From Publishers Weekly
Polished and classically structured, the 11 exquisite stories in this collection are as stylish as any of Barnes's creations, while also possessed of a pleasing heft. Told from a dazzling array of viewpoints, each is underpinned with a familiar Barnes concern: death. In "The Revival," the Russian writer Turgenev ruminates on lost love at the end of his life (as Tolstoy looks on), while in "Hygiene" a WWII vet revisits more than just his old mates during an annual trip to London for his regimental dinner. The past is seen from the perspective of the barber's chair in "A Short History of Hairdressing," and from two entirely separate angles in "The Things You Know," about a pair of widows who mentally savage each other over the course of a polite breakfast. Fans of Barnes's conversational novels, such as
Love, Etc. and
Talking It Over, may be nonplussed by the Dinesen-like sonority of the prose in "The Story of Mats Israelson" ("When Havlar Berggren succumbed to akvavit, frivolity and atheism, and transferred ownership of the third stall to an itinerant knife-grinder, it was on Berggren, not the knife-grinder, that disapproval fell, and a more suitable appointment was made in exchange for a few riksdaler"), but readers willing to follow Barnes's imagination will not be disappointed. With the exception of the plodding last story, "The Silence" (in which the title phrase is explained: "Among the Chinese, the lemon is the symbol of death"), the author handles his dark subject matter with grace and humor. This is not a morbid trip. Instead, Barnes always has his eye on something unusual, and the reader is taken for a delightful ride.
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The only thing Prunella Scales can't do perfectly is an American accent; there seems nothing Timothy West can't do. These two immensely skilled actors present the memorable stories in this collection with great wit and sympathy. West gives us an aging husband, full of himself and scornful of his wife, in town for a regimental dinner. But as he tries to find the even older prostitute with whom he dallied annually over the years, West makes us feel how disorienting, how finally shattering this day becomes for him, eliciting true identity and sympathy where we had expected to feel none. Scales's portrait of two widows of a certain age who meet for lunches to condescend to each other is sharply, delicately drawn. My personal favorite is the opinionated octogenarian who writes letters to the author, "Dr. Barnes," but all these stories are as good as the performances, making this a production that will reward multiple listenings. B.G. © AudioFile 2005, Portland, Maine--
Copyright © AudioFile, Portland, Maine
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