From Publishers Weekly
These chronologically ordered essays and stories on the September 11 attacks proceed from initial bewilderment to coruscating contempt for radical Islam. Novelist Amis (
House of Meetings) rejects all religious belief as without reason and without dignity and condemns Islamism as an especially baleful variant. Amis attacks Islamism's tenets as [a]nti-Semitic, anti-liberal, anti-individualist, anti-democratic and characterizes its adherents, from founding ideologue Sayyid Qutb to the ordinary suicide bomber, as sexually frustrated misogynists entranced by a cult of death. He also takes swipes at Bush and the Iraq war, which he describes as botched and tragically counterproductive, if well intentioned, but scorns those who draw a moral equivalence between Western misdeeds and the jihadist agenda. Amis's concerns are cultural and aesthetic as well as existential: terrorism threatens a reign of boredom in the guise of tedious airport security protocols, pedantic conspiracy theories and the dogma-shackled dependent mind fostered by Islamist theocracy. As much as Amis's opinions are scathing, blunt and occasionally strident, his prose is subtle, elegant and witty—and certainly never boring.
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Review
“[Amis is a] writer who is arguably the most gifted stylist of his generation, and who may be genetically incapable of a dull sentence . . .
The Second Plane and the furor surrounding its inception represent the debate an open and confident society should be willing to sustain about such fundamental, if difficult, matters.” –
Toronto Star
“
The Second Plane is an essential snapshot of a moment in time, of private reactions to a world in transition set against a collective anger and despair.” –
Edmonton Journal
“Novelist Martin Amis’s bent for punchy sentences and reason-as-the-only-fit-yardstick geopolitical analysis both surface early in this provocative collection of non-fiction essays, reviews and short stories. . . . Tough, and controversial, stances abound in
The Second Plane. . . . Amis’s command of language is a joy to read.” –
Winnipeg Free Press
“The great value of this book is that it does not permit us the armchair luxury of relativizing or compartmentalizing the War on Terror. By shifting the stage from the local to the global and raising the bar from the actual to the potential, Amis holds both sides to the same standards.” –
The Gazette “Amis is a highly intuitive writer. . . . The views Amis presents are worth reading for their wit, their vibrant phrasing, their ring of conviction.” –
National Post“[V]erbal thrill . . .[Amis’s] writing remains capable of anything” –
The Observer
“What Amis [has] really done, as the chronologically ordered pieces in this collection demonstrate, was to go on a political journey. . . . [P]ossibly the most fully engaged writer of our age.” –
The Times
“Amis is famously audacious, sardonic, and excoriating. But in this bracing and corrective collection of intense and perceptive responses to the terrorist attacks on September 11, 2001 . . . Amis is doing far more than performing literary pyrotechnics or playing provocateur. . . . [He] writes with vehemence, daring, and verve because he schools himself in harsh truths, and because he cares.” –
Booklist