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Music of a Distant Drum: Classical Arabic, Persian, Turkish, and Hebrew Poems
 
 

Music of a Distant Drum: Classical Arabic, Persian, Turkish, and Hebrew Poems (Hardcover)

by Bernard Lewis (Translator) "Go, my friend, you are free ..." (more)
5.0 out of 5 stars  See all reviews (1 customer review)

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From Library Journal

Edited and translated by Lewis, a well-known scholar of Arabic culture, this collection of 132 "classical" Middle Eastern poems dating from the seventh to the 18th centuries reveals the extensive heritage of Islamic poetry. The poems are divided into Arabic, Persian, Turkish, and Hebrew "rich and ancient" cultures that "reflect a wide variety of approaches and activities, from the pagan desert to the Muslim city." Showing how Islamic culture from antiquity has been composed of interrelated, "multiracial" groups, Lewis's erudite introduction discusses the emergence of Arabic languages and the status of poets and pays tribute to "the love of poetry and respect for poetry characteristic of Arab culture." Of various ethnicities, 54 predominantly male poets (Omar Khayyam and Rumi are the most familiar) living in diverse countries (e.g., Azerbaijan, Ethiopia, and Spain) express international cultural awareness centuries before the modern era. Sometimes humorous or mystical, the poems focus on family, love, and religion. Including biographies, illustrations, and an appendix of scripts of each source language, this collection is a fine historical document and anthology of eloquent poetry. For all academic and larger public libraries. Frank Allen, Northampton Community Coll., Tannersville, PA
Copyright 2001 Reed Business Information, Inc.


From Booklist

Lewis, for decades an icon in Middle East studies, isn't as good a translator as he is a scholar, but only he could single-handedly assemble poems from so many languages and cultures into a coherent anthology. Divided into four linguistic sections--Arabic, Persian, Turkish, and Hebrew--the poems span half the world and a millennium of history. Beginning in the seventh century and reaching to the eighteenth, Lewis selects from all the big names of Middle Eastern classical poetry, from Rumi to Omar Khayyam. The anthology's real strength, though, lies in its inclusion of poets rarely translated, especially Al-Hallaj, whose Arabic Sufi poems announcing the possibility of unity with God led to his assassination. Although translating from four languages, Lewis captures the rhythms and cadences of each admirably. Unfortunately, he furnishes little historical or religious context for the poems, which makes much of the verse obscure for those lacking knowledge of Islamic and Hebraic history. Still, fans of Rumi and other better-known Eastern poets should find several new and intriguing voices here. John Green
Copyright © American Library Association. All rights reserved

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5.0 out of 5 stars Poetry That Will Surprise You, May 10 2003
By John Thomson (Kansas City) - See all my reviews
(REAL NAME)   
Bernard Lewis is probably the West's foremost scholar on Islam and the Middle East; I have enjoyed several of his books on these topics. Even so, I was surprised to find a volume of poetry, translated by Lewis, at my bookstore, and I bought it immediately, reasoning that if it remotely approached his other works, it would be well worth the money. I was not disappointed. With little or no knowledge of Near Eastern poetry to my credit, Music of a Distant Drum won me over. I read the entire volume of poems, about 130, in the first evening.

Music of a Distant Drum is divided into four sections of approximately equal lengths, each providing poems, translated by Lewis, from four distinct (although sometimes contemporaneous) cultures: Arabic, Persian, Turkish and Hebrew. While I?m qualified to critique neither the poetry nor its translation, I can say that I found them all beautiful. Not knowing what to expect, I was surprised by the brevity of many of the works. The Persians and Arabs in particular seem to be fond of short works in tight stanzas. Too, I found the worldliness and circumspection of the Persians unexpected, even though they, among all four cultures, seemed most fond of metaphor.

If you are a student of the East, I think you might be interested in, and surprised by, the topics these poems: war, love, aging, politics, drinking (!). Some scholars note that drinking (or drunkenness), as a topic in this poetry, is a metaphor for an all-encompassing love of God. Lewis seems to suggest that the drinking references may not be as metaphorical as others maintain it is. Either way, the poetry is agile and moving, and I enjoyed it very much. Poetry lovers may appreciate that some of these works have probably never appeared in print in the West, and I was impressed by the very number of poets represented: there are an astonishing 54 mini-biographies (about a paragraph, each) in the back of the book.

Buy this book and read it. I believe you will find it as powerful and enjoyable as I did.

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