drinks like it's going out of style and he needs it. He cheats The Man out of his money to keep things balanced. He can be a sinner, but he must be able to rationalize it believably or the reader (watcher) won't sympathize with him. No problem with that here.

So yeah, it's like a blaxploitation movie with one catch: the white friend. I've never seen that in the movies, yet I've read two of Mosley's books and in both he seems to project his antagonists with an affinity for Jews, similarizing their plights in doomed histories. This approach is effective in that it shows open hearts and opened minds during an era of rampant hate. I liked this book because I could identify with many of the characters, some of whom I am ashamed to say I feel like I've known well in my lifetime. But there's just something about the story that keeps it average...

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3.0étoiles sur 5 Mosley Takes a Step Back in A Good Sophomore Effort, Sep 14 2003
Par "oezekoye" (Pittsburgh, PA) - Voir tous mes commentaires
This review is from: Red Death (Hardcover)
A Red Death is not the novel Devil In A Blue Dress is, but really what could be? Mosley's style and storytelling are just as sharp, and he takes time to further develop the character of Easy Rawlins, the protagonist and narrator.

The main story of the novel is the same as Devil in a Blue Dress, Easy, a good man, comes into some trouble and has to use his wits, his fists, and his crazy friend Mouse (who conveniently has no problem with any moral questions that may arise on the streets of L.A) to get him out.

Mainly what a Red Death lacks is the tension, the overbearing sense of danger that hangs over every page of his first novel. The classic mystery elements of the plot are niether as complex nor are they as well defined as in Blue Dress. Too many details of the mystery are kept from the reader, therefore the audience is not as engaged during the story and not as satisfied with the resolution. These little disappointments however, will not keep me from following Easy Rawlins in White Butterfly!

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4.0étoiles sur 5 Rawlings is weird, Aoû 1 2002
Par J R Zullo (São Paulo, Brazil) - Voir tous mes commentaires
This is the second Easy Rwalings book, a series by Walter Mosley.
It's a short and fast-paced book, easy to read. There are two problems with Easy Rawlings, though. As happens with all Mosley books, the plots are kind of misty, you just don't know for sure what Rawlings must do or discover through the story. Other thing I find extremely annoying is that, except Rawlings, other characters are completely undeveloped, they're just names thrown into the story, making it a little confusing, you almost never know who is who and what part they seem to take in the plot.

Easy Rawlings is a funny character, though a little too stupid. He acts before he thinks. Mosley thinks this is a means to provide action in the book and it works well, but I thought Easy was rather obtuse sometimes. But maybe Mosley just wanted to create a story as close to reality as possible. As in "Devil in a blue dress", the most interesting character is Mouse, Easy's friend, a murderer without scruples, who should get a book of his own.

I'll give a try to "White Butterfly", the next book in the series.

Grade 7.3/10

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Commentaires client les plus récents

5.0étoiles sur 5 Exceptional novel
I'm not quite sure if this novel qualifies entirely as a mystery novel because there are so many layers that permeate the book, envelop the senses and relate to the reader about... Read more
Publié le Juil 1 2001 par Omni

4.0étoiles sur 5 A window into a very different world
One of the great things about fiction is that not only do you get the fun of plot and characters, sometimes you really can learn something. Read more
Publié le Nov. 14 2000 par Carol Peterson Hennekens

4.0étoiles sur 5 Mosley Has Got It.
I was pleasantly surprised with this book. Mosley has a capacity to distill the hero's internal conflict without it coming off like he's a sissy. Read more
Publié le Aoû 11 2000

5.0étoiles sur 5 Marvelous!!!
I loved it I loved it I loved it!!! Walter Mosely is clearly here to stay. The book was written well and the mystery was not "easy" to solve. Read more
Publié le Mars 22 1998

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