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I Still Miss My Man But My Aim Is Getting Better
 
 

I Still Miss My Man But My Aim Is Getting Better (Mass Market Paperback)

de Sarah Shankman (Author) "TUESDAY, ELEVEN-THIRTY, A BRIGHT SPRING MORNING, Shelby Kay Tate, already late, races down a sidewalk, speeding past a row of little shops ..." En savoir plus
4.8étoiles sur 5  Voir tous les commentaires (5 évaluations de client)
Price: CDN$ 7.99 & se qualifie pour Livraison super-économique GRATUITE pour des commandes de plus de CDN$ 39. Détails
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From Publishers Weekly

This departure from Shankman's popular Samantha Adams series (He Was Her Man) doesn't deliver on the promise of its clever title. There are plenty of laughs in the outrageous, rhinestone-studded story of Shelby Kay Tate, a Nashville waitress hoping to make it big in country-and-western music, but they don't add up to humor. Aiding Shelby in her quest are Patsy Angel, the ghost of Patsy Cline; Ann King, a crusty old lady with an ear for music; and Jeff Wayne Capshew, a police officer who, unbeknownst to him, is Patsy Angel's agent on earth. Jeff Wayne's mission is to protect Shelby from her ex-husband, Leroy Mabry, who is determined to win her back or, he determines later, to murder her. Tossed in jail for assaulting Shelby, Leroy meets Mac McKenzie, an unstable fellow who, encouraged by the evil angel Rahab, leads the gullible Leroy on a crime spree once they're out on bail and plans to enliven Shelby's important club appearance with a pistol-packin' showdown. Shankman's story lacks the central puzzle mystery readers expect. Instead, it offers a large cast of weapons-toting, mean-spirited loonies and enough coincidences to round off a Dickens novel. It's easy to see why Jeff Wayne, faced with one of the book's armed crackpots, says, "I cannot freaking believe this." Author tour.
Copyright 1996 Reed Business Information, Inc. --Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.


From Library Journal

The unusual title, a lyric penned by aspiring country song writer Shelby Kay Tate, immediately grabs the reader's attention. The saucy and ambitious Tate combats the machinations of a gullible, possessive ex-husband; a loquacious con artist; and a smitten policeman-all of whom involve her in acts of violence. Wild and crazy characters, a humorous approach, and a heightened sense of drama result in unforgettable entertainment. Anyone choosing the latest from the author of She Walks in Beauty (Pocket, 1991) certainly cannot go wrong.
Copyright 1996 Reed Business Information, Inc. --Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.

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5 évaluations
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4.8étoiles sur 5 (5 évaluations de client)
 
 
 
 
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5.0étoiles sur 5 Shankman's got Suth'rin in her bones, Déc 18 2000
Par "huangpo" (Oakland, CA USA) - Voir tous mes commentaires
When I say that Sarah Shankman has done a Carl Hiaasen in this book, I don't mean she's copied him in any way. She's an original. But she, like Mr H and almost no one else, understands that particularly curious form of logic, aspiration, and reality in which southerners live, a world view which northern and western folk think of as "insanity." Angels and devils figure prominently in what we call their mythos and they (southerners) call their lives. Strange forces abound. And get this clear -- this is not a case of Ms Shankman using these extra-normal events to drag one bit of plot or another in by its hiney -- my admiration is because she understands how these events figure into the lives of those wonderful people. And unlike Hiaasen's people, some of Ms Shankman's people are actually admirable, although venality certainly abounds. I have enjoyed all the previous Sam Adams books, but this one goes into a whole new level. I can tell from reviews (all positive) whether or not the writer has ever lived in the south and seen it from an outsider point of view. Those who haven't quibble about some things. Those who have lived there in that way read this book and laugh and say, "That's what I mean, that's what it was, that's what I was trying to put my finger on." Thank you, Ms Shankman. You're welcome to come to my house for dinner any time.
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5.0étoiles sur 5 Don't Have to Be a Country Fan to Enjoy This One, Jui 29 1999
Par Un client
I bought this book because I loved the title. I don't know much about country music even though my late father was an Oakie from Okmulgee and descended from a long line of sons and daughters of the Old South. My siblings and I were not exposed to Country Western except for once a week when our mother avoided the family room while the rest of us watched "Hee Haw" [salute!]. My ignorance didn't matter a bit. The book is hilarious! I didn't mind Patsy Angel. (I've never quite understood why someone who was born at the same time that someone died would become the reincarnation of the dead person when the baby was around months before birth. I forget why belief in reincarnation was dropped from Christian doctrine, but I'm sure that wasn't the reason.) I laughed uproariously as the plot became more complicated. I loved the final chapter so much I reread it several times. The next day I was quoting the opening lines of the title song's chorus to my coworkers. I even ordered a copy to be sent to my sister. I'm sure she's going to love it. Ann E. Nichols
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5.0étoiles sur 5 A wonderful contrived yarn that left me giggling for days., Mai 29 1999
Thank goodness I found this book on the distressed book table of my still existing local bookstore! The story is a country song in novel form. It probably would get a C at best in English Novel 101, but who cares. I needed two days with this story to cheer me up--one contrived twist leads to the next. Here I come Amazon to read more Sarah Shankman!
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Commentaires client les plus récents

5.0étoiles sur 5 I hated to put it down
I thoroughly enjoyed this book. The story-telling was snappy. The characters were sympathetic. I had a great time with this book, and hated to put it down!
Publié le Avril 22 1998 par Louis Higgins

4.0étoiles sur 5 Not for the humor-impaired
Wildly funny. Reminded me of Carl Hiaasen's "Tourist Season," only a bit less dark -- and of Fay Weldon at her best.
Publié le Déc 15 1997

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