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Fantastic Tales: Visionary and Everyday
 
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Fantastic Tales: Visionary and Everyday (Paperback)

by Italo Calvino (Editor)
4.0 out of 5 stars  See all reviews (2 customer reviews)
List Price: CDN$ 23.00
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The brilliant Italian writer Italo Calvino (1923-1985) compiled Fantastic Tales: Visionary and Everyday, a historical overview of great fantastic literature of the 19th century. Many of his 26 selections are from well-known authors (Sir Walter Scott, Honoré de Balzac, Nathaniel Hawthorne, Edgar Allan Poe, Charles Dickens, Ivan Turgenev, Guy de Maupassant, Robert Louis Stevenson, Henry James, Rudyard Kipling, and H.G. Wells), but Calvino largely avoided their best-known stories; the only inclusions likely to be familiar to many Americans are Hawthorne's "Young Goodman Brown," Poe's "The Tell-Tale Heart," and H.G. Wells's "The Country of the Blind." The remaining contributors range from moderately well-known to obscure. So the reader who purchases Fantastic Tales gains not only an intelligently annotated anthology of superb fiction, but, in one pleasant sense, a collection of mostly new stories.

Interestingly, some of the finest stories are by authors least known in America. Théophile Gautier's beautifully written, wrenchingly ironic "The Beautiful Vampire" establishes the traditions for romantic vampire fiction. Mérimée's "The Venus of Ille," a tale of culture clashes (Parisian and rural, ancient classical, and contemporary Christian), is sharp, well-written, and uncommonly horrific. With the gorgeous "A Lasting Love," the sole woman contributor, Vernon Lee, paints the most vivid portrait of obsessive, transcendent, destructive love.

Caveat: Calvino's introductions sometimes reveal more of the plot than readers will like. --Cynthia Ward



From Library Journal

The famed Italian novelist and folk literature scholar Calvino (1923-85) assembled a rich and wide-ranging anthology of 26 fantastic tales from the 19th century, first published in Italian in 1983. The collection includes imaginative selections from the pen of famed writers such as Nathaniel Hawthorne, Nikolai Gogol, Edgar Allan Poe, Charles Dickens, H.G. Wells, and Ivan Turgenev. The illuminating introduction traces the fantastic story from the beginning of 19th-century German Romanticism, with special attention to E.T.A. Hoffman (1766-1822), proclaimed the greatest author of the genre. Each of the stories, carefully selected, leaps immediately into intrigue and engages the reader with macabre descriptions and challenging juxtapositions. Concise, informative headnotes precede each story, identifying the author and the story's significance. These fascinating tales, along with Calvino's thoughtful comments, will be enjoyed by mature readers from the high school level and beyond.?Richard K. Burns, MSLS, Hatboro, Pa.
Copyright 1997 Reed Business Information, Inc. --This text refers to the Hardcover edition.

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3.0 out of 5 stars Hoping to be swept away..., Jul 12 2001
By _mads (Seattle, WA United States) - See all my reviews
I was instead disappointed. I enjoyed Italo's Italian Folktakes so much that I thought this would be another endless read. Instead, I found it dry and methodical. While some of the stories were intriguing, the majority were immature works created by talented authors. Meaning, many of the stories just didn't have the direction, plot, or moral I expect from a "fantastic tale."
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5.0 out of 5 stars The Literary Fantastic According to the Master Himself, Jun 28 2000
By 729 (New York, NY) - See all my reviews
The stories collected in this volume span through some several hundred years and many languages. The authors represented wrote not only in the genre of the fantastic, they are recognized masters. But here we find their finest, eeriest, most bizarre and phantasmagoric tales. Reading through the book provides a real sense of the development of the ghost story and the fantasy through the years.

Perhaps of even greater importance, for those of us who are Calvino fans, we can see what stories the Italian fabulist cherished most, what he read and what influenced him. He places each book in a historical and literary context, and the opening essay is truly key to understanding Calvino's theories of the fantastic, which in themselves make this book worth buying!

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