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5.0étoiles sur 5
Not Cold at All..., Avril 28 2009
Meet Todd Pickett. He is a has-been actor at twenty-nine, used up by the very system which turned him overnight from an Ohio farm boy into a superstar. In an attempt to regain his lost beauty Pickett elects to have plastic surgery, never dreaming that this decision would risk his life, and his soul. The procedure goes horribly, grotesquely wrong. Hiding from his fans, and from the press he knows will tear his reputation apart if they find out about his operation, Todd takes refuge where he thinks no one will find him.
He's wrong. His retreat from the glare of publicity takes him to a place that no map of Hollywood has ever described: Coldheart Canyon. Here, nursing his wounds and his desperation, he discovers what the history of the Dream Factory has long concealed: a world somewhere between life and death, reality and illusion, where the great legends of a forgotten Hollywood are waiting to educate him in the bitter business of life after fame.
Somehow, sooner or later, everyone from Tammy, the overweight, obsessive, good president of Todd's fan club, to Micky, a dying former child star with a life full of secrets, ends up in Coldheart Canyon, finding out things they never wanted to know about sex, madness, courage and generosity.
Set in Hollywood, Coldheart Canyon is a portrayal of a city that has a darker underbelly than we usually see. Told with a deft hand and a witty mind, we see Tinsel Town as it really is: that glamorous half-world in which beauty, power and youth are wealth; all can be stripped away in a heartbeat, and nothing is what it seems, even Death itself.
I was held spellbound as Barker spun his tale, weaving story and background seamlessly. Coldheart Canyon is a large book, close to 800 pages in hardcover. Not one word has been wasted, though, not one phrase is out of place. The tension, which builds throughout this eerie ghost story, is so thick it's like a fog that engulfs your brain and doesn't let you go until the last word.
What surprised me most about this lengthy tale was its humane message. Beauty is on the inside, not the outside. Money can't buy happiness. You can't buy love. There's truth in the old adage: there is no fury like a lover scorned. It's a truly human tale, taking its cues from the supernatural and human emotion to tell a story with something everyone can relate to.
The book left me feeling content, as opposed to other Barker books that have left me with questions and loose ends. The story of Coldheart Canyon has stayed with me, despite the lack of gore and horror.
Coldheart Canyon is a truly epic tale from a powerhouse of an author. Worth picking up!!
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4.0étoiles sur 5
Excellent! Tammy Lauper rocks!, Juil 16 2004
When famous actor Todd Pickett goes missing after blotched plastic surgery, his most fanatical fan, a fat housewife named Tammy Lauper, decides to try to find
her missing heartthrob. She tracks him to Coldheart Canyon, a great mansion haunted by old Hollywood stars and controlled by Katya Lupi, a silent screen star whose youthful ethereal beauty is still strangely preserved despite decades of hard living, and who will do anything to keep Todd by her side.
What worked for me:
Tammy rocks! She starts off as a stereotypical character, a fat housewife obsessed with a famous actor; but she turns out to be a tough, sweet-natured and intelligent woman.
Size-wise, although her weight isn't mentioned, I expected she's a rather big girl.
What didn't work for me:
Not enough Tammy in this book, and she should have been given a love interest.
Overall:
I highly recommend this suspense-filled horror novel. Tammy Lauper is a great heroine; do not judge her right away. She becomes a wonderfully well-defined character as the story progresses.
Warning: There are mentions of the occult in this book, as well as some very violent and sexual scenes, including rape and bestiality.
(...)
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5.0étoiles sur 5
Over-the-top, lurid, long...and absolutely UNFORGETTABLE!, Mai 21 2004
Clive Barker is a writer who never takes the subtle way out. It's a cliche that sometimes the scariest things are those things which are only hinted it or suggested (shower scene in PSYCHO is often trotted out as an example). Barker seems to believe that he can induce fear by pounding us with graphic details...not for the faint of heart. And he's such an adept writer, that he often succeeds, mostly because his imagination dares to go where no one has gone before.COLDHEART CANYON deals with the movie business. A '20s era silent-movie siren has a room installed in her house made entirely of tile taken from a monestery in Romania. This tile, some 30,000 pieces, may actually have been built by Lilith, the wife of Satan, and it seems to have...shall we say...remarkable qualities. The '20s era movie star and all her friends and fellow stars are transfixed and transformed by the power of this room, known as "The Devil's Country." Nothing subtle here. Then we skip forward to present day Hollywood, where star Todd Pickett makes the mistake of getting plastic surgery and suffers severe damage. He takes refuge from the press at the long abandoned "pleasure palace" of the '20s era star, Katya, that he has never heard of. No one seems to live in the house, but we soon find out otherwise. I've only scratched the surface of this wildy imaginative, almost bloated, novel. It's grand to read a book that takes on, with great humor, the foibles of the movie industry, and turns that satire into a horror novel of massive proportions. The house has one mystery after another, and the fates of the people who cross paths with the house, its grounds, its "residents" and especially The Devil's Country are drawn out in exquisite detail. Many have criticised the book for being too long, but I find Barker to be a writer of such power that you get swept along with long passages that don't seem important, but compel you anyway. Some have criticized an early passage, for example, in which Todd deals with taking his very sick dog to the vet's and the aftermath of this rather mundane situation. But he's a huge movie star, so we're interested in seeing how those around him react to him. And it helps to establish Todd as a real person...not just a generic star. We sympathize with him then, which is good, because it's hard to hold that sympathy later on. And just when the dog seems forgotten... Like Barker's other novels, such as Weaveworld and the startlingly beautiful Imajica, he mixes intense, believable feelings like those we might have in a love story (Barker conveys how love can grow in unlikely places VERY well) with some of the most graphic horror anywhere. We are thus given characters who seem very real and palbable to us, and they are thrust into the most outlandish situations anywhere. Whereas Stephen King makes horror "believable" by sticking with mundane, everyday details (I like King very, very much...his approach is different but great as well), Barker hammers us with the power of his imagery. The thingst that happen are so shocking, so horrible, it almost takes your breath away. COLDHEART CANYON is great because it takes place in a world we might recognize, not in another land altogether (such as in IMAJICA). It's heroine comes from the most unlikely sources, and she is an inspiration and a wonderful achievement for Barker. Be warned: the graphic horror is just that...graphic in the EXTREME. And the scenes of sexuality are just about the most horrific, gruesome and twisted you'll see ANYWHERE. It takes a brave heart to venture into COLDHEART CANYON. If you've got that, I believe you'll be richly rewarded.
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