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The Gift
 
 

The Gift (Paperback)

by Vladimir Nabokov (Author)
4.1 out of 5 stars  See all reviews (12 customer reviews)
List Price: CDN$ 19.95
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Product Description

From Amazon.com

For most of his life, Vladimir Nabokov was quite literally a man without a country. It's a small irony, then, that his career falls so neatly into national phases: Russian, German, French, and American, plus the protracted coda he spend in a Swiss luxury hotel during his final decade. The Gift, which he wrote between 1935 and 1937 in Berlin, is the grand summation of his second phase. It describes, for starters, the sentimental education of a young Russian writer, Fyodor Godunov-Cherdyntsev. This hyphenated creation has more than a few things in common with the author, despite Nabokov's vehement denial in the novel's foreword. Still, only a nitwit would read The Gift for its autobiographical revelations. What this early masterpiece does offer is a wealth of lyrical, witty, heartbreaking prose, beautifully translated from the Russian by Michael Scammell (with an assist from Nabokov himself). Who else would note the way a street rises "at a barely perceptible angle, beginning with a post office and ending with a church, like an epistolary novel"? Who else has ever administered the satirical shiv to his characters with such deadly, almost affectionate aplomb?
Shirin himself was a thickset man with a reddish crew cut, always badly shaved and wearing large spectacles behind which, as in two aquariums, swam two tiny, transparent eyes--which were completely impervious to visual impressions. He was blind like Milton, deaf like Beethoven, and a blockhead to boot.
Of course, only a fraction of The Gift is taken up with this sort of demolition derby. Fyodor's romance with Zina, for example, occasions the most ardent prose of Nabokov's career: "And not only was Zina cleverly and elegantly made to measure for him by a very painstaking fate, but both of them, forming a single shadow, were made to the measure of something not quite comprehensible, but wonderful and benevolent and continuously surrounding them." (Shades of Volodya and Véra? Only the deceased husband and wife, and perhaps Stacy Schiff, know for sure.)

At the same time, The Gift is a brilliant, mesmerizing riff on the history of Russian literature, with elaborate bouquets tossed to Pushkin and Gogol. There's also a hilarious yet somehow tender evisceration of the do-gooding polemicist Nikolai Chernyshevski--which was suppressed, in fact, when the novel was originally serialized by a Russian émigré magazine. As should be clear by now, The Gift defies any attempt at quick-and-dirty summary. But the book plays the most pleasurable kind of havoc with our stuffy notions of narrative structure and linguistic protocol. And as Nabokov repeatedly wraps the reader's consciousness around his little finger, he never holds back on that ultimate literary gift: pleasure. --James Marcus



Product Description

The Gift is the last of the novels Nabokov wrote in his native Russian and the crowning achievement of that period in his literary career.  It is also his ode to Russian literature, evoking the works of Pushkin, Gogol, and others in the course of its narrative:  the story of Fyodor Godunov-Cherdyntsev, an impoverished émigré poet living in Berlin, who dreams of the book he will someday write--a book very much like The Gift itself.

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The Gift
82% buy the item featured on this page:
The Gift 4.1 out of 5 stars (12)
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Customer Reviews

12 Reviews
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 (6)
4 star:
 (3)
3 star:
 (1)
2 star:
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Average Customer Review
4.1 out of 5 stars (12 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful:
5.0 out of 5 stars A complex and beautiful gift indeed..., Sep 22 2003
By Geoff Puterbaugh (Chiang Mai, T. Suthep, A. Muang Thailand) - See all my reviews
(TOP 1000 REVIEWER)   
VN loves doubles, and puzzles, and structure. In this book, he finally managed to convince me that he never writes a bad sentence, or utters a silly thought.

But what is this book? Or what is it about?

It's sort of autobiographical. It sort of describes VN himself, as a newbie Russian exile in Berlin. Certainly, like all imaginative writing, it draws on the writer's own experiences and emotions.

But that's only a beginning.

At the beginning, the young writer-protagonist (a Russian in Berlin) has just published his first volume of poetry. An older exile, named Chernyshevski, comes to tell him that his book has attracted a very favorable review. So Fyodor (our hero) sinks into a prolong reverie, reviewing his beloved poems with the (anticipated) wise words of praise. Later, he goes to Chernyshevski's house for the evening, and discovers that he has just been the victim of an April-Fool's joke: today is April 1, and there was no review. Fyodor's attention is grabbed by a young male visitor who says nothing. He says nothing because he is a ghost. He is the son of the Chernyshevski couple, who commited suicide, a few years ago, as the result of a love triangle. And so enters the theme of the father grieving endlessly for his son. The father Chernyshevski is mad, much of the time -- because of his loss.

In the next chapter, we get a stunning shift of scene, as Fyodor welcomes a visit from his mother and begins drafting a life of his father. This father, a character much larger than life, spent his life chasing butterflies across Asia, making more trips than Marco Polo, and finally was reported dead during WWI. And so enters the theme of the son grieving for his father -- a father of many voyages. Very moving, and obvious parallels to "The Odyssey."

In the next chapter, Fyodor moves, and falls in love, and begins drafting his second book, a life of Chernyshevki (the FAMOUS Chernyshevski). And the chapter after that (Chapter IV) is the book that Fyodor wrote.

Chapter V presents various idiotic reviews of Fyodor's book, and slowly VN knits all the themes together: the father mourning for his dead son, the son mourning for his dead father, people writing books which other people fail to understand (the ongoing "book review" theme), and the simple, absolute beauty of life here on earth, and love of another human being.

I'm sure I will be re-reading this wonderful work of art many times. I think you should regard it as a gift -- to you!

Highest possible recommendation!!

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5.0 out of 5 stars Nice book, Jan 26 2004
By A Customer
This is Nabokov's finest Russian novel. It contains his most detailed description of what he refers to in Speak, Memory as "cosmic synchronization". Also note the contrast between the epigraph of this book and that of Invitation to a Beheading.
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2.0 out of 5 stars I would like to return this gift, Oct 15 2003
By IRA Ross (HOBOKEN, NJ United States) - See all my reviews
(REAL NAME)   
Fyodor, the protagonist of _The Gift_, is a Russian living in Berlin. Fyodor is having a great deal of difficulty getting his writings published. Given the task of completing his biography in-progress of Chernyshevski, the late Russian writer accused of conspiring to assassinate Tsar Alexander II, Fyodor is finally able to get something published. Chapter 4 of _The Gift_ encompasses this biography.

Vladimir Nabokov is considered one of the greatest authors of the 20th century. Nabokov is incapable of writing a paragraph, much less a sentence, without creating a work of poetry. This is no less true in _The Gift_. Nabokov does give a picaresque description of Fyodor's relationship with his adverturous father, a hunter of rare and exotic butterflies. _The Gift_, however, is so over-ladden with metaphors and intellectual gymnastics that character and plot development are almost completely sacrficed. The book also lacks focus, wildly jumping from one story line to another in quick succession. I completed reading _The Gift_ only because the author is the great Nabokov.

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Most recent customer reviews

5.0 out of 5 stars Hail Colorfully Winged Muse!
Nabokov is very funny(in case you didn't already know that) and no matter what his subject matter the humor comes through. Read more
Published on Oct 23 2001 by Doug Anderson

4.0 out of 5 stars The Greatest of Nabokov's Russian Work (nearly perfect)
This is not only one of the best Kunstelesromans (portraits of an artist) in modern literature, but also one of the finest investigations of the relationship between the Writer,... Read more
Published on April 26 2001 by David K. O'Hara

2.0 out of 5 stars Arduous
I suppose there is a plot somewhere in this book, but it's lost amid the frequent changes of narrative style (first person, third person, then back-and-forth between the two) and... Read more
Published on Feb 19 2001

5.0 out of 5 stars Coming of Age in Exile
I found this "coming of age in exile" novel of VN's to be an exhilirating, long read. The sensibilities developed in this final Russian novel of VN's are multi-layered... Read more
Published on Dec 13 1999 by David Engle

5.0 out of 5 stars VN's best Russian-language novel
This is an intense, nostalgic, non-linear novel. It's a rich treat for Nabokov fans. The first time I read it, I recall getting frustrated at the seeming plotlessness, yet there... Read more
Published on Mar 18 1999 by Alex Jones

3.0 out of 5 stars I quit reading The Gift
After searching for this book, finally tracking it down, and reading it, I was very disappointed. I have been virtually absorbed in Nabokov's work for nearly four months now, and... Read more
Published on Dec 25 1998 by nanopookie@aol.com

4.0 out of 5 stars A geat, strange, frustrating book
This book has no plot to speak of, and, when it attempts to feign one, it just gets bogged down (although that proves to be, of course, one of Nabokov's tricks). Read more
Published on Jul 13 1998 by Hal Johnson

5.0 out of 5 stars Excellent
I'm assuming this isn't exactly the station for scripting out a long book review where everyone will make the decision of whether or not to buy this book, or even become more... Read more
Published on Nov 8 1997

4.0 out of 5 stars Another Russian writer called Fyodor.
"The Gift" will mark the last of Nabokov's novels in Russian as well as his farewell ode to the pre-Bolshevik literature which formed him. Read more
Published on Oct 23 1996

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