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The Knight and Knave of Swords
 
 

The Knight and Knave of Swords (Hardcover)

by Fritz Leiber (Author)
3.0 out of 5 stars  See all reviews (1 customer review)

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From Publishers Weekly

"Leiber's first published story in 1939 began the Fafhrd and Graynnouncements has Grey/i don't know/we have this from the review/which the house supplied/pk Mouser series of sword and sorcery tales that concludes with the four entries in this volume. One of the great works of fantasy in this century, the sequence is unequaled in its ironic wit, mordant romanticism and baroque invention, as well as a range of tone and affect not usually associated with the genre," lauded PW.
Copyright 1990 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.


From Library Journal

The Nehwonian duo of Fafhrd and Gray Mouser face their greatest challenge against old enemies in The Mouser Goes Below , a new novel by sf/fantasy veteran Leiber. Together with three other stories, this seventh volume of bawdy adventures featuring the author's famous pair of heroes belongs in libraries where sword and sorcery is popular. JC
Copyright 1988 Reed Business Information, Inc.

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3.0 out of 5 stars Original mood and lead characters undermined by voyeurism, Dec 3 2003
By Trevor Kettlewell "http://people.aapt.net.au/... (Nowra, NSW Australia) - See all my reviews
(REAL NAME)   
I've read this book years ago, at the end of the rest - so obviously I didn't mind the series. But I'm wondering if Book 7 was a particularly low point!
 
Sure, Lieber has created a distinctive world, with some distinctive characters. The mythology underpinning it (of mercurial and at times petty gods) is refreshingly original, and now and then our heroes find themselves caught up in some dreamlike event utterly beyond their control. He creates his own mood.
 
But, blimey, the prurience. Like, really seedy, man. Sure, I could handle the comic 007/Capt. Kirk style antics of swooning bikini clad babes turning up at the most unlikely (and frequent) intervals - as long as they merely work as props/scenery, taking up, say, as much space as the next tavern or horse, and don't distract from the strengths of the book, such as characters, nice genre ideas, and novel plotting. But perhaps Lieber was still caught up with that 70s, Hugh Hefner is cool - everyone else is repressed nonsense. It's not quite 'The erotic adventures of Fafard and the Grey Mouser', but at times he devotes several pages to gratuitous soft porn about bondage and orgies.
 
Were the earlier books quite as bad as this? I don't think so: I read The Swords of Lankhmar a year or so ago and don't remember such extended voyeurism (nor, however, do I remember much in the way of plot). Maybe I excused it before on the basis of the immediately read earlier books, but now I'm quite happy to get rid of the book, even if it jeopardises my chances of having a full set. Like Julian May's Golden Torc series, better to leave some holes.
 
Oh, and I noticed the cover has a ringing endorsement from Michael Moorcock - a very good anti-endorsement in my book. Moorcock was only good when I was 13, and metamorphosed into similarly prurient dross upon re-reading post-puberty.
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