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One Day in the Life of Ivan Denisovich
 
 

One Day in the Life of Ivan Denisovich (Hardcover)

de Alexander Solzhenitsyn (Author)
4.5étoiles sur 5  Voir tous les commentaires (78 évaluations de client)
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One Day in the Life of Ivan Denisovich + The Gulag Archipelago Volume 3 + Cancer Ward
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  • Cet article : One Day in the Life of Ivan Denisovich de Alexander Solzhenitsyn

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Solzhenitsyn's first book, this economical, relentless novel is one of the most forceful artistic indictments of political oppression in the Stalin-era Soviet Union. The simply told story of a typical, grueling day of the titular character's life in a labor camp in Siberia, is a modern classic of Russian literature and quickly cemented Solzhenitsyn's international reputation upon publication in 1962. It is painfully apparent that Solzhenitsyn himself spent time in the gulags--he was imprisoned for nearly a decade as punishment for making derogatory statements about Stalin in a letter to a friend.

Review

“Cannot fail to arouse bitterness and pain in the heart of the reader. A literary and political event of the first magnitude.”
–New Statesman

“Stark . . . the story of how one falsely accused convict and his fellow prisoners survived or perished in an arctic slave labor camp after the war.”
–Time

“Both as a political tract and as a literary work, it is in the Doctor Zhivago category.”
–Washington Post

“Dramatic . . . outspoken . . . graphically detailed . . . a moving human record.”
–Library Journal


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3 internautes sur 3 ont trouvé ce commentaire utile :
5.0étoiles sur 5 The Terror of Pathocracy, Jui 22 2007
Par Harrison Koehli (Alberta, Canada) - Voir tous mes commentaires
(TOP 500 REVIEWER)   
Solzhenitsyn distills his voluminous Gulag Archipelago into his magnificent novel, "One Day in the Life of Ivan Denisovich". The book is almost mundane in its account of the dreary, repetitive, and dehumanizing life in a Soviet "work" camp. The circumstances leading to the arrest of thousands were doctrinaire and naive, corresponding perfectly with the personalities of those writing and enforcing such laws. The Soviet rule which first made use of such "concentration" camps can be accurately described, and is demonstrated perfectly by Solzhenitsyn, using the following analogy.

Imagine a social system in which the leaders are colour blind--they cannot distinguish between ripe and green tomatoes. However, they are not content to accept this fact; they must unrealistically force those who have functional vision to become like they are. They must cease to distinguish between green and ripe tomatoes. Under such leaders' supervision, they must even eat green tomatoes, pretending they are ripe. Such leaders, however, cannot rule without those who have some ability to distinguish colour. These are the middle men, caught between two worlds.

The phenomenon of Communism can be accurately described as pathocracy, a term created by Dr. Andrew Lobaczewski in his book Political Ponerology. In such a system psychopaths are the Daltonists; those who cannot understand the emotional inner life of the vast majority of humanity. They thus attempt the impossible, to stamp the conscience out of the rest of us. Solzhenitsyn masterfully captures the essence of life under pathocracy. It is absurd and horrific, and without knowledge of its true nature, it will continue to periodically destroy large portions of humanity.
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1 internautes sur 1 ont trouvé ce commentaire utile :
4.0étoiles sur 5 One day in the life of a Siberian concentration camp!, Juil 4 2009
Par Paul Weiss (Dundas, Ontario Canada) - Voir tous mes commentaires
(TOP 1000 REVIEWER)   
"One Day in the Life of Ivan Denisovich" is Alexander Solzhenitsyn's first book, a classic of modern Russian literature and the title that propelled him onto the literary world stage. As for the plot - well, the title itself serves as a synopsis. The story, such as it is, describes a single day in the life of Ivan Denisovich Shukhov who is serving a term in a Stalinist labor camp for offenses against the state. That they were never clearly described is surely Solzhenitsyn's method of making his readers aware of the fact that millions of prisoners were suffering the same fate on meaningless charges fabricated from thin air with nothing by way of evidence to support them. The novel, clearly built on a foundation of Solzhenitsyn's personal experiences spent in a gulag, is a courageous (and, under the circumstances, perhaps almost foolhardy) critique of the tyranny that was the Russian experience under the dictatorship of Stalin.

The story that Solzhenitsyn tells could hardly be categorized as compelling. In fact, it's anything but. Solzhenitsyn has expertly portrayed an overwhelming atmosphere of dreary darkness, hopelessness, despair and exhaustion through the banality of the prisoners' daily existence - the hunger, the cold, the de-humanization, the repetitive grinding work, the isolation, and the stark paucity of everyday living in a setting without joy. It wasn't so much that there were physical punishments, cruelty or the terror that one reads about in other prison stories such as "Papillon", "The Shawshank Redemption" or "A Tale of Two Cities", for example. The punishment in Shukhov's camp arose more obviously out of the deprivation and unutterable tedium of an inhumanly spare existence devoid of pleasurable experience. Indeed, it was clear that even the guards and prison staff were probably suffering only a scant degree less than the unfortunate inmates.

On hunger:

"How often had Shukhov in his youth fed oats to horses! Never had it occurred to him that there'd come a time when his whole soul would crave for a handful of them."

On sleeping in the inhumanly cold Siberian winter:

"He must make his bed now - there wasn't much to it. Strip his mattress of the grubby blanket and lie on it (it must have been '41 when he last slept in sheets - that was at home; it even seemed odd for women to bother about sheets, all that extra laundering). Head on the pillow, stuffed with shavings of wood: feet in jacket sleeve; coat on top of blanket and - Glory be to Thee, O Lord. Another day over."

As I said, spare writing that is itself a metaphor for the very things it so powerfully describes.

Highly recommended.

Paul Weiss
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1 internautes sur 1 ont trouvé ce commentaire utile :
4.0étoiles sur 5 Stoic Austerity, Sep 30 2000
Par Un client
Solzhenitsyn, himself, said, "Literature that is not the very breath of contemporary society does not deserve the name of literature...the pain and fears of society must be held before it, society must be warned against the moral and social dangers which threaten it."

Hisotry, to Solzhenitsyn, as it was to Tolstoy, is the theatre and arena in which the abominations as well as the glories of human behavior are revealed at their most powerful and on the grandest scale.

For Solzhenitsyn, however, the tragedies of individuals are not decreed by fate, as they were for Tolstoy. Solzhenitsyn sees instead tragedies as parts, packets or "knots" (uzly) of an even larger tragedy. The very things that debase their victims are, for Solzhenitsyn, not the result of "historical necessity," but rather a part of a larger evil, e.g., Soviet society.

Solzhenitsyn is not a revolutionary, however, he is an artist. At times his retelling of the history of twentieth century Russia is stark, bleak and unadorned, however in relating the results of events, Solzhenitsyn always seeks out the causes which have brought about the historical consequences. The major actions occurring in history, as Solzhenitsyn sees it, are due to the consciously-defined motivations of human beings.

For Solzhenitsyn, tragedy is distinctly non-classical and non-Tolstoyan. Heroic characters are not tragically-flawed, innocent victims as they are for Tolstoy. Solzhenitsyn's works are, instead, populated with persons who are either intrinsically evil or intrinsically good. For him, the intrinsically evil certainly outnumber the intrinsically good, although they do not necessarily defeat them. This is a distinctly non-classical, non-nineteenth century view.

For Solzhenitsyn, men create their own tragedy and history and they are the ones who must shoulder the blame.

Solzhenitsyn's style of writing is economical and unadorned. His motto might well be "wie es eigentlich gewesen," or "tell it like it is." As such, he writes in the everyday language of the labor camps. This causes much confusion in translation although it reads perfectly well in the original Russian.

In fact, many "unprintable" Russian words can be found in One Day in the Life of Ivan Denisovitch, all rendered with the frankness of a Henry Miller novel. Solzhenitsyn, however, uses obscenities, not to shock, but to show how debased human beings can become.

The blunt language used by Solzhenitsyn lends an "immediacy and sincerity of tone" to his work. His scenes are enhanced by this device, whether it be a scene in the barracks, at a construction site, or during friskings and body counts.

One Day in the Life of Ivan Denisovitch is told in the "skaz" or folktale manner in the Russian tradition of Pilniak, Zamyatin and Babel, not to mention prerevolutionary writers like Leskov and Gogol. In the skaz tradition, the storyteller, or narrator, shares the same level as the main character in the story. The skaz strategy for storytelling permits the author to insert much "local color" into the story as well as humorous or ironic observations and commentary.

The narrator in One Day in the Life of Ivan Denisovitch allows the reader to participate in situations and to listen to conversations as if he were really there. This is further enhanced by the fact that the language employed is, at times, quite simple and slangy and filled with "zek argot."

Solzhenitsyn, however, established no clear dividing line between Shukhov's speaking and his own speaking. At times, this device necessitates that the reader take great care in untangling an unspoken monologue of Shukhov from an external observation made by the author through the third person narrator.

Additionally, when Shukov, himself, is speaking in dialogue, it is difficult to know whether he is speaking to the reader or to another character.

It is obvious that Solzhenitsyn has employed a number of literary techniques in the telling of One Day in the Life of Ivan Denisovitch. His message in this book, as well as in other books is to convey the raw truth in all its bleakness. In avoiding lengthy sentences and ornamental descriptions (a la Dickens or Dostoyevsky), Solzhenitsyn accomplishes a stoic austerity in style equal to the stoic austerity of his scenes in a Siberian labor camp.

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Commentaires client les plus récents

4.0étoiles sur 5 Oddly Uplifting
This book would be horribly depressing if the main character wasn't so strangely calm about the entire thing. Read more
Publié le Fév 9 2007 par N. Fehr

5.0étoiles sur 5 Formidable read
Perhaps Russia's greatest living writer, Alexander Solzhenitsyn painted the picture of Stalin's gulag in this gut-revealing book that catapulted him in the West and became the... Read more
Publié le Aoû 30 2006 par Edward Tem

4.0étoiles sur 5 Required reading
It is difficult to imagine a more horrific ordeal than life in a Soviet prison camp as described by Solzhenitsyn in One Day in the Life of Ivan Denisovich. Read more
Publié le Mars 13 2005 par SCOTT DIXON

4.0étoiles sur 5 A novel that sneaks up on you
This is an interesting little book regarded by many as a classic. It gives a picture of a single day in the life of Ivan Denisovich Shukhov, a prisoner in a Russian labour camp... Read more
Publié le Mai 24 2004 par Dr. Paul A. Baggaley

5.0étoiles sur 5 Ivan Denisovich is a symbol of bravery.
I love this book. Ivan Denisovich is a symbol of bravery of the human spirit in despair. This story is necessary for all of us who used to the living in a society that supports... Read more
Publié le Mai 13 2004 par B.K. BAZHE, Author of Damages,...

4.0étoiles sur 5 A really great read...Light, Enlightening, Unique, Creative
There are a couple of things about this book that stand out. First, its ability to give you a real sense of presence. Read more
Publié le Mai 11 2004 par A. Lacasse

4.0étoiles sur 5 Very enjoyable.
This story gives you a overwhelming feeling of what it was like to be living in a socialist concentration camp and I thought it was a great read for people who are interested in... Read more
Publié le Mars 17 2004 par J. Leong

5.0étoiles sur 5 an amazing, subtle accomplishment
One Day is based on the real life experience of A. Solzhenitsyn, who was imprisoned for the better part of ten years (may have been more, can't remember) in a Russian hard labor... Read more
Publié le Jui 18 2003 par J. Hill

3.0étoiles sur 5 One Day in the Live of Ivan Denisovich
Its the early 1900's and your in Communist Russia. You've committed a crime and are in a prison camp for ten years. Read more
Publié le Mai 18 2003 par william alchier

3.0étoiles sur 5 One Day in the Live of Ivan Denisovich
Its the early 1900's and your in Communist Russia. You've committed a crime and are in a prison camp for ten years. Read more
Publié le Mai 18 2003 par william alchier

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