From Publishers Weekly
Sex, money and power make headlines in the sixth Tom Bethany caper (after Body Scissors) as Tom-expert wrestler, 1980 Carter campaign worker and latter-day technological Robin Hood-sees the sleazier side of the newspaper business. He's recruited into a scheme to reacquire the Cambridge (Mass.) Daily Banner, which has fallen into the hands of wealthy Thurman Boucher. Not long after Boucher, aka "the Cobra," acquires the paper, its previous owner, Linda Cushing, is found dead, an apparent suicide. But both Linda's daughter and her old friend Felicia Lamport, who's also Tom's old pal, think Boucher is responsible for the death. Through a neat combination of luck, brawn and guile, Tom signs on as Boucher's security consultant, chauffeur and wrestling coach, from which position he sets about initiating dirty tricks galore in hopes of souring Boucher on his latest acquisition. Events heat up to an explosive climax after Tom is ordered to murder the Banner's fired managing editor. Doolittle gives his colorful characters plenty of snappy dialogue, and Tom is as funny and sardonic a narrator as mystery readers are likely to find. British, translation, first serial, film and TV rights: ICM.
Copyright 1995 Reed Business Information, Inc.
From Booklist
Thurman Boucher is a publisher of immense wealth, charm, and power. He is also a liar. When he bought the
Cambridge Daily Banner from the widow Cushing, he promised to leave the senior managers in place. Within days, he replaced them all, and Cushing committed suicide. The remaining family hires Boston investigator Tom Bethany to unearth whatever he can as leverage to buy the paper back. Bethany infiltrates Boucher's inner circle by securing a position as the publisher's driver/bodyguard. Despite being sorely tempted by the money and power that now surround him (not to mention the charms of Boucher's come-hither wife), Bethany remains true to the cause and leads Boucher into a clever sting that could topple the whole Boucher empire. After a one-book misstep as a bloody avenger, Bethany returns as the clever, self-aware, and slightly paranoid knight errant we've come to treasure. This series is gradually becoming an extraordinary body of work, one that compares favorably to John D. MacDonald's Travis McGee adventures.
Wes Lukowsky
