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The Temple of the Golden Pavilion
 
 

The Temple of the Golden Pavilion (Paperback)

de Yukio Mishima (Author), Estate of Ivan Morris (Translator)
4.6étoiles sur 5  Voir tous les commentaires (18 évaluations de client)
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  • Cet article : The Temple of the Golden Pavilion de Yukio Mishima

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Descriptions du produit

Review

"Beautifully translated... Mishima re-erects Kyoto, plain and mountain, monastery, temple, town, as Victor Hugo made Paris out of Notre Dame."

-- The Nation

"An amazing literary feat in its minute delineation of a neurotic personality."

-- Chicago Tribune

Translated from the Japanese by Ivan Morris

Product Description

Because of the boyhood trauma of seeing his mother make love to another man in the presence of his dying father, Mizoguchi becomes a hopeless stutterer. Taunted by his schoolmates, he feels utterly alone until he becomes an acolyte at a famous temple in Kyoto. He quickly becomes obsessed with the beauty of the temple. Even when tempted by a friend into exploring the geisha district, he cannot escape its image. In the novel's soaring climax, he tries desperately to free himself from his fixation.

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L'avis des consommateurs

18 évaluations
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4.6étoiles sur 5 (18 évaluations de client)
 
 
 
 
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5.0étoiles sur 5 Yes! Yes! Yes!, Nov. 13 2003
Mishima is one of the most talented writers who arose from the disaster of World War II. *Kinkakuji* is a journey through inner chaos. While the temple symbolizes everything that is beautiful for the book's tragic protaganist, it also reminds him of his own insignificance. The book is written from a Buddhist perspective and gives a glimpse into the paradoxical world that is Japanese.
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5.0étoiles sur 5 An excellent psychological examination, Sep 28 2003
Par T. Hooper "thdizzy" (Osaka, Japan) - Voir tous mes commentaires
(TOP 500 REVIEWER)    (REAL NAME)   
The Temple of the Golden Pavillion is an excellent psychological novel. In this book, we can see how a mind can be driven along to evil through obsession.

The main character of this book is Mizoguchi. He is the son of a poor rural priest. He is taken by his dying father to become an acolyte at the Temple of the Golden Pavillion. All throughout his childhood, his father had told him about the spledid beauty of this temple. Mizoguchi builds up an image of ideal beauty in his mind based on this Golden Pavillion. However, this ideal image causes him to feel disappointed in any supposed form of beauty, including women and even the actual physical Golden Pavillion. Nothing can live up to this image of supreme beauty.

As he enters university, he comes under the influence of Kashiwagi, a fellow student with a very bitter view of life. Under this influence, Mizoguchi's dark feelings bubble up inside him. One of my favorite parts is Mizoguchi and Kashiwagi's discussion of knowledge and action. Kashiwagi asserts that an unbearable life can be made bearable by just having the knowledge that it is unchangable. However, Mizoguchi argues that knowledge is a dead thing, and that only action to change to change an unbearable life can make it bearable. This attitude leads him to his final desperate attack.

I think that this book is particularly important in this age of terrorism. Often people ask why do terrorist do what they do, and they ask this because they don't understand the obsession (whether in ideal beauty as in this book, or with fundamentalist religion as in the case with terrorists), the hopelessness, and the desperation that they feel. I think if you read this book, you can understand how a mind is turned to evil acts through these means. Please read this book, if only to understand this point.

A previous reviewer complained that ther isn't much action in this book, and that is true, but that's no reason to give it a low rating. It's a psychological novel about the process of a mind on the road to evil, so naturally the main part of the story takes place in the mind. If you want a novel with exploding cars, you should try a Tom Clancy novel instead.

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3.0étoiles sur 5 Alienation, Juil 17 2003
Par C. B Collins Jr. (Atlanta, GA United States) - Voir tous mes commentaires
(REAL NAME)   
Mishima's beautiful introspective language and unique imagery kept me engaged in an unfolding tragedy. I find I disagree with almost all the other reviewers as to the meaning of this work. The young Mizoguchi finds he can not have sexual intercourse without the image of the Golden Pavilion dominating his consciousness. Mishima repeats the Zen koan "If you meet the Buddha in the road, kill him." three times. He also provides long dreamy discourse on the beauty of the temple. Surely there is a connection between attachment to beauty and diversion from enlightenment. To some extent the acolyte mets the Buddha in the road and kills him when Mizoguchi burns the national treasure, the temple of the Golden Pavilion. My edition has an introduction by Nancy Wilson Ross where she interprets MIzoguchi's alienation as the result of nationlessness, an experience for post-war Japanese. Whereas extreme nationalism may have been a concern for Mishima, I did not detect this influence as a major contirbutor to Mizoguchi's alienation. In fact, his bare reality confrontive dismissive mother would be enough to shake any psyche. Other critics have pointed out that the theme is resentment of the object of desire. This rings more true but doesn't provide a strong enough theory to pull the entire narrative together. There are several amazing images in the book. The Japanese naval officer who formally meets with his mistress in a tea ceremony prior to his leaving for war is haunting and beautiful. The mistress pulls her breasts from her kimona and squeezes her milk into the tea, which is drunk by her lover as his farewell. What an amazing image of love's nourishment and the observation that intimacy between human beings is mediated by our body fluids. I also found the relationship between the Superior of the Temple and Mizoguchi to be interesting. The Superior's aloof attitude could also be interpreted as a mature recognition that we can not really mentor anyone without making our mark upon them. The Superior takes a hands off attitude toward Mizoguchi, allowing him to struggle toward some self realization. Yet, when the Superior realizes that a deep wound exists in Mizoguchi's soul, he responds by assuming a prostrate submissive humble posture during his garden meditations where he is sure Mizoguchi will see him. It is as if to say, "I bring no weapons against your evil, pass away from us." Mizoguchi does pass, but not until he burns the temple.
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Commentaires client les plus récents

2.0étoiles sur 5 Inane Internal Instrospective Inferno
Given the other reviews, this seems a dissenting opinion, but Mishima's "The Temple of the Golden Pavilion" was a pretty laborious read. Read more
Publié le Jui 9 2002 par M. Swinney

5.0étoiles sur 5 A deep, thought-provoking, and beautiful book
The Temple of the Golden Pavilion is a book that stayed with me since I first read it, and in particular certain lines by Mizoguchi and Kashiwagi, two of the principal characters,... Read more
Publié le Oct. 18 2001 par Dmitriy

5.0étoiles sur 5 Incandescent
During WWII, Truman's military made the conscious act of not bombing Kyoto. During restoration, one of Japan's most revered temples was set ablaze by a young Japanese man, a... Read more
Publié le Jui 25 2001 par David Flood

5.0étoiles sur 5 Eastern thought, universal writing...
Having only read Mishima's Sound of Waves prior to this, I was pleased to find the same beautiful writing with an edgier subject matter... Read more
Publié le Jui 21 2001 par g33kgrrlpi

4.0étoiles sur 5 Striking back at a cruel world
The story of a misfit's revenge on the world he finds too cruel. The famous temple was burned to the ground by a young Japanese boy. Read more
Publié le Déc 22 2000 par Richard Peel

4.0étoiles sur 5 A bizarre novel about a boy's life and a temple.
THE TEMPLE OF THE GOLDEN PAVILION was a novel that had caught my eye when I first read its preview page. Read more
Publié le Nov. 8 2000 par Amy Li

4.0étoiles sur 5 mishima`s essay about beauty
From all of mishima`s work The Temple... is one of his most extraordinary works, his linguistic use to describe psicological extreme situations and the sense of beauty surrounding... Read more
Publié le Avril 11 2000 par andres roman

5.0étoiles sur 5 One of Mishima's best
I reckon The Temple of the Golden Pavilion to be one of the best novels of Mishima. This book is therefore quite something since Mishima in my opinion is one of the best writers... Read more
Publié le Janv. 26 2000 par John

5.0étoiles sur 5 The ultimate act of destruction
Excellent book. I read it back in college, but I do not think that I fully appreciated it. This time around I could not put it down. Read more
Publié le Jui 4 1999

5.0étoiles sur 5 One reason for 'Kinkakuji'
This novel is a good example of a theme that frequently arises in Mishima's work: the resentment of the object of desire. Read more
Publié le Avril 22 1999

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