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5.0étoiles sur 5
So Very English, Mai 21 2002
Can people really change their innermost selves? In this fabulous Trollope story, the answer is a resounding no, and it echoes from generation to generation.William and Barbara, staunch, middle-class, and proper, astonish themselves when they conceive twins. Barbara is not at all pleased, somehow embarrassed by this quite excessive show of pregnancy and birth. William, however, is enchanted. Imagine, he thinks, a conservative schoolteacher, nothing to recommend himself, really, and he has begotten twins! It makes him feel very important, and that's a good thing, because when Elizabeth (Lizzie) and Frances finally make their appearance, Barbara is quite disgusted and repelled by the mere thought of any further mothering. William becomes a house-husband of sorts, and Barbara, in her no-nonsense way, sees to her daughters' non-emotional needs. It works well until the girls are 10 years old, at which time comfortable, boring, predictable Barbara takes off for Marrakesh on a hippie trek (a truly hilarious plot twist). She is gone for some time, during which William begins a discreet love affair with the local artist, Juliet. Nevertheless, when Barbara comes back (not having succeeded in becoming a hippie or even a successful feminist, another hobby horse of hers), William takes her back as a natural course of events. He also keeps Juliet on the side; Barbara knows about this, and things continue, changed, but not really. Fast forward 25 years. Lizzie, having had a fling at artsy life herself, is married to a fellow student, Rob, and the two have created a very successful art/antiques/crafts boutique. They live in a large, sprawling house, and have four children. Lizzie works away at the huge mouthful of life she has endeavored to swallow--boutique, children, house, dutiful daughter, loving wife, loyal twin. As much as she thinks of herself as more successful at life than Barbara, she is more like her mother (albeit more giving) than she would ever want to be. It is only Frances, the gadfly, the unpredictable, the "different," who seems to have a "real" life. She has remained unmarried, had a series of unsuccessful love affairs, and runs a highly successful travel agency. The rest of the family is constantly worried about her...almost like she must fit into the mold in order to be happy. She seems quite happy enough--especially when she meets her Spanish lover (he of the book's title) halfway into the book. A torrid, gorgeous, passionate, beautiful, storybook affair ensues, much to the consternation of everybody else, who are waiting for the shoe to drop. Lizzie is worried and jealous--the business has begun to fail, and she and husband Rob are beset with money worries. Barbara, who knows nothing of passion (and doesn't approve of it), is waiting for Frances to be devastated. But Frances takes her own way, does her own thing, and defies her entire family and upbringing. I don't want to be a spoiler and say exactly what she does, but it alters her life, and the life of her lover and her family, forever. Has Frances, then, become the one person to break through the chains and truly become her own woman? That's for the reader to decide. This reader, however, says no. Read "A Spanish Lover" and find out. It's one of Trollope's classics.
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